Titles
Showing 13,561-13,580 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 13561 | C681BEB4-7A50-46AD-8928-C295ED3A5CDD | B216 | Etudes for Technical Facility | It is assumed the player has mastered the fundamentals of correct embouchure and tone production and is now ready to attach the problem of moving the fingers quickly. These etudes have been compiled to stress technical skill and facility. Some etudes are original and the others are patterned after the works of Wiedemann, Lazarus, Berr, Klose, Rode, Campagnoll, Mueller, Mazas, Ferling, and Gambaro. | Alto Or Bass Clarinet | |
| 13562 | C68C4C9F-B76C-4AB6-9C3E-669420142964 | 52723016 | Carmen Suite No. 1 for Viola Quartet | This Suite has five movements: Prelude, Aragonaise, Intermezzo, Les Dragons d’Alcala and Finale (Les Toreadors). Dr. Nordstrom utilizes the entire range of the viola, with most of the high range work in the Viola 1 part. This arrangement would make the perfect addition to a large viola gathering or school ensemble with some advanced players that would like to show off their tone and technical skills. | Viola Quartet | |
| 13563 | C691A839-B52A-4FBC-AFE4-F3353D166FF0 | S977CB | Symphony No. 5 | Mark Rogers began his band transcription of the Shostakovich Fifth Symphony at the request of the U.S. Army Field Band and conductor Finley Hamilton, arranging the work’s Finale for the ensemble, which it subsequently performed and recorded. Movements 2 and 3 would follow later, performed by the Lone Star Wind Orchestra. This arrangement of one of the 20th Century’s greatest symphonies was completed at last in 2018 with the addition of the opening movement. This Southern Music publication represents the first complete band transcription of Shostakovich’s monumental work, welcoming his orchestral masterpiece into the serious repertoire for symphonic wind band. Shostakovich's Fifth Symphony was composed in 1937 in response to a savage attack on his music that was directed from the topmost levels of the Soviet government. We now know this period in Russian history as the Great Terror, during which time dissidents were routinely abducted from the streets, then either summarily executed or forced to endure show trials of monstrous cruelty. Shostakovich had every reason to fear for his life, but he nevertheless composed a work that seemed from the surface to represent a return to the conservative traditions of the past (with many similarities to the symphonies of Beethoven, in particular Beethoven’s 9th, also in D minor). Under the surface, Shostakovich composed a work that teems with defiance and hidden meanings that are only narrowly understood today. All in all, this symphony represents his supreme achievement and is regarded as his greatest masterpiece. | Concert band | |
| 13564 | C69590F7-D213-41B8-A877-AF8C58952DF0 | S888CB | New Horizons Overture | |||
| 13565 | C6981891-B2F8-4BB0-8DB6-762C131082B3 | ST85 | Andante and Rondo, Op. 25 | Albert Franz Doppler (1821 - 1883) was a flute virtuoso and a composer best known for his flute music. Taught by his composer and oboist father, Joseph, Franz made his Vienna debut as a flutist at the age of 13 and embarked on several concert tours, often accompanied by his younger brother Karl, also a highly accomplished flutist and composer. This playful ANDANTE ET RONDO, Op. 25, was composed to showcase the talents of the Doppler brothers during one of their many tours, and it remains a favorite duet for flutists today. A flashy showpiece, the long melody of the Andante sweeps and soars in a dramatic fashion with rich harmonies in the two flutes, while the Rondo features complex rhythmic layers, and has the cheek and drive of a Hungarian gypsy dance. This edition has been edited by Arthur Ephross. | Flute Duet, Piano | |
| 13566 | C69A12BA-15A1-482F-A40A-1095CC12EAA7 | M135791 | Four American Indian Songs, Op.45 | (not set) | Voice and Piano | |
| 13567 | C6A1C56F-0FEB-44D2-8510-790CC2FAE83C | A176502 | Concerto for Piano No. 23 in A, K. 488 | 1, 0, 2, 2 - 2, 0, 0, 0, str, [solo piano] | ||
| 13568 | C6A2DD5E-D660-4783-A1C3-5B9AB967A711 | S115 | Five ( 5) O'clock Rush (out-of-print) | Concert Band | ||
| 13569 | C6A4AB2C-E435-4137-B8F9-89C31C9F189D | 50522003 | Mountain Music | American folk songs make superb training material for the young horn player. | F Horn 1, 2 and 3 | |
| 13570 | C6AD873C-5D3C-4CDE-AFBC-E92E5B3BB437 | M360191 | Symphonic Canzona | (not set) | Flute and Piano | |
| 13571 | C6AD8EBA-378A-4551-8C78-A377993E7B4B | SS21 | Expansion (only-in-b226/17+1) | Snare Drum Unaccompanied | ||
| 13572 | C6B35F9D-B54A-4605-A1AE-E0EE8E6AE300 | 50100341 | Back Home Again in Indiana (band with optional vocal solo) | This work has become a jazz standard over the years and is the perfect vehicle for your band’s vocal soloist. It may be played without the vocalist, if you wish, with no cuts or substitutions necessary. | Concert Band with optional Vocal Solo | |
| 13573 | C6B554FF-19AC-40AD-B050-284A34CE40A9 | 10300116 | The Trumpet and Drum | Reprint of Sousa's first published book, believed lost in a fire in 1892. Facsimile of the original in all respects, including pocket size, with a new foreword and table of contents by Frederick Fennell. | Snare Drum, Trumpet | |
| 13574 | C6B780FE-9157-4188-80B0-2E672B0AEBF1 | X815201 | Charioteer | After James Merrill. | Baritone, Viola, Guitar | |
| 13575 | C6BDE9F3-BF67-4CD4-97F0-EA3E2500A6D0 | M910691 | Orpheus in the Underworld Overture | Concert Band | ||
| 13576 | C6C4AE6C-D819-4497-A5F8-ED0D836AE06B | B293 | Two-Part American Songs, Bk. 1 | The bicinia in this collection were inspired by the work of Zoltan Kodaly, Hungarian composer and educator. Using Kodaly educational ideas, this first book in the collection uses American folk songs written in two parts to teach students the musical understanding of each whole composition. Songs included in Book One: Imussee, 2. Ring Around the Rosey, 3. Who's That Tapping at the Window?, 4. Bye Baby Bunting, 5. White Sails on the Sea, 6. Fuzzy Wuzzy, 7. Polly, Pretty Polly, 8. My Old Grey Mare, 9. Cajun Folk Song, 10. Fiddle Dee Dee, 11. Deedle, Deedle Dumpling, 12. Sally Go Round the Sun, 13. Madame, I Have Gold and Silver, 14. What'll We Do with the Baby, 15. Going Down to Cairo, 16. Soldier, Soldier, 17. Go Tell Aunt Rhody, 18. Putman's Hill, 19. Betty Ann, 20. Buttermilk Hill, 21. Johnny Works with One Hammer, 22. Whistle, Daughter, Whistle, 23. One Morning in May, 24. Black Sheep, 25. A La Rueda de San Miguel | Vocal | |
| 13577 | C6C6440D-E0D8-4DDC-9113-B7650D66E3B0 | M909302 | Jupiter: The Bringer of Jollity | Concert Band | ||
| 13578 | C6CD6E7E-9BFB-4AE7-A693-98490377D8A1 | 52703618 | Three Preludes and Fugues, Op. 16 for String Quartet | String Quartet | ||
| 13579 | C6CF7EFA-4ABA-4118-81DA-DB04C50B13BB | 10550265 | Thrice Happy the Monarch for Tuba and Piano | This aria, sung by the character Ptolemee, from Handel's oratorio "Alexander Balus" (HWV 65. No. 6) has been arranged for solo brass instrument with piano accompaniment by Winston Morris. In 3/8, while at a reasonably fast tempo, the work offers intermediate players a perfect amount of technical challenge while also offering the opportunity to perform a song from the Baroque era with appropriate phrasing and musicianship. Version for trumpet, trombone, baritone B.C., and tuba are available from the publisher. | Tuba Solo and Piano | |
| 13580 | C6D019A5-5CA2-4A08-A364-56DBC1DE85B9 | EBM0610186 | Symphony No. 7: A Symphonic Concerto | Premiere: The MET Orchestra, James Levine, Carnegie Hall/NYC, May 19, 2002. Movements: 1. Act I. Dramatis Personae; Exposition, 2. Act II. Conspiracy; Confrontation, 3. Interlude, 4. Act III. Climax; Denouement | 3(Pi)2BsCl2Cbn 4331 Timp 3Pc Str |