Titles
Showing 13,701-13,720 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 13701 | C8992C3C-10D2-4B9B-B297-31E32242442D | R114 | Canzonetta from Violin Concerto (Violin, Clarinet, Flute, or Alto Sax solo with Band) | (not set) | Violin, Clarinet, Flute or Alto Saxophone Solo: Concert Band | |
| 13702 | C89946C1-9514-4695-A075-2FEA4540BA9E | SU500 | Concerto for Bassoon (reduction) | As commissioning bassoonist Jeffrey Keesecker wrote after the concerto's premiere, "Eric has composed a modern masterpiece, a profound work of depth and meaning that captures the soul of the bassoon." Following its 2002 US world premiere, Ewazen's concerto made its European debut in Sweden the following year. It has since become a favorite recital piece and a mainstay at state contests nationwide. Duration ca. 20'. | Bassoon, Piano | |
| 13703 | C8A35597-092B-4BDC-8766-299439FC0B5C | R00204 | SPIRITUAL | 2.1.2.2: 2.1.2.0: Strings | ||
| 13704 | C8A60475-6700-4DFB-A7BC-ED6FB284DA00 | EBM0630088 | Eventide for English Horn and Chamber Orchestra | A concerto for English horn, percussion, harp, celesta & string orchestra, "Eventide" takes its creative impulse from the spiritual tunes "Mary Had a Baby" and "Swing Low, Sweet Chariot," among others. Composed for long-time friend Thomas Stacy, solo English Hornist of the New York Philharmonic. Premiered in May, 2007 by George Corbett and the Virginia Symphony Orchestra. Includes program notes. | English Horn solo: Perc(2): Hp.Cel: Str | |
| 13705 | C8AD5367-D44B-4694-824D-AC02E93B1C86 | D814095 | 36 Songs Vol. 2: Sehnsucht nach dem Frühling | (not set) | Voice, Piano | |
| 13706 | C8AE4A62-A3BF-410C-B234-D45BF6BFBF10 | HFA000 | HFA general ledger fund | |||
| 13707 | C8AE756C-AA59-4476-BC5C-B3C053AC69C8 | A448902 | Cantata No. 10: Meine Seel erhebt den Herren, BWV 10 (German Magnificat) | Johann Sebastian Bach (1685-1750) composed his CANTATA NO. 10: MEINE SEEL ERHEBT DEN HERREN, BWV 10 in 1724 as part of his second cantata cycle since becoming Kantor at St. Thomas the previous year. Based on Martin Luther’s German translation of the Magnificat from the Gospel of Luke, its seven movements, including the opening chorale fantasia, recitatives, arias, and concluding chorale, reflect the structure he most often used for his choral cantatas in this cycle. Moritz Hauptmann edited the cantata for the publication of the first volume of the Bach-Gesellschaft Ausgabe in 1851, which included the harpsichord and organ parts edited by Max Seiffert. Instrumentation: 0.2.0.0: 0.1.0.0: Hpchd.Org: Str (2.2.2.1.1 in set): Solo SATB, Mx Chor. | 0.2.0.0: 0.1.0.0: Hpchd.Org: Str (2.2.2.1.1 in set): Solo SATB, Mx Chor | |
| 13708 | C8AEF6DE-D17F-49A4-A2CD-7B5851B179C9 | A721602 | Variations and Fugue on a Theme by Handel, Op. 24 (revised edition) | The Variations and Fugue on a Theme by Handel, Op. 24, is a work for solo piano written by Johannes Brahms in 1861. It consists of a set of twenty-five variations and a concluding fugue, all based on a theme from George Frideric Handel's Harpsichord Suite No. 1 in B? major, HWV 434. This transcription by Graham Sheen for small wind ensemble is in its 2nd edition. Instrumentation: 2(2dPicc).2.2+BCl.2+CBsn: 3.0.0.0. | 2(2dPicc).2.2+BCl.2+CBsn: 3.0.0.0 | |
| 13709 | C8B18EA2-2D07-4A59-999A-0085F2BFB5DA | SU271 | Macbeth and Macdonwald for Trumpet and Percussion | The work, scored for Bb trumpet and percussion (bass drum, low and high tenor drums, snare drum and bongos) is a musical depiction of the batle described Act I, Scene II of Shakespeare's tragedy "Mcbeth" in which a soldier reports to King Duncan of the gory confrontation between brave Macbeth and the eveil Macdonwald. The composer makes use of "golden mean" symmetry by the application of the "Fibonacci series" in the trumpet intervals- a compositional device used by many 20th-century composers. | Trumpet, Percussion | |
| 13710 | C8B355C4-18EA-4445-8E9E-3F6A56DC58F4 | 10340101 | Recorder Fun | (not set) | Recorder | |
| 13711 | C8B48096-E107-436D-898B-13DBB531BCA5 | A713502 | Children's Corner, Suite No. 2 | Originally written in 1908 as a "Little Suite" for piano, CHILDREN'S CORNER was dedicated to Claude Debussy's (1862-1918) daughter, Claude-Emma: "To my beloved little Chouchou with the tender excuses of her father for what follows below." Captivated by his daughter's wonderment and fascination with various toys and dolls in her playroom, Debussy aimed to emulate both the experience of being young and the nostalgia of watching his daughter explore and play. Each movement was titled, in English, after one of Emma's toys. An immediate and enduring success, the work has been arranged a great many times for a variety of instruments and ensembles over the years, including an orchestration by Andre Caplet. This second suite for small orchestra by Hubert Mouton is based on the Caplet orchestration and includes the following three movements: 1. Jumbo's Lullaby, 2. The Snow is Dancing, 3. Doctor Gradus ad Parnassum. Instrumentation: 1.1.2.1: 2.2.0.0: Perc(1-2): Str (9-8-7-6-5). | 1.1.2.1: 2.2.0.0: Perc(1-2): Str (9-8-7-6-5) | |
| 13712 | C8BB4337-F771-453C-908E-B21EC778B0B4 | SC387 | Oh, Little One | (not set) | Sa | |
| 13713 | C8C046A2-FA5C-4E09-9DE8-49AF8E98E1EC | R01635 | Way Music Begins | This work for educational concerts was written for and premiered by the Kansas City Symphony, Tim Hankewich conducting. | 2+Picc.2.2.2: 4.2.3.1: Timp.Perc: Hp: Str | |
| 13714 | C8C15004-EBAF-419E-95B5-57CFB3D17E66 | 10443282 | Adagio | (not set) | Clarinet Quartet | |
| 13715 | C8C182A9-1CAF-4479-9768-8D8CE8AD30E9 | EBM288185 | Rush: Concerto for Alto Saxophone (reduction) | Kenneth Fuchs’s fifth Naxos recording with the London Symphony Orchestra conducted by JoAnn Falletta won the 2018 GRAMMY® Award in the category Best Classical Compendium. Among the works featured on the album is Rush (Concerto for Alto Saxophone), which was commissioned by Ryan Janus, principal saxophonist of the United States Air Force Academy Band, and a consortium of saxophonists and ensemble conductors. The work is composed in a two-movement form, each about seven minutes in duration, connected by an extended cadenza for the saxophone soloist. The first movement, which begins with a short cadenza that introduces the thematic material of the work, is a rhapsodic Adagietto with transparent textures. The second movement, which begins with an extended cadenza that introduces blue notes into the harmonic language, is cast in the form of a jazz-inflected passacaglia with ten variations and a coda. | Alto sax, piano reduction | |
| 13716 | C8C93230-8011-4B37-A7F5-548D98263A05 | B470 | Thomas Flute Method, Bk. 3 | (not set) | Flute | |
| 13717 | C8D71A96-D47F-4841-9771-F60A8154E3F8 | S205100 | Fantiasia Sobre El Flamenco | |||
| 13718 | C8D7D609-B69C-4919-AF67-09D468F45042 | MR00498 | New York City Suite | |||
| 13719 | C8DA273F-5DB4-4AB2-8A93-A3D29603AE40 | SC739 | Flowery Banks Of Doon | 2005 Texas University Interscholastic League Sightreading for 3A, 2A Non-varsity Tenor-Bass (TTB) and 3B, 2B, 3C and 2C Varsity Tenor-Bass (TTB) Choirs. Text by Robert Burns. Versions for both TB and TTB available from the publisher. | Ttb | |
| 13720 | C8DC1539-FE84-46FD-AB0F-417FD0707AD3 | R00621 | Cornerstone of Loveliness | (not set) | Soprano, Mezzo-Soprano, Tenor Soli SATB Chorus 2.2.2.2: 4.2.3.1: Timpani.Percussion(3).Harp: Strings |