Titles
Showing 13,541-13,560 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 13541 | C640453E-54CD-4CB3-8D78-CB45EB49A834 | LV123CB | Circus Day Overture | This piece is part of the Music Your Band Can Play series, a series dedicated to providing familiar folk songs, carefully selected and properly arranged for the elementary band program, in an effort to maintain and increase interest in beginning programs. This accessible circus march includes parts for alto clarinet and Eb horn and is part of the. | Concert Band | |
| 13542 | c64210fd-9e3a-11f0-a418-0022482c9682 | D814045 | 20 Songs Vol. 1: Rondel Chinois | (not set) | Voice, Piano | |
| 13543 | C644009B-4326-4D8A-ADAC-C30E2B83194D | A908490 | Jazz Pizzicato for String Orchestra | Leroy Anderson's (1908-1975) Jazz Pizzicato, written in 1938, was the first of his works to be performed by the Boston Pops after he came to the attention of the pops orchestra's director, Arthur Fiedler. It was an immediate hit, and Fiedler encouraged him to write more original compositions for the orchestra, starting a succession of works that have since become well known. Instrumentation: String orchestra (8-8-5-5-5 in set). Versions for full orchestra, string orchestra, and band are available. | Str (8-8-5-5-5 in set) | |
| 13544 | C64A3885-CF1F-423E-8217-1CAE0A323434 | SS110 | Solo De Concert | This piece for the advancing trumpet player offers the opportunity to work on triple-tonguing and alternating techniques as the style of music transitions from a maestoso opening to moderato to scherzo-vivace to waltz. | Trumpet and Piano | |
| 13545 | C64C94E1-D3C0-46DA-828B-CB5F220AB5A1 | EBM0670011 | Marriage Contract: Act 2 Finale of The Marriage of Figaro | The finale of Act II of The Marriage of Figaro is one of the longest uninterrupted spans of music that Mozart ever wrote, seamlessly building the tension, the dramatic confusion, and the number of characters on stage for 20 minutes. | Soli Voices: 2.2.2.2: 2.2.0.0: Timp: Str | |
| 13546 | C64E2A93-5FA3-429A-919F-937F89243FEB | S131021 | Clarinet Concerto No. 2 | Clarinet, Piano Reduction | ||
| 13547 | C6636393-9B67-478F-BFF7-D12D9DC0CD6C | LV423MB | Great Bear | (not set) | Marching Band | |
| 13548 | C664BAF6-D0E8-4235-A7A5-A2DAF296733F | X521016 | Viola Concerto | Gong's Viola Concerto was premiered by the Shanghai Philharmonic with fellow Julliard graduate Liyuan Liu on viola. The work is based on J.D. Salinger's "Catcher in the Rye", as part of a program addressing the emotional health of teenagers, along with the composer's autobiographical 6th Symphony. In addition to this piano reduction, the orchestral accompaniment is available for rent from the publisher. | Viola, Piano Reduction | |
| 13549 | C6664BA4-B847-4063-ACD9-D1227D9D9165 | A601290 | American Symphonette No. 2: Pavanne (2nd Movement) | Morton Gould, equally comfortable in the worlds of both "serious" and "light" music, presented his symphonettes (an Americanization of the term "sinfonietta," much like kitchenette and dinette) as works of a truly American vernacular, drawing on popular culture as well as classical forms. His American Symphonette No. 2 was the work that first made Gould a name among the American public through radio, with the second movement (Pavanne) a pop orchestra standard to this day. Instrumentation: 2.2.2.2: 4Sax(opt.; AATB; all dCl): 2.3.3.0: Perc(1): Hp(or Pno): Gtr: Str (9-8-7-6-5 in set). The original condensed score is included with this set, but the full score has been extracted from the complete work and also included. | 2.2.2.2: 4Sax(opt.; AATB; all dCl): 2.3.3.0: Perc(1): Hp(or Pno): Gtr: Str (9-8-7-6-5 in set) | |
| 13550 | C6681B3C-F79C-4F9A-BF52-172E647C6331 | A612802 | Concerto for Flute in D, Op. 283 | 2, 2, 2, 2 - 4, 2, 0, 0, timp, perc, str, solo flute | ||
| 13551 | C66A9A5A-C0BA-4B88-9A6F-E0F461C8FCED | R01211 | O Speak Again Bright Angel - study score | (not set) | Orch | |
| 13552 | C66D56B0-3251-450B-8185-5978C5CF20F1 | V98 | Five Songs on French and German Texts: Art Songs by American Women Composers v. 1 | This series is the first published collection of art songs set to music exclusively by American women of the 20th century. All of the songs have been selected on the basis of poetic choice, strength in text-setting, and accessibility in performance. Amy Beach (1867 - 1944) was a mostly self-taught as a composer and was influenced largerly by late 19th century European models. She composed over 150 very appealing neo-romantic songs in her lifetime, all of which were published under her husbands name, Mrs. H.H.A. Beach. Movements: 1. Canzonetta, 2. Je Denande A L' Oiseau (For my Love), 3. Ich Sagte Nicht (Silent Love) 4. Ein Altes Gebet (An Old Prayer), 5. Deine Blumen (Flowers and Fate) | Vocal | |
| 13553 | C66D82E0-BEB3-4EAB-B14C-F19E29D32F03 | B408 | Six Sonatas | Francois Devienne (1759-1803), celebrated French flautist and composer, wrote many important works for the flute and a few operas, was also an oboist and played the bassoon in Paris Theatre de Monsieur 1788, and at the Grand Opera in 1796. He was also professor of the flute at the Paris Conservatoire. He had a general knowledge of all instruments and created a new kind of literature for wind instruments and, thus encouraging players to improve their technique, raised the standard of the French orchestra. This collection of his sonatas I - VI for flute work in that vein. | Flute Unaccompanied | |
| 13554 | C66FD4AF-EBAF-42C2-AF17-E4E15E941F88 | X120010 | High Wood | Four-minute piece for oboe solo, dedicated to Daniel Werts | Oboe Solo | |
| 13555 | C67008B4-8735-481C-ACD5-6207F596AF15 | 50100332 | Listen to the Lambs | Listen to the Lambs is, in its original form, an a cappella choral work. Called “a religious characteristic in the form of an anthem” by its composer, the composition is one of breath-taking beauty and sensitivity. It was first published in 1914. | Concert Band | |
| 13556 | C6702298-032E-40CC-92B9-2F3AAAE61767 | X503024 | A Vision of Hills | An extended, one-movement musical exploration of the traditional Irish hymn tune, "Be Thou My Vision" for piano trio. | Violin, Cello, Piano | |
| 13557 | C6705358-0C00-42DD-9235-70F9E21480DC | 20250473 | Gavotte and Contredanse | The Gavotte and the Contredanse are both lively French dances from the 17th century. Gaining popularity in the Court of Louis XIV, the Gavotte was a gracious dance in duple meter with four bar phrases, using simple motives and few syncopations. The contredance was a more spirited dance which obtained its beginnings from the English country dances. This dance form also became very popular in France during the time of Louis XIV. These two dances are here arranged for string orchestra by Percy Hall. | String Orchestra | |
| 13558 | C6773280-9EC5-446C-A5C3-27CE896DCDBD | R01497 | The Face | A ficticious present-day poet living in Venice Beach struggles with the loss of his lover and the unraveling of his personal life while he participates in the filming of a documentary about his career. The opera combines musical theater, choreography, and an original silent film which is projected onto the stage as a key dramatic element in the story. | Cast: Soprano, Mezzo, Tenor, Bass. Ensemble: Flute (dPicc, AFl, BFl), Horn, 1 Percussion, Guitar (dAGtr, EGtr-slide), Piano, Violin, Cello, Double Bass | |
| 13559 | C6792660-0EC5-4B3E-9F7B-EB14D77F56DA | SS258 | Highlander's March from "Scotch Scenes", Op. 138 | This solo for oboe and piano reduction is the 3rd movement of a larger three movement work entitled "Scenes Ecossaises (Scotch Scenes)", Op. 138, originally written by Benjamin Godard (1849-1895) for solo oboe and orchestra. This version can be played on flute or oboe. All three movements for flute/oboe and piano reduction are available from the publisher: I. Legende Pastorale, II. Serenade a Mabel, III. Highlander's March. | Oboe and Piano | |
| 13560 | C67C5A69-237D-4CCA-976C-7953C9E2943E | 52703186 | The Violin Concerti | This work includes the first movement only with the solo part intact. | Violin 1, Violin 2, Viola, Cello |