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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
15601E5276A7E-EF8D-448C-A2AD-84F596484428SS467Grand Quartet, Op. 103 for ClarinetsThis clarinet quartet by Friedrich Kuhlau has been revised by Albert J. Andraud. Movments: I. Andante Maestoso, II. Scherzo, III. Adagio, IV. Rondo. Versions for flute quartet and clarinet quartet are available from the publisher.Clarinet Quartet
15602E52C0C5E-A1BF-48F3-AA21-CFE60968E44CA312502Un Ballo in Maschera: Act III, Aria: Eri tu che macchiaviUn Ballo in Maschera (A Masked Ball) is an 1859 three act opera by Giuseppe Verdi (1813-1901) with a libretto by Antonio Somma. Initially based on Eugène Scribe’s libretto for Daniel Auber’s 1833 five act opera Gustave III, ou Le bal masqué about the assassination in 1792 of King Gustav III of Sweden who was shot while attending a masked ball, Verdi’s version ran afoul of numerous censorship regulations in Naples, Rome, and France. As a result, the opera underwent a series of significant transformations and title changes, among which include the eventual change in setting from Stockholm, Sweden to Boston, Massachusetts during the colonial era. Taking over two years from commission to production, it became one of the most frustrating experiences of Verdi’s career. The aria Eri tu che macchiavi quell'anima (You were the one who stained her soul) occurs near the beginning of the third act, where Renato decides to not kill his wife, whom he wrongly believes has been unfaithful, but instead kill Riccardo, whom he thinks is her lover. Instrumentation: 2.2.2.2: 4.2.3.1: Timp: Hp: Str (4-4-3-3-3 in set): Solo Bar.2.2.2.2: 4.2.3.1: Timp: Hp: Str (4-4-3-3-3 in set): Solo Bar
15603E52CC9C8-F502-47D9-A62D-EED2FFD52654X106002Pastoral SymphonyCommissioned by the Tennessee Music Teachers AssociationWoodwind Quintet, Piano
15604E5323C9B-BEA5-40F8-80F7-29510BA309A550100185The Arctic WindCold, biting, incessant -- these are the characteristics of the brutal winds of the Artic region. The bold, invigorating rhythms of this composition trigger images of this wind in the listener's mind and carry them to the ice fields of the Artic.Concert Band
15605E533067A-0CF2-4CC3-9950-15B4D94422E3M218891Quintet for Oboe and String QuartetThis work in three movements was commissioned by Mrs. Elizabeth Sprague Coolidge, to whom the score is dedicated. The first performance was given in Venice in September 1927 by Leon Goossens and the Venetian String Quartet.Oboe, Two Violins, Viola and Violoncello
15606E5344111-CE7B-464C-A048-40A5EB4C56A6SC236All Things Are ThineText by John Greenleaf Whittier.Sa
15607E53C979D-FA25-4F07-9261-D2584726C74BST939Four Spanish CameosI. El Majo Timido, II. Berceuse, III. La Maja Dolorosa, IV. La Maja de GoyaFlute and Piano
15608E5442C7B-BA87-48A0-8C2F-1748DB8C93DC52703047Over the MoonYour audience will be over the moon with these beautifully romantic settings by Bert Ligon! Contents: You Belong to Me; Moondance; Over the Rainbow; I Only Have Eyes for You; Moonlight Serenade.Violin 1, Violin 2, Viola, Cello
15609E5445851-D623-42A7-98D0-A628338D624350250193Shake, Shake, ShakeThis delightful level one string orchestra piece will keep everyone on their toes! Every section gets a turn to play the simple D Major melody, and everyone gets a chance to be part of the rhythm section when it is their turn to play the shaker. This piece reinforces listening skills and ensemble playing but more importantly, it is just plain fun!String Orchestra
15610E54CE748-EA7A-4BD9-885A-187A3683BCD1X502004To Be Sung on the Water"The concerts freshest sounds came from Donald Crockett's dreamily lyrical To Be Sung on the Water...whose parts slip in and out of sync with each other. Silences provide breath and shape, sometimes suggesting Morton Feldman's airy designs and sometimes a kind of accidental Gothic Americana." --Josef Woodard, Los Angeles Times. Recorded by the Stanford String Quartet, Laurel Record CD LR-858.Violin, Viola
15611E55590F6-1222-490D-B1D7-B340793D133810511192Gypsy Love SongGYPSY LOVE SONG (Slumber On, My Little Gypsy Sweetheart) was written by Victor Herbert (1859-1924) in 1898 for his three-act operetta, THE FORTUNE TELLER, a story of attempted force marriage, many romantic relationships, and mistaken identities, all of which end happily. The tranquil and melodic song has been arranged in multiple ways (all with piano accompaniment) by Floyd O. Harris, all of which are available from the publisher: Alto Saxophone solo, duo, and trio (3rd Alto Saxophone also includes a Tenor Saxophone substitute); Tenor Saxophone solo; Cornet/Trumpet solo, duo, and trio; Trombone/Euphonium/Baritone B.C. solo, duo, and trio. These arrangements are wonderful for developing students looking for a lyrical piece to take to contest or recital.Cornet/Trumpet Duet and Piano
15612E555F1C1-6059-46B8-AB41-035D4A21A6C1B12612 Grand Caprices, Op. 32 (out-of-printHorn
15613e5561ec0-9e39-11f0-a418-0022482c9682A460702Il Signor Bruschino (complete opera)Premiered on January 27, 1813, at the Teatro San Moisè in Venice, Il signor Bruschino, ossia Il figlio per azzardo (Mr. Bruschino, or The Accidental Son) is a sparkling one-act comic opera that showcases Gioachino Rossini’s (1792-1868) youthful wit and inventiveness. The plot revolves around Florville, who hopes to marry his beloved Sofia despite the objections of her guardian, Gaudenzio. In a twist of farcical deception, Florville pretends to be the son of the eponymous Bruschino to win over the skeptical guardian, leading to a cascade of comedic misunderstandings. Though one of Rossini’s early works and not as frequently staged as his later masterpieces like The Barber of Seville or La Cenerentola, Il signor Bruschino remains a delightful gem in the opera buffa repertoire. It is celebrated today for its playful spirit, brisk pacing, and inventive orchestration—including the charmingly irreverent use of violins tapping their bows on music stands—which continues to endear it to audiences and performers alike. Instrumentation: 1.2+EH.2.1: 2.0.0.0: Str (4.4.3.3.3 in set): Vocal soli (8 roles, SSTTTBBB): Chorus. Reprint edition.1.2+EH.2.1: 2.0.0.0: Str (4.4.3.3.3 in set): Vocal soli (8 roles, SSTTTBBB): Chorus
15614E55A905A-08DF-4AEF-BED6-A704E7F7BEF8B400702Irish Suite: I. Irish Washerwoman for Band - NOP see Alfred 00-83181Concert Band
15615E55EE407-81CC-4D21-8586-B9CB361F5A0651250707Westminster Prelude and FugueString Orchestra
15616E56210D3-3E1B-4893-8C49-7DDDD8C29244SC71Noah's ArkAn American Black Spiritual arranged by Bobby Siltman for TT, TTB, TB, or TBB.Tbb
15617E56A8D48-D441-4BDD-93B4-4B055F775771A765602POP - See A936290 - Parade of the Wooden Soldiers, Op. 123 (Die Parade der Zinnsoldaten)(not set)2, 2, 2+1, 2, (4sax) - 4, 3, 3, 1, timp, perc, hp, pf, str
15618E56F4388-A9F1-419B-BA21-EF98DDD23AC8SC40Good Morning Sky! (out-of-print)Ssa
15619E570E137-05F3-4C6F-809B-6DB4ADC68DC1A427802Suite in F: Lady Radnor's SuiteHelen, Countess of Rador was a close friend to Sir Charles Hubert Hastings Parry (1848-1918), who composed this work in 1894 for string orchestra following a commission from the countess. Known for doing things seen as improper for a Victorian Lady to entertain herself, Lady Radnor would frequently commission works for her chamber orchestra, which she would then conduct herself in London. The Lady Radnor's Suite in F Major is one such work, which she premiered on June 29, 1894, at St. James Hall. Parry modeled the suite on early classical dance movements, with each of the six movements preserving the traditional dance styles while incorporating Parry's unique English harmonic language. Movements: 1. Prelude, 2. Allemande, 3. Sarabande, 4. Bourrée, 5. Slow Minuet, 6. Gigue. A string count of 8-8-5-5-5 is included in the set.String Orchestra (8-8-5-5-5 in set)
15620E5716283-E168-422F-9455-F9A91C86ADD6A732702Symphony No. 16 in C, K. 128 (critical edition)Symphony No. 16 in C Major, K. 128 was composed when Wolfgang Amadeus Mozart (1756-1791) was 16 years old. It was the first of three written in May 1772 while he stayed in Salzburg. The first movement is in sonata form. The second movement is for strings alone. The winds are added back in for the third and last movement in a cheerful rondo form. This critical edition has been completed by Austrian musicologist Wilhelm Fischer (1886-1962). Instrumentation: 0.2.0.0: 2.0.0.0: Str (4-4-3-3-3 in set).0.2.0.0: 2.0.0.0: Str (4-4-3-3-3 in set)