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13601C71FA7A3-943F-4907-AC4B-F61C0BACB58310100360Symphony on Themes of John Philip Sousa, Mvt. 2 after "The Thunderer"Mvmt II, after 'The Thunderer' - The continuation of Hearshen's epic symphony on Sousa themes, the second movement is based on The Thunderer. It is presented in a largamente tempo and the settings range from chorale-like, to mysterious, to reflective. This stirring movement (like all of the movements in the overall work) stands well on its own.Concert Band
13602C7230B04-E7C0-4C2D-8F6E-4A9A06564A67A006290The Hebrides (Fingal's Cave) Overture, Op. 26This is a programmatic masterpiece! You can almost hear the breaking waves and imagine the vastness of the cave Mendelssohn encountered on his tour of the Hebrides Islands of Scotland. With numerous titles and subtitles including Calm Sea, Prosperous Voyage, and most commonly, Fingal's Cave Overture, this is a staple in concert literature that shouldn't be missed! Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set).2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set)
13603C728A38C-C77D-45B4-BA12-73263CB48E5FX653302Folk Songs: Set No. 15This mixed quintet for winds, percussion and strings comprises the fifteenth work in Vali's series of folk songs which combine Persian and Western influences. The blending of near-east modality with European classical harmony and form has become a hallmark of the composer's uniquely poignant voice. Commissioned and recorded by the Seattle Chamber Players, Albany Records.Flute(d AFl, Picc), Clarinet (d Eb Clar, Bass Clar), Percussion, Violin, Cello
13604C729AA9B-AD41-4D72-87D4-C4B2A246733FM372791L'Organiste Pratique, Op. 58, Bk. 11French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 12 books of "L'Organiste Pratique" is available from the publisher.Organ
13605c72c1889-9e3a-11f0-a418-0022482c9682E119702Lustige Witwe, Die (The Merry Widow), No.6, Act I, Finale: Ladies' Choice! (Damenwahl)The operetta DIE LUSTIGE WITWE (THE MERRY WIDOW) was written in 1905 by Austro-Hungarian composer Franz Lehár (1870-1948), with a libretto by Viktor Léon and Leo Stein. The story tells of a rich widow for whom her countrymen attempt to find her a new husband that will keep her money in the principality. The operetta was successful when it premiered on December 30, 1905, at the Theater an der Wien in Vienna, with Lehár conducting, and it has remained a staple of the opera repertoire ever since. The Act I FINALE takes place at a "Ladies' Choice" dance, where suitors swarm the wealthy widow Hanna for a spin around the ballroom. The only person she wants to dance with, Danilo, refuses, but he makes every effort to keep the other suitors away as he promised the Baron Zeta he would do. After all other suitors have given up and left, Danilo finally asks an annoyed Hanna to dance with him. She refuses, and Danilo dances by himself until she is finally worn down enough to fall into his arms. Instrumentation: 2(2nd dPicc).2.2.2: 4.2.3.0: Timp.Perc(3-4): Hp: Str (4.4.3.3.3 in set): Banda (2Vn, Va, Vc, CB): 6 Vocalists(SSTTTBar): Mixed Chor: Pno Cond. Score in set. Reprint edition.2(2nd dPicc).2.2.2: 4.2.3.0: Timp.Perc(3-4): Hp: Str (4.4.3.3.3 in set): Banda (2Vn, Va, Vc, CB): 6 Vocalists(SSTTTBar): Mixed Chor: Pno Cond. Score in set
13606C72D21CA-B581-42D5-91DA-F8FC5A34F90CB379102Skaters Waltz for Band, Op. 183 (Les Patineurs Valse)(not set)Concert Band
13607C7347582-0C7F-49B5-B2C5-A8731FB09F58R01228Titan for Brass, Percussion, Piano, Harp and Strings(not set)0.0.0.0: 4.3.3.1: Timpani.Perc(3).Pno.Hp: Str
13608C737719F-E5AB-4656-9DBB-49321BA84290A010090Pictures at an Exhibition - completeThis orchestration, which is completely original, is primarily based on the autograph manuscript. In accordance with the purpose of the ConcertMasters orchestra series, the orchestra size has been kept small. The only departures from Mussorgsky's original score are the transposition of the entire work up a whole step, simplification of a 16th-note sextuplet accompaniment in "The Hut on Chicken Legs," and selective omission of the "attacca" indications that are found at the end of each Promenade section. Movements: 1. Promenade I 2. Gnomus 3. Promenade II 4. The Old Castle 5. Promenade III 6. Tuileries Gardens 7. Bydlo 8. Promenade IV 9. Ballet of the Chicks in Their Shells 10. Samuel Goldenberg and Schmuÿle 11. Promenade V 12. Limoges: Le Marche (Limoges: The Market) 13. Catacombae 14. Cum Mortuis in Lingua Mortua (For the Dead in a Dead Language) 15. The Hut on Chicken Legs (Baba-Yaga) 16. The Knight's Gate in the Old Capital, Kiev (The Great Gate of Kiev). Instrumentation: 2+Picc.2.2+BCl.2: 4.3.3.1: Timp.Perc)4): Str(9-8-7-6-5).2+1, 2, 2(+1), 2 - 4, 3, 3, 1, timp, perc, str
13609C737A267-036E-40CB-BE39-91CF0FD3D043SU816Nightingale and Rose for Flute or Piccolo and PianoThis charming piece for flute or piccolo and piano functions more as a conversation between the wind instrument and the piano, with the piano echoing much of what is played by the flute/piccolo, including the trills.Flute or Piccolo and Piano
13610c74022de-9e39-11f0-a418-0022482c9682A228202Belle Helene, La (complete operetta)Jacques Offenbach's (1819-1880) opéra bouffe in three acts, LA BELLE HÉLÈNE (The Beautiful Helen) parodies the Greek myth of Helen and Paris' elopement, which set off the Trojan War according to Homer's Iliad. Premiered at the Théâtre des Variétés in Paris on December 17th, 1864, the opera proved popular then and has remained a part of the repertoire, receiving regular revivals. Instrumentation: 2(2nd d. Picc).2.2.2: 4.2.3.0: Timp.Perc (2): Str (4.4.3.3.3 in set):
[vocal soli (12 roles, SSSAATTTTTBB), chorus].		2(2nd d. Picc).2.2.2: 4.2.3.0: Timp.Perc (2): Str (4.4.3.3.3 in set):
[vocal soli (12 roles, SSSAATTTTTBB), chorus]
13611C74280AE-0139-4906-B84C-5E6EC48769C4S117CBAcademic ProcessionWritten in commemoration of the 75th anniversary of the University of Texas.Concert Band
13612C747B926-4752-4A73-9284-809499D48BDCS510009Toccata and Fugue in d minor, BWV 565While studying Bach’s “Toccata and Fugue” for organ, I was intrigued by the fact that many of the chords and motifs within it can be transitioned for performance on the violin. I later discovered that there is historical speculation that Bach may have composed this piece for solo violin. Inspired by this, I used the urtext of the piece to create this arrangement. It is in the piece’s original key, and it is designed to transcribe the full and grand sound of the organ to the solo violin. This arrangement intentionally creates the true sound of Bach’s piece, while adding variation-like figures within the Fugue’s main theme - which is repeated throughout. These figures include sixteenth-note triplets, thirty-second notes, and additional double-stops. It was important to me to remain true to my sense of what Bach may have intended for this piece if played on a violin, while allowing my own musical and stylistic preferences to blend into this arrangement. --Stuart CarlsonSolo violin
13613C750FF9E-BF5F-4E90-820D-F7978D371BDAMP511003Concerto in D for Violin and PianoThis concerto in three movements by one of today's greatest composers is now available for violin and piano. Includes program notes by Bolcom. Duration ca. 20 minutes.
13614C7515A02-ACD4-4831-82F1-A064B62776FA10610126524 Main StreetA rudimental snare drum solo involving paradiddles and flams. Makes for an excellent tool in teaching flam taps over triplets.Snare Drum Solo
13615C752E060-4FA5-4A2C-9FFA-CBEC90A7EFDFW734491Cantata No. 84(not set)Vocal Solo
13616C754E6D4-907A-461C-AE2D-59339B85126650364001Important Avenues for Today's Jazz DrummerImportant Avenues for Today's Jazz Drummer by Sperie Karas deals with the bossa nova, the samba, the 4/4 Afro-Cuban Rhythm, as well as the hi-hat, ride rhythm exercises, the shuffle, 5/4 rhythm, and brushes in jazz. The basics are not discussed in this book, therefore a knowledge of drumming is necessary to get the utmost results from this book. Audio, available for download after purchase, contains reference examples of all the topics covered in the book, with alternate tracks with or without drums. A great collection of patterns and solos in styles that are often overlooked!Drums
13617C7560B7F-E5D2-43E8-A7BD-13831D5C53BDA115402Concerto Grosso, Op. 6, No. 5 in D, HWV 323(not set)str, hpchd, soli vn(2), vc concertate
13618C757AAEE-60C7-4C4B-8BE0-D98B95C1250DSC531Angels We Have Heard on High(not set)Ssa
13619C75AB5B9-B736-48CE-91A3-185BE8079A8052793384Fiddling for Classical Kids, ViolinThis method focuses on important fundamental elements that can be found in Celtic, bluegrass, old-time, Texas and jazz fiddling the shuffle, the displaced shuffle, the Georgia shuffle and no-slur bowing. "Fiddling for Classical Kids" is appropriate for both orchestral classroom instruction and private studio use. Individual parts are available for violin, viola and cello-bass. All parts are interchangeable (no transposing!). Contents: Shortin' Bread; Angeline the Baker; The Girl I left Behind Me; Flop-Eared Mule; Bonaparte's Retreat; Oh, Suzanna!; Paddy Won't You Drink Some cider; Barlow Knife; Granny Does Your Dog Bite?; Molly Put the Kettle On; Goodbye Liza Jane; Lady Anne Montgomery. All songs include both the original tune and a "Comp" line, and students are encouraged to try playing both. And downloadable audio is included for each tune (both a slow and a fast version) to serve as a model and to serve as further practice accompaniment. The Teacher's Manual includes full scores of all the tunes, along with helpful suggestions on how to best teach each tune.Violin Solo and Downloadable Audio
13620C75C2BE4-272C-4BE3-85A6-8BE251F86759A298902La Gioconda: Act II (tenor): Cielo e marItalian composer Amilcare Ponchielli's (1834-1886) 4-act opera La Gioconda was first performed by La Scala in Milan on April 8, 1876, and was an immediate success, acting as a bridge between the Verdi's Aida and Otello. The libretto, by Arrigo Boito (as Tobia Gorrio), is derived from the 1835 Victor Hugo play Angelo, Tyrant of Padua. It tells the tale of La Gioconda, a young woman in love with a man (Enzo). But she aids and eventually sacrifices herself for Laura, her rival for Enzo's love, when Laura unknowingly saves La Gioconda's mother. The opera remains a staple in the western opera repertoire, particularly in Italy, and the ballet scene in Act III, Dance of the Hours, has become famous in it's own right, with it's inclusion in the original 1940 Fantasia by Disney propelling it to household recognition. Cielo e mar! is sung by Enzo in Act II, titled Il Rosario (The Rosary) as he waits on his ship for his love Laura to arrive. Instrumentation: 2.2.2.2: 4.1.0.0: Timp: Hp: Str (4-4-3-3-3 in set): Tenor Voice.2.2.2.2: 4.1.0.0: Timp: Hp: Str (4-4-3-3-3 in set): Tenor Voice