Titles
Showing 15,621-15,640 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 15621 | E57A60DD-52B4-4BB2-A008-EFC630DC4A8D | A646290 | Marche Joyeuse | 2d1, 2, 2, 2 - 4, 2, 3, 1, timp, perc, str | ||
| 15622 | E57F2D47-AA3E-4F08-B0AA-5A1E7841AA44 | 10532147 | Three Cadets | This caprice for trio and piano begins with a harmonized cadenza and maintains a lively march-like style throughout. THREE CADETS makes for a great contest or recital piece! Versions for cornet, saxophone, and trombone trios are available from the publisher. | Trombone Trio and Piano | |
| 15623 | E5850BF1-471C-468C-9069-06BDAAEEFCED | M408691 | Chaconne from Partita No. 2 in D minor | Originally written for the violin, this compelling arrangement for the advanced musician is transcribed for unaccompanied bassoon. Editor Arthur Weisberg offers extensive notes about the challenges of playing Bach on bassoon broadly and specific approaches to this work. | Bassoon Solo | |
| 15624 | E585D3D1-F701-4592-9E4B-954EA7C28793 | A573702 | William Tell (Guillaume Tell, complete) | 2d1, 2d1, 2, 2 - 4, 2, 3, 0, timp, perc, 2hp, str (2.2.1.1.1) vocal soli (12 roles, SSATTBBBBBB), chorus, banda | ||
| 15625 | E5866CE3-C5AC-4C69-AC89-1FED835446F8 | M410091 | Symphony No.5 Op.42 No.1 | (not set) | Organ | |
| 15626 | E58D15FA-E9B3-425C-8A5E-DE869CCB25C0 | A697702 | Die Lustige Witwe: Ballsirenen Walzer (The Merry Widow: Ballsirenen Waltzes) | The Merry Widow is an operetta by composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play, L'attaché d'ambassade by Henri Meilhac. The Ballsirenen Walzer is from the final scene of Act I. | 1+1, 2, 2, 2 - 4, 2, 3, 0, timp, perc, hp, str | |
| 15627 | E58EBE71-93E6-4C9E-AF5D-546C82CFB004 | SS968 | Centone No. 8 | Brass Quintet | ||
| 15628 | E58F0282-14C1-41A9-8272-89DCC9A3FB28 | R00360 | Alvorada | Commissioned by the Pasadena Chamber Orchestra | String Orchestra | |
| 15629 | E5912401-17CB-4AD0-965A-224B29767A38 | R01589 | Serenade for Viola and Strings | Originally written for alto saxophone and string orchestra. Movements: 1. A Backward Glance, 2. St. Hans Fire, 3. A Midsummer's Night Fairy Tale, 4. Stella's Dance, 5. Evensong. Versions for viola and piano and viola and string orchestra are available from the publisher. | Viola Solo: String Orchestra (min. 6.6.4.4.2) | |
| 15630 | E5932A39-0200-4ED6-BEE5-5C1470B1CFEF | S993CB | Nessun Dorma from the Opera Turandot | Nessun Dorma (None shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot, and is one of the best-known tenor arias in all of opera. It achieved pop status after Luciano Pavarotti's 1972 recording of it was used as the theme song of BBC television's coverage of the 1990 FIFA World Cup in Italy and became the famous Tenor’s signature aria. This unique arrangement for symphonic band by James Barnes faithfully captures the beauty and richness of Puccini’s original orchestral scoring. | Concert Band | |
| 15631 | E595D4EF-50C3-4216-B1E3-36BF0987D40D | X642801 | Circumstance | B-flat Clarinet, Piano, Percussion(1), Violin | ||
| 15632 | E595D905-480F-4BC5-8167-E62FA15E89B7 | R00721 | Into Flight From | Composed for the Los Angeles Philharmonic Orchestra | 3(1d Piccolo).3.3.3: 4.3.3.1: Timpani.Percussion(4).eKeyboard: Strings | |
| 15633 | E598175A-B75A-4915-82A5-73983CF79088 | SU553 | Zeal | Brillian and virtuosic showpiece by Robert Avalon, with driving rhythms, exciting meter changes, slow haunting middle section, and flashy ending. It just might become your next favorite recital piece! | Hn | |
| 15634 | E599D724-0800-41CD-B52E-A3BF8E46C5B7 | SC636 | Spring Has Come | Texas University Interscholastic League Sightreading for 3A Varsity Mixed (SAB) Choirs. Versions for SAB and SATB are available from the publisher. | Sab | |
| 15635 | e59a8de8-9e39-11f0-a418-0022482c9682 | A461602 | I Vespri Siciliani | Giuseppe Verdi’s (1813-1901) I VESPRI SICILIANI premiered on June 13, 1855, at the Paris Opéra under its original French title, LES VÊPRES SICILIENNES. Set against the backdrop of the 13th-century Sicilian Vespers uprising against French occupation, the opera weaves themes of patriotism, political intrigue, and personal sacrifice. The story follows the nobleman Arrigo, torn between loyalty to his father—who leads the occupying forces—and his love for Elena, a Sicilian duchess seeking revenge for her brother’s execution. Though not as frequently staged as Verdi’s more canonical works like LA TRAVIATA or RIGOLETTO, I VESPRI SICILIANI is admired for its ambitious scope, stirring choruses, and majestic orchestration. Today, it holds a respected place in the repertoire as a transitional work that bridges Verdi’s early and middle periods, especially when performed with a strong cast capable of meeting its demanding vocal and dramatic challenges. Instrumentation: 1+Picc.2.2.2: 4.2+2Cnt.3.1: Timp.Perc(7-8): Hp: Str (4.4.3.3.3 in set): Vocal Soli (11 roles, SATTTTBBBBB): Chorus. Reprint edition. | 1+Picc.2.2.2: 4.2+2Cnt.3.1: Timp.Perc(7-8): Hp: Str (4.4.3.3.3 in set): Vocal Soli (11 roles, SATTTTBBBBB): Chorus | |
| 15636 | E59C3B99-39A5-4929-997C-3F70BD706222 | ST159 | Sonata No. 2 | This advanced horn sonata employs a meterless approach to rhythm that rather emphasizes a freer approach to the interpretation of the rhythm. | Horn and Piano | |
| 15637 | E59D2A5D-39E5-4018-A689-09B3B9BE832A | B189 | Organizing the School Stage Band | Text | ||
| 15638 | E5A00972-3C17-4BE7-8DE6-5CD2B32D3E3B | ST618 | Three Scenes from Quimby's Prairie | Flute | ||
| 15639 | E5AA6097-84EF-47DB-89ED-CD6B1C3756D6 | ST269CO | Perspectives | (not set) | 8 MIX | |
| 15640 | E5AA940F-4575-4DFC-9E8E-9C2861BF5441 | LV122CB | Chorale and March | This easy Chorale and March is a wonderful concert or contest selection for the beginning band. | Concert Band |