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Showing 15,761-15,780 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
15761E75771E0-ECA3-4C36-8341-9ACBE08F3346ST920Gypsy SongAlto Clarinet
15762E758B5A9-0F0A-44D0-8A9D-D02B5C808E9020412103Two for Three(not set)Flute Trio
15763E75D6330-A9E7-4E31-8676-1DF146E6D04DST780Five TriosThis collection includes five trios by Handel: I. Affettuoso, II. Gavotte, III. Air, IV. March, V. Minuet. This title comes with two instrumenation options: clarinet trio (two Bb clarinets and bass clarinet) (ST780), two oboes and bassoon (ST781) and oboe, clarinet, and bassoon (ST782).Clarinet Trio (2 Bb Clarinets and Bass Clarinet)
15764E762808E-89A1-4C06-BF72-FEB019589622EBM0610635New Vistas In Song (vocal score)High voice and piano; English words; the 4th work in Italian with English translation. Contents: Sounds and words / Milton Babbitt; Silent noon / Edward T. Cone ; words by Dante Gabriel Rossetti; The pasture / Henry Cowell ; words by Robert Frost; Un sonetto di Petrarca / Norman Dello Joio ; words by Francesco Petrarca; O lady moon / Alan Hovhaness ; words by Lafcadio Hearn; Letters found near a suicide / Earl Kim ; words by Frank Horne; The flea / Ernst Krenek ; words by John Donne; Bright star / Jan Meyerowitz ; wrods by John Keats; Meditation / Gunther Schuller ; words by Gertrude Stein; On the beach at Fontana / Roger Sessions ; words by James Joyce; Mourn! mourn! / Ben Weber ; words by John DowlandHigh Voice, Piano
15765E76E9C7F-3DA4-407F-B830-64FEFA1F7263A015790Spanish Dance No. 3You will swear your orchestra is a huge guitar when they perform this masterfully scored Spanish dance. Filled with rhythmic vitality and zest, this is that special number that stands apart from most others, and ornamentation abounds!Full Orchestra
15766E771DC38-F8B8-4598-98E6-F26D7E1EDE0450550001Divertimento for Tuba and Concert BandThe perfect vehicle for a year-end solo, this work is light, melodic, and not overly long. It affords the ensemble a refreshing sound and a lighthearted yet serious work to strike just the right chord with your audience.Tuba, Piano
15767E772359E-B26F-42C3-A354-D99FC4AB4350SU456Nomad (Jazz March)"Nomad" is a short solo jazz march for multiple percussion of medium difficulty. Percussion details: triangle, wood block, tambourine, suspended cymbal, and 4 tom-toms.Multiple Percussion Solo: triangle, wood block, tambourine, suspended cymbal, and 4 tom-toms.
15768E77ABE3B-6A6D-45C2-B27D-E2297FBF50FBM337391Three Pieces(not set)Organ
15769E797ABD2-71C1-4262-9173-C433B5F7E5D5A015690Spanish Dance No. 1Full Orchestra
15770e7984970-9e38-11f0-a418-0022482c968210440395Nocturne No. 1 for Clarinet and PianoThis beautiful lyrical piece in 9/8 is dedicated to the composer's father.Clarinet and Piano
15771E7A028E5-688F-427C-9808-4F274812D354S154002Quartet for SaxophonesSax 4tet
15772E7A55BC5-3CBA-433B-A5CE-A7E4AC577ACBSC811O Beautiful AmericaTexas University Interscholastic League Sightreading for 4A and 3A Varsity Mixed (SATB) Choirs.SATB
15773E7A90E4E-0131-4BB5-A0E5-A2422E754032A225002Die Walkuere, WWV 86B: Act III, Sc. 1: Ride of the Valkyries (Ritt der Walkuren)The Ride of the Valkyries refers to the beginning of act 3 of Die Walküre, the second of the four operas constituting Richard Wagner's (1813-1883) Der Ring des Nibelungen. As a separate piece, the "Ride" is often heard in a purely instrumental version, such as in this original orchestration from the opera. Together with the Bridal Chorus from Lohengrin, the Ride of the Valkyries is one of Wagner's best-known pieces. The main theme of the Ride, the leitmotif labelled Walkürenritt, was first written down by the composer on 23 July 1851. The preliminary draft for the "Ride" was composed in 1854 as part of the composition of the entire opera, which was fully orchestrated by the end of March 1856. Instrumentation: 2+Picc(2).3+EH.3+BCl.3: 8.3.4.1: Timp(2).Perc(3): Str (9-8-7-6-5 in set).2+Picc(2).3+EH.3+BCl.3: 8.3.4.1: Timp(2).Perc(3): Str (9-8-7-6-5 in set)
15774E7AA2323-8B58-4DCD-A3D0-9BAFC67708F0S51000660 Etudes for Violin, Op. 45, Bk. 2With the first new edition in nearly 100 years, former Strad editor Eric Wen provides a 21st Century view of these classics. Book 2 includes modern fingerings as an alternative to the traditional, utilizing extensions, contractions, and half positions.Violin
15775E7AA55AB-6DD8-4533-ABAB-96E7231E66C8A931390Wozzeck, Op. 7 (Complete Opera)Austrian composer Alban Berg (1885-1935) composed the three-act opera Wozzeck between 1914 and 1922 after seeing a production of German playwright Georg Büchner's incomplete drama Woyzeck. Beginning the work in 1914, including the adaptation of Büchner's text into a libretto, Berg's obsession with completing the opera was interrupted by his serving in the Austro-Hungarian Army from 1915 to 1918 and during World War I, an experience which significantly altered his approach to Wozzeck. The plot, which depicts the lives of the inhabitants and soldiers of a rural German-speaking town, follows the title character as he is abused by the soldiers and deals with the infidelity of his wife, who he eventually murders before drowning himself. The opera ends with Wozzeck's son obliviously continuing to play with the other children as word of his murdered mother begins to spread. The opera finally premiered by the Berlin State Opera, Erich Kleiber conducting, on December 14, 1925, eleven years after Berg began work. It is considered the first avant-garde opera, and it famously employs atonality and Sprechgesang, although it does make use of leitmotifs and some classic forms to create some unity and coherence throughout the music and plot. The opera is performed often in both staged and concert settings. Instrumentation: 4.4(4th dEH).4+BCl.3+CBsn: 4.4.4.1: Timp(2).Perc(3-4): Clst.Hp: Str (4-4-3-3-3 in set): Banda (3 banda configurations used, but all banda players may be pulled from the pit orchestra): OnStg Pno: Vocal Soli (12 roles: STrebleATTTTBarBarBarBB): Mixed Chor.4.4(4th dEH).4+BCl.3+CBsn: 4.4.4.1: Timp(2).Perc(3-4): Clst.Hp: Str (4-4-3-3-3 in set): Banda: OnStg Pno: Vocal Soli (12 roles: STrebleATTTTBarBarBarBB): Mixed Chor.
15776E7AAE257-BD56-4278-86DF-CE7353F28E7BS713CBThe Pershing Rifles(not set)Concert Band
15777E7AD5249-753C-422D-AC64-0AFFA13FEF76S877CBIt Is Well(not set)Concert Band
15778e7b19b95-9e38-11f0-a418-0022482c968210440468The RoosterThis work for the beginning instrumentalist, available for numerous different solo instruments with piano, includes a piano accompaniment that can be performed by a one or two year private study middle-school level piano student. The variety of solo instrument parts makes it possible for one student to accompany many different students. A preparatory "warm-up" exercise for young accompanists is printed on the last page of the piano part. This solo can also be found in all instrument versions of the Competition Solos series, Book 1.Clarinet and Piano
15779E7B9A850-C23A-453E-89A7-6ACFAFEB48A6SS844Centone No. 1Musically, the term “centone” refers to the practice of combining separate works by one composer, or by different composers. In this Centone No. 1, the four works selected are by different composers, but all were originally for voices. Transcribed by Verne Reynolds.Brass Quintet
15780E7BB6FF3-84F3-41C4-AB70-AA31A9879295M252491Collected Songs, Vol. 5This collection of songs by Arnold Schönberg is available from the publisher in five volumes. Included in Volume 5: Two Ballads, Op. 12 (1. Jane Grey; 2. Der verlorene Haufen); Two Songs, Op. 14 (1. Ich darf nicht dankend [from "Waller im Schnee"]; 2. In diesen Wintertagen). Reprint edition.Voice and Piano