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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
15681E641818C-144E-4DC3-AB35-22E6CC9EABD650250098Kitchen PoltergeistYou can add percussionists to your orchestra. Just give them a couple wooden spoons and step back! That's because anyone can play kitchen utensils in this spooky, imaginative offering from Thom Sharp.String Orchestra
15682E6459F39-A49A-4B3E-BB06-DFB125CC2D47A611902Serenade No. 2 in F Major, Op. 11Alexander Glazunov (1865-1936) composed the beautiful Serenade No. 2 in F Major, Op. 11 in 1884, before his "creative crisis" of 1890. For a small orchestra, it was premiered in 1885, his friend and mentor Nicolai Rimsky-Korsakov conducting. Instrumentation: 2.1.2.2: 2.0.0.0: Str (9-8-7-6-5 in set).2.1.2.2: 2.0.0.0: Str (9-8-7-6-5 in set)
15683E64C8B50-E5B9-443A-B508-DB76B1D53694M914302Geometric DancesA fascinating and most creative work! Starting out in 2/4 meter, an eighth note is added to the meter of each successive movement (2/4, 5/8, 6/8, 7/8). The melodies are very musical and dance-like, with touches of the familiar throughout, and some jazz harmonizations for good measure. This marvelous work turns the math that you hated into the dance music that you love.Concert Band
15684E6512AFF-98D5-4294-A1D6-2744E6DFEF60EBM159747Introduzione e Rondo: Haydn Go SeekINTRODUZIONE E RONDO: HAYDN GO SEEK is an homage to the great rondos of Haydn's career - the C Major for piano, the last movement of the E-flat "Drum Roll" Symphony, and so many other delightful examples - and the premise was to play a constant game of surprise throughout, in a Haydnesque a fashion as I could must from two centuries' remove." - William Bolcom. Commissioned by and dedicated to Haydn2009. Movements: 1. Molto Adagio, patetico, 2. RondoPiano Trio
15685E6525C8F-8B89-4E5F-93B4-25D78B652FDB10532159The Rosary for Trombone Trio and PianoEthelbert Nevin (1862-1901) wrote the Rosary for voice and piano in 1898, and it is one of the pieces for which he is best known. Floyd Harris has arranged the work here for a trombone trio with piano accompaniment. The work is a perfect selection for beginning brass players to take to contest or play at a recital. Versions exist for trumpet/cornet solo, duo, or trio, trombone solo, duo, or trio, and baritone solo or duo. Each version has piano accompaniment.Trombone Trio and Piano
15686E656FEB4-3A3E-492F-8483-C45C17273058S800007Seasons in Hell
15687E65C7034-4688-446E-BDB0-D39D425EA64FX410114Magic Carpet Music for PianoAdapted for Jenny Lin from the composer's original work for flute, clarinet, violin and cello; Magic Carpet Music for Piano was premiered at Galapagos Art Space, NYC. Movement titles: I. Arabesque, II. Air, III. Buenos AiresPiano Solo
15688E660E1C2-C8F3-409C-84F9-2C5A6568C95350723002Ensembles for One World: Traditional Folk Songs Vol. 2 - Asia (viola quartet)Viola Quartet
15689e664ea8d-9e39-11f0-a418-0022482c9682A475402Adriana Lecouvreur: Act I, Aria: Io son l'umile ancella (soprano)The four-act opera ADRIANA LECOUVREUR was composed by Francesco Cilea (1866-1950) and premiered on November 6, 1902, at the Teatro Lirico in Milan, with Angelica Pandolfini in the title role and Enrico Caruso in the role of Maurizio. The libretto is by Arturo Colautti, and it is based on a play by Eugène Scribe and Ernest Legouvé, where some of the characters are based on actual historical figures, although the story itself is fictional. Despite a plot that includes multiple romantic entanglements, unrequited loves, misunderstandings, and murder-by poisoned-violets, the work is considered among the verismo operas, if it is less realistic than others classified as such. The title role has remained a favorite for sopranos with large voices since its premiere, and the opera holds a regular place in the repertoire. The soprano aria, "Io son l'umile ancella," ("I am the humble servant of the creative spirit") is sung by Adriana at the beginning of Act I in response to those backstage praising her for her acting ability. (The opera is based on the real French actress Adrienne Lecouvreur.) Instrumentation: 2+Picc.2+EH.2.2: 4.0.0.0: Timp: Hp: Str (4-4-3-3-3 in set): Solo Sop.2+Picc.2+EH.2.2: 4.0.0.0: Timp: Hp: Str (4-4-3-3-3 in set): Solo Sop.
15690e66837fc-9e38-11f0-a418-0022482c968210420468The RoosterThis work for the beginning instrumentalist, available for numerous different solo instruments with piano, includes a piano accompaniment that can be performed by a one or two year private study middle-school level piano student. The variety of solo instrument parts makes it possible for one student to accompany many different students. A preparatory "warm-up" exercise for young accompanists is printed on the last page of the piano part. This solo can also be found in all instrument versions of the Competition Solos series, Book 1.Oboe and Piano
15691E66B8BE9-3CC8-4B58-8A49-ECDB55397F48ST303Suite, Op. 40Movement titles: I. Rondeau, II. Rigaudon I, III. Rigaudon II, IV. Rondeau, V. Gigue, VI. Paysane, VII. Rondeau, VIII. Gavotte, IX. Menuet I, X. Menuet II.Bassoon and Piano
15692E671676B-0AB0-4A4D-9A14-E7625E0100EBA007090Dichter und Bauer: Overture (Poet and Peasant)2d1, 2, 2, 2 - 4, 2, 3, 1, timp, perc, str
15693E680BBBF-32DC-4FE1-A66B-154179CDB9EB50250147Rondeau FanfareThis arrangement of Mouret's famous work is set up like a Baroque concerto grosso, allowing you to feature soloists at an early grade level. Minimal hooked bowings, slurs on adjacent notes, and some low 2s for upper strings all make an appearance.String Orchestra
15694E683547A-609F-4083-B8B0-6C03A47CB08AX410003Guido's Hand: Five Pieces for PianoInvokes the memory of Guido d'Arezzo, associated with the sight-singing technique of the movable 'do' system.Solo Piano
15695E6835F27-B239-456A-A6C2-DB6C92970C9418100033FantasiaThree interpretations of Prelude I from Bach's Well-Tempered Clavier. "The composer's great contrapuntal gift makes a whole new item of that material from the greatest contrapuntalist of them all, and it makes exciting creative material for good bands as well." (The Instrumentalist)Concert Band
15696E68822BB-BF9D-4C13-913A-901AF9E75904S779CBA RemembranceA REMEMBRANCE was commissioned by Mr. Toshioki Onoe, band director and English teacher at Numazu Higashi High School, Japan, as a memorial for his son Atsushi. In his loving memory, the parents decided to commission a small piece from their old acquaintance, Elliot Del Borgo. It was their wish that the piece reflect the vitality and spirit of their son rather than be a sad memorial to him. Accordingly, the work, cast in three main sections, depicts the joy and love of life that both Mr. Onoe and Keiko, his wife, remember of Atsushi.Concert Band
15697E689A915-AE41-4E1D-8E61-25321056483AST392Percy Grainger Suite(not set)Brass Quintet
15698E68FAE6F-6C91-478C-9E9F-B9084157F5D5S769CBTwo Fanfares"Anniversary Fanfare" was composed for the Cleveland Youth Wind Symphony, Gary Ciepluch, Music Director, in celebration of their tenth anniversary. The composition is based on a ten-note fanfare that opens the work and serves as a catalyst for other ideas in this short piece. "Festival Fanfare" was commissioned for the Blair Honor Band Festival, Blair, Nebraska, Linda Donohue, Director. It is a short ternary form composition, conceived around a single motive that is presented as two contrasting themes.Concert Band
15699E694BF0C-977B-4B22-8DCA-4B32EE37B5C8S920Radio Flyer(not set)Band
15700E6996FEA-6C6A-43C1-BD50-EEFEC1E2E0F4A903690Ciganske Melodie, Op. 55/B. 104/4: Kdyz men stara matka zpivat ucivala (Gypsy Melodies, Op. 55/B. 104/4: Songs My Mother Taught Me) - in D(not set)1, 1, 2, 1 - 2, 0, 0, 0, str, [solo voice]