Titles

Create Title

Showing 15,921-15,940 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
15921E988BA75-25ED-42E2-ADE5-24272DA0144FSS373Student's Sweetheart, TheBaritone B.c.
15922E9901F36-01E1-41C2-94B6-2C3AAB947AE9R00016Songs of Radical Innocence for Clarinet and Chamber Orchestra(not set)Clarinet Solo: 2.2.0.2: 2.1.1.0: Perc(1).Hp: Str.
15923E9927C26-654C-4132-AC41-0C44ABE5C36D18803024Main Street Carol, The(not set)SA and Piano
15924E9958373-0CC7-486D-9B98-7CB5F8CFCBD3A197502Concerto for Violin No. 3 in B minor, Op. 61The CONCERTO FOR VIOLIN No. 3 in B minor, Op. 61 was written in March of 1880, when Camille Saint-Saëns (1835-1921) was 44 years old and at the peak of his output. Written for fellow composer and virtuoso Pablo de Sarasate, the soloist initially deemed the work not virtuosic enough to satisfy audiences, although time and seeing the work win success for other soloists led to a revived enthusiasm and the concerto's inclusion in Sarasate's repertoire. Saint-Saëns places the dramatic and technical passages in the 1st and 3rd movements, while the 2nd movement is graceful and songlike. This concerto, along with the INTRODUCTION AND RONDO CAPRICCIOSO, Op. 28, and the HAVANAISE, Op. 83, remain the most popular works for violin and orchestra by Saint-Saëns. Instrumentation: 2(2dPicc).2.2.2: 2.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Violin. Edited by Clinton Nieweg and Nancy Bradburd.2(2dPicc).2.2.2: 2.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Violin
15925E99B56E4-6667-43E4-9A35-01C28DF64A0E10710170Two Minuets for ViolinThese Two Minuets from J.S. Bach's Clavier Book of Anna Magdalena Bach have been arranged for the teaching repertoire. This is a wonderful selection for the developing or intermediate player to take to contest or recital. Versions for oboe and violin are available from the publisher.Violin and Piano
15926E99D70B2-6F9A-413D-91BF-37300FDBC743A885702The Bartered Bride, B. 143: Dance of the Comedians (Prodana Nevesta)2+1, 2, 2, 2 - 4, 2, 3, 0, timp, perc, str
15927E99FEF59-4456-46EC-87C3-001BF584A3BBM227991String Orchestra Repertoire Series Vol. 3String Orchestra
15928E9A0FB7A-1024-4A1B-84D3-114F8CC8558010100474Midwinter Festival, AUsing Gustav Holt's great carol In the Bleak Midwinter, the composer has provided a picture of a medieval celebration. Opening with church bells and a distant fanfare, a chorale setting of the carol is followed by a festive round dance. The work concludes with a joyful combination of the carol melody and the dance tune.Concert Band
15929E9A2FF5B-9EAD-48D8-9388-5E42D32B2715R00380The Gateway MarchComposed for the 25th anniversary of the Saint Louis Gateway Arch.2+Piccolo.2+English Horn(optional).3+E-flat Clarinet(optional)+Alto Clarinet(optional)+Bass Clarinet.2.AATB Saxophone Ensemble: 4.3+3 Cornet.3.Euphonium.2: Timpani.Percussion(2): Double Bass
15930E9A36C32-82BF-4C1F-A196-304EA8CA509DEBM0630053Psalm 90 (91) (Qui Habitat in Adjutorio)Nicola Porpora was an Italian composer and teacher of singing of the Baroque era, whose most famous singing student was the castrato Farinelli. Other students included composers Matteo Capranica and Joseph Haydn. This setting of Psalm 91 utilizes the Latin text. The 91st psalm of the Book of Psalms, generally known in English by its first verse in the King James Version: "He that dwelleth in the secret place of the most High shall abide under the shadow of the Almighty." In the Greek Septuagint version of the Bible, and in its Latin translation Vulgate, this psalm is Psalm 90 in a slightly different numbering system. In Latin, it is known as 'Qui habitat". As a psalm of protection, it is commonly invoked in times of hardship.SSAA Chorus, String Orchestra
15931e9afb5b2-9e38-11f0-a418-0022482c968210460257Danish Dance for Tenor Saxophone and PianoThis delightful dance in a slower 3/4 for the intermediate musician has versions for bassoon, alto saxophone, tenor saxophone, trumpet, and baritone available from the publisher.Tenor Saxophone and Piano
15932E9B19DC9-BDB2-462D-A0D8-516AC5BAE1D0M318291Quintet in F# minor, Op. 67Considered an homage to Brahms' Piano Quintet, Op. 34, Amy Beach's Quintet, Op. 67, was critically acclaimed upon reception and is now regarded as a milestone of American chamber literature.Two Violins, Viola, Violoncello and Piano
15933E9B86141-AC98-4838-929B-8D04C88E7CADRCB428Famous Flute Studies and Duets (Big Blue Book)Flute, Piano
15934E9BD8C06-88D6-44BC-A952-CF9670987A38R01461Tango Borealis for 6-Player Tango EnsembleVigor, energy and a strong pulsation are the basic elements of this tango. The second part allows for the theme and variations form, inviting the soloists to perform solos, duets and different instrumental combinations. Work began on Tango Borealis in Iceland. The composer describes the piece as "a tribute to Buenos Aires suburbs, where the city almost meets the countryside."Violin, Clarinet in Bb, Piano, Bandoneon, Bass, Percussion
15935E9BEAE21-9459-4C28-904A-B428E58E96E8B367402Marche Electric(not set)Concert Band
15936E9C2D78F-CCDE-497B-A444-7F13AA4B014150200031I've Got You Under My SkinThis snappy Cole Porter arrangement is from the movie "Born to Dance." Bass clarinet features prominently and the work ends with a fascinating whisper.3.1(+EH).2(+BCl).2: 4.3.3.1: Timp.Drm.Vib: Str(9.8.7.6.5)
15937E9C2EAC8-5216-44A1-8D1E-EF63CAA72665EBM220341String Quartet No. 1 in E MinorMovements: 1. Tempo moderato, 2. Adagio molto, 3. Vivace moltoString Quartet
15938E9D17E54-FB85-46EC-915A-82DCA8084215R01610Symphony No. 4
15939E9D2D707-BE13-4811-BB36-E29AEACE09CEA517802Seasons, The, Op. 67, No. 3: Summer (L'ete)The ballet THE SEASONS (LES SAISONS), Op. 67 was composed by Alexander Glazunov (1865-1936) for famous choreographer Marius Petipa in 1899. Originally intended to be written by Glazunov's friend Riccardo Drigo, the two composers swapped projects so that Glazunov wrote THE SEASONS while Drigo composed LES MILLIONS D'ARLEQUIN. The cast of THE SEASONS consists of various types of season weather, fauna and flora associated with some seasons, and Bacchus, Bacchante, the Faun, and Satyrs of Greek mythology. The work consists of four tableaus, one for each season. The ballet premiered on February 20, 1900, in St. Petersburg at the Hermitage Imperial Theatre by the Orchestra of the Imperial Theatre, Riccardo Drigo conducting. Instrumentation for Summer: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(4): Hp.Pno: Str (4.4.3.3.3 in set). Edwin F. Kalmus publishes each tableau separately, so a performance of the complete ballet requires the following: 1. Winter (A147502); 2. Spring (A517902); 3. Summer (A517802); 4. Autumn (A147602). Reprint edition.2+Picc.2.2.2: 4.2.3.1: Timp.Perc(4): Hp.Pno: Str (4.4.3.3.3 in set)
15940E9D2E7DF-F69B-4798-8C1F-459DED9EB282SC256My Love Asleep Doth LieSab