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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
13681C849791F-EE5A-41BC-B6E2-4FE4F207B82712620623Brook, The(not set)Mallet Marimba Xylophone Solo
13682C84C10D5-325E-4DAE-B290-D63661BD9EA5SU377Prayer and AlleluiaOpening with a direction to play "Peacefully, Prayerfull, Rhythmically Free," this work for the intermediate trumpet player moves to a faster, more energetic section in the middle. Following a cadenza, the work returns to the faster tempo to finish.Trumpet and Piano
13683C8569416-38C5-46A6-A8F7-E6EC1D5B0238S386CBCrowning Glory, TheThis march may be used both for concert programs or as a processional march, with optional cuts and repeated sections.Concert Band
13684C85B7654-A2C9-4CED-9CFE-B9389E4C0074ST614What Child Is ThisMixed Ensemble, Handbells
13685C862D68E-B63E-491E-AB82-3D81D831CFD550250202Too Big ShoesToo Big Shoes is a fun 8-bar blues form in G mixolydian to be played with swung eighth notes. The chromatics presented in the work are primarily alternating between 2 and low 2 fingerings. All sections but the double bass stay in first position, with the singular exception of a two-bar cello line. The phrase “too big shoes” can be found in several musical motifs throughout the piece. In fact, in the “ride out” section, the musicians are encouraged to sing or shout “too big shoes” as they play. This one’s sure to please both your students and the audience.String Orchestra
13686C865E31A-DB49-46C4-9EF0-FEAF8BD90976A810302Quartet Concerto for SATB Saxophones and OrchestraWalter S. Hartley (1927-2016), whose works for saxophone and low brass significantly expanded the repertoire available for those instruments, wrote the QUARTET CONCERTO for SATB saxophones in 1992 for a commission by the Atlanta Saxophone Quartet for a premiere with the DeKalb Symphony Orchestra. In four movements, the soli players are treated as a composite unit pitted againt the orchestra, somewhat as in the Baroque concerto grosso. The harmonic style is freely tonal. A version with orchestra accompaniment is available from Edwin F. Kalmus, while versions with wind ensemble or piano accompaniment are available from LudwigMasters Music. Instrumentation: 2(2nd dPicc).2.2.2: 4.2.3.1: Timp.Perc(2): St (9-8-7-6-5 in set): 4 Soli Saxes (SATB) in set.2(2nd dPicc).2.2.2: 4.2.3.1: Timp.Perc(2): St (9-8-7-6-5 in set): 4 Soli Saxes (SATB) in set
13687C866F401-41F4-4D18-99AD-376C40620460M136491Three Duets, Op.70(not set)Violin and Viola
13688C867BCA8-92AB-462C-8E94-3D663EEC4C6BS313Centennial Band March (out-of-print)Marching Band
13689C8682348-E3DB-408F-839E-0D536BA09C58A33CFanfare for Orchestra and Antiphonal BrassThis fanfare for orchestra and antiphonal brass requires an advanced group of trumpet and trombone brass players.Full Orchestra
13690C871D03D-D547-43B1-A85C-5AF794F3FD00A576102Suite d'Orchestre, Op. 9The Romanian composer Georges Enesco (1881-1955) spent his career in Paris, but much of his music bears the unmistakable influence of his native folk music. His SUITE D’ORCHESTRE, Op. 9, (Suite No. 1), is the first of three such suites for orchestra, the last of which was completed in 1938. The C major suite premiered under the baton of the composer at a Bucharest Philharmonic Society concert on February 23, 1903. His two ROMANIAN RHAPSODIES also appeared on the program for their first performances. Instrumentation: 2+Picc.2 (2nd d. EH).2.2: 4.2.3.0: Timp: Perc(1): Hp: Str (9.8.7.6.5 in set).2+Picc.2 (2nd d. EH).2.2: 4.2.3.0: Timp: Perc(1): Hp: Str (9.8.7.6.5 in set)
13691C873E9CB-3A41-4E80-9BF7-170B054D6AC9S131018Two Sonatas, Op. 120, Nos. 1 and 2 for Clarinet and Piano, Urtext EditionThis edition of the Sonatas Op. 120 for Clarinet and Piano is unique in that it is the first and only one based on a thorough study of Brahms’ working manuscripts, which the composer generally destroyed. These, however, he gave to his great friend, the clarinetist Richard Mühlfeldt. They include both the piano scores plus the clarinet parts written for Mühlfeldt. They not only clear up problems of where Brahms placed dynamics and expression marks, they resolve questions of misprints which have remained to this day in every edition since Simrock first published them in 1895.Clarinet, Piano
13692C877F7C2-06A3-4008-B437-92DCBA867668ST59Centone Buffo ConcertanteThis piece for intermediate to advanced players features many chromatic passages and includes quintuple subdivisions. Versions for bassoon, baritone/trombone, and tuba are also available from the publisher.Tuba and Piano
13693C87A5755-19DE-479B-A303-CFDD623C3A9B20702446Songs From Elijah(not set)Violin 1, Violin 2 and Violin 3 (Viola)
13694C87D4BDE-9AE4-4443-9C28-7D20C6DAD762S345Normal Guard March (out-of-print)Marching Band
13695C87E72D6-D7DF-4880-8872-1AB779FB520CST926Lullaby for AlexandraAlso known by the title "Cancion de cuna de Alejandra:. This short and lyrical contest piece is a contest favorite. Available from the publisher include solo flute, alto flute, horn, oboe, saxophone, cello and several other combinations including a woodwind quartet arrangement.Alto Sax
13696C87F02E5-08A2-4E1B-8DC1-0A4A79CD504852250923MandolineThe beautiful sounds of Gabriel Faure's beloved vocal work are perfect for string orchestra! Lovely soaring melodies are met by breathtaking harmonies, and lyrical passages move fluidly from section to section, making this one of the most expressive works your students will play this year.String Orchestra
13697C87FA6B4-6D5E-49DC-8796-49D2F77BA4DBA673102Federal MarchAlexander Reinagle was America’s first composer of significant genius. Born in Portsmouth, England in 1756, the same year as Mozart, Reinagle began his musical career in Scotland under the tutelage of Raynor Taylor. At age 30, he emigrated to the then new United States, first in New York and shortly afterward in Philadelphia where his many talents were more fully ap­preciated. He became a music teacher in the best families, as an entrepreneur he played a major role in the reestablishment of the theatre in Philadelphia following its banishment during the Revolution, conducted and performed in numerous concerts besides presiding at the harpsichord in opera. Federal March was written in 1788 and performed in Philadelphia as a part of the Grand Procession to celebrate the newly ratified Constitution. This edition was orchestrated by Sam Dennison.Instrumentation: 1+Picc.2.2.1: 2.0.0.0: Timp: Str (9-8-7-6-5 in set).1+Picc.2.2.1: 2.0.0.0: Timp: Str (9-8-7-6-5 in set)
13698C887FB2C-1244-4D1F-9ADC-A1AC36A191F4A218402Sleeping Beauty, The, Op. 66 (complete)THE SLEEPING BEAUTY, Op. 66, was written by Peter Ilyitch Tchaikovsky (1840-1893) between 1888 and 1889. Based on a libretto by Ivan Vsevolozhsky, the well-known story borrows from versions by both the Grimm brothers and Charles Perrault, though characters such as the Lilac Fairy appear to have been additions by Vsevolozhsky himself. The work premiered on January 15, 1890, in St. Petersburg at the Mariinsky Theatre, fellow ballet composer Riccardo Drigo conducting and choreography by the famed Marius Petipa. This newly engraved edition by Carl Simpson places a greater emphasis upon the first edition of the full score from 1890 than the subsequent Soviet edition issued by Muzgiz in 1952, but all variants have been preserved and placed within the score itself so that performers can easily make their own choice of which version is to be used for a particular movement. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc(3-4): Pno.Hp: Str (4.4.3.3.3 in set).2+Picc.2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc(3-4): Pno.Hp: Str (4.4.3.3.3 in set)
13699C88DF03F-D544-45E2-B1A9-F57E70213C17R00903Open the DoorAn overture composed for the tenth anniversary of The Women's Philharmonic, JoAnn Falletta, Music Director.2.2.2.2: 4.2.3.1: Perc(3): Str
13700C88EC924-4CC8-46D9-A268-0475BED6C2D1A380702Pique Dame (The Queen of Spades), Op. 68. Act II No. 12, Prince Yeletsky's Aria: I love you, dear (baritone)