Titles

Create Title

Showing 13,781-13,800 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
13781C9FDEA1F-FFC7-4C85-9BEA-8DE4CCA778F7A248202Mignon: OvertureMIGNON is an opera in three acts by Ambroise Thomas (1811-1896). Premiered on November 17, 1866 at the Opéra-Comique, it achieved immediate success. The French libretto, based on a novel by Goethe, was written by Jules Barbier and Michel Carré. A revised version in Italian received its first performance at the Drury Lane Theatre in London on July 5, 1870. The plot involves a minstrel named Lothario, reduced to madness by the loss of his daughter to a group of gypsies. The student Wilhelm, after purchasing her freedom, falls in love with her. After Wilhelm rescues her from a burning castle, Lothario learns that Mignon, in fact, is his lost daughter. The overture, here edited by Clinton Nieweg and Nancy Bradburd in a newly-engraved edition, has enjoyed considerable popularity in concert halls. Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp: Perc(3-4): Hp: Str (9.8.7.6.5 in set).1+Picc.2.2.2: 4.2.3.0: Timp: Perc(3-4): Hp: Str (9.8.7.6.5 in set)
13782CA01DAFD-5E1D-4215-965C-F93AF53C418750100247SeawallLimited ranges: check. Easy rhythms: check. Everyone gets the melody: check. Why wouldn't you play this on your very first concert? It's everything you and your students want and need.Beginning Band
13783CA020B67-F1CD-4F9D-B659-46648634404852250942Perfectly NaturalHere's a great hard-grooving straight-eighth piece in 7/8 time. Optional rhythm parts are provided. Use as an ensemble piece or feature a soloist.String Orchestra and Rhythm
13784CA02DCC5-E9DB-4F30-A25D-2340435EA76ALL113Break Thou the Bread Of LifeSatb
13785CA05F77C-24F5-45A0-A93A-9D6D6E05E4B0BSMO100Presidential Portraits: Variations on 'Hail to the Chief' (orchestra)This is a set of variations arranged for orchestra on "Hail to the Chief' and is ideal for any program which has a patriotic theme. It is tuneful and colorful. Grade 5.Full Orchestra
13786CA0B778A-FD0A-490A-966F-5BC6F0B3E3ABS652501Sailor's Fantasy
13787CA156C8E-3C7F-42C7-83D0-C3FB92385B26B28229 EtudesFlute
13788CA15999A-A851-4C71-AB7B-CE726FC306F8SO149COverture to the Oratorio SamsonIn the key of G Major, the work begins with a Moderato where dotted rhythms are abundant. A brief Adagio intervenes and we continue with a slightly fugal, crisply rhythmic Allegro, with 16th note passage work for the upper strings. After another brief Adagio, Handel finishes with a lyric Minuet. All sections are active throughout. This Overture is a wonderful introduction to the Baroque period and the bowing and ornamental styles that go with it.String Orchestra
13789CA161C1C-3A42-4B3D-BA83-B2E7077BE39BST178Sombrero (out-of-print)Brass Quintet
13790CA18BD00-2A43-43F8-9656-8AAB4147E40EA142802Legends, Op. 59/B. 122; Nos. 1-5 [composer's orchestration]In October 1880, as he was completing his sixth symphony, Antonín Dvo?ák (1841-1904) wrote to his publisher Fritz Simrock that he wanted to complete a set of duets for piano in the next month. On January 30, 1881, he finally started work on the cycle, titled LEGENDS, Op. 59, and Simrock had published it by the middle of the year. Following the release of the piano duet version, Dvo?ák undertook to orchestrate all ten of the movements, which he completed between November and December of that same year. The critic Eduard Hanslick, to whom the work was dedicated, heartily praised it for its contrapuntal design and propulsive freshness. On May 7, 1882, Antonín Bennewitz led the first performance of movements 1, 3, and 4 at the Prague Conservatory and on November 26, Wilhelm Jahn conducted movements 2, 5, and 6 with the Vienna Philharmonic. Unusually, each movement of the work features a different instrumentation. Two publications are available from the publisher: Nos. 1-5 as a set and Nos. 6-10 as another set. Instrumentation for Nos. 1-5: 2.2.2.2: 4.2.0.0: Timp:Perc(1): Hp: Str (9-8-7-6-5 in set). Reprint edition.2.2.2.2: 4.2.0.0: Timp:Perc(1): Hp: Str (9-8-7-6-5 in set)
13791CA1B4871-72DE-4F41-B2B5-A8F59C24A073R00506Poemas de Amor e Irreverencia for Tenor and Chamber Ensemble(not set)Tenor Solo Flute(d Piccolo), B-flat Clarinet(d Bass Clarinet), Bassoon, Trumpet, Trombone, Percussion(1), Piano, String Quintet
13792CA1D4D13-D841-4C7A-B9D1-CB016E567148A843602Concerto for Piccolo, Strings, and Continuo in CKybrd Cont: Str (8-8-5-5-5 in set): Solo Piccolo (in set)
13793CA1D6131-1CAB-4DA5-BC92-3605FD3A278AMR00469Maria la O: Zarzuela CubanaThis Marks orchestration of Ernesto Lecuona's (1892-1934) zarzuela is, at once, the first-ever critical (to the extent that this is possible), and, more importantly, the first-ever performing edition. It utilizes all extant notated and aural materials for Maria la O for its creation. It was edited 2001-2011 by Dr. Evan Hause. The orchestration in this edition is fully computer-engraved. The percussion parts, mostly unnotated in the original materials, were transcribed and edited for this edition, yet they still allow for the freedom to take a traditional, improvisatory approach to the music as per the original.Sop.Tenor.Bar.SATB Chorus: 2(2d.Picc).2.2.1: 4.3.2(2.BsTbn).0: Timp.Perc(3-5): Hp: Str
13794CA1F66E1-3365-4137-A385-9CDE03D5E235X511050Three Romantic SongsSubtitled "Homage a J.B.," one can hear the clear influence of Johannes Brahms in the lush strains of Vali's three songs for violin and piano.Violin, Piano
13795CA21774C-9AA7-43BB-9368-FFED1D2421C0S3G3 GymnopediesPiano
13796CA2259A4-04B0-42D4-9DF7-F006140BE43252701010Jewish Weddings for Two - Cello part(not set)Flexible Duo
13797CA24CF39-7FDF-437B-962C-8B78E4C82AE210100280Gridiron CentennialThis is a very fresh march from the former director of the United States Marine Band. It is more of a concert march than a street march and makes wonderful use of the many voices of the band, from a delightful flute/piccolo melody to a lush low brass statement in which only the brass voices are heard, without constant pulse of percussion. In fact, the percussion parts are particularly wonderful in that they enhance the musical lines of the overall work rather than merely keeping time in typical march fashion. This is a terrific march for any band.Symphonic Band
13798CA2517D0-6E47-4C23-920F-B9D30F15640FR01456La Calle y la Luna for 6-Player Tango EnsembleLa Calle y la Luna (The Street and the Moon) is both an expression of mood and musical portrait of a bright moonlit night in Buenos Aires.Violin, Clarinet in Bb, Piano, Bandoneon, Bass, Percussion
13799CA257D44-38CD-46E2-AB23-C1F711A50FEFSU387Partita in a MinorJ.S. Bach's Partita in A minor was composed in 1718 for unaccompanied flute, and his only work in this genre for a solo wind instrument. Extreme demands are made on the performer's stamina; the sixteenth rest at the very outset of the piece might have been intended to be taken in jest as it is the only rest in the entire piece. This work fits nicely under the bassoonist's fingers, and may provide many wonderful hours of discovery into the genius of J.S. Bach. Movements: I. Allemande II. Courante III. Sarabande IV. Bouree AnglaiseBassoon Unaccompanied
13800CA275158-11A8-44B7-96E7-53E38A4E1C8BM322291Gesu BambinoGesu Bambino (The Infant Jesus) is an Italian Christmas Carol composed by Pietro Yon in 1917 and adapted for solo organ. This beautiful piece will showcase a talented organ player.Organ