Titles
Showing 13,841-13,860 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 13841 | CAB4A836-B849-491E-A068-77EDA2598152 | M252191 | Quartet No. 2, Op. 17 | (not set) | Two Violins, Viola and Violoncello | |
| 13842 | CAB6AB49-542C-44B3-857C-1D54D9AC9228 | W106091 | Coronation Anthem No. 1: Zadok the Priest, HWV 258 | Chorus, Orchestra | ||
| 13843 | CAB92EA7-4310-4482-8D03-F49CB8856891 | R00635 | Short Symphony: Symphony No. 1 | Indiana Arts Commission | 2.2.2.2: 2.2.2.1: Timpani.Percussion(1).Harp: Strings | |
| 13844 | CABC7FA1-CC76-46D2-8503-EA97A9939FE6 | S426CB | Perpetual Motion | Niccolo Paganini was the most outstanding violinist of his time. The "Perpetual Motion" was originally a movement of a sonata for violin and orchestra. It is generally performed as a piece for violin with piano accompaniment. In the original version, the solo part was written staccato. Since it would be impractical for the solo clarinet to articulate staccato at this tempo, the solo parts have been changed to legato. Additionally, two or more players may be assigned to play both the 1st and 2nd solo clarinet parts. | Concert Band | |
| 13845 | CABCA3B8-80A4-40E3-9C0D-8E526FD96FA5 | SU145 | Fantasia from I Puritani | Luigi Bassi (1833 - 1871) replaced Ernesto Cavallini as principle clarinet at the La Scala opera house in Milan in 1854. A graduate of the Milan conservatory, Bassi was considered one of the best Italian clarinetists of his day. As was common in nineteenth-century Italy, Bassi's clarinet works are mostly based on opera themes from the great opera composers of his day, Verdi, Bellini, Donizetti, and others. Today, his best-known work is the Concert Fantasia on Movtives from Verdi's opera "Rigoletto", which is but one of the 13 or so opera fantasies that he wrote for clarinet. | Clarinet | |
| 13846 | CABF2E4B-B6FF-4E9C-900C-290D7060CCFC | SS402 | Beating the Blues (only-in-b226/17+1) | Snare Drum Unaccompanied | ||
| 13847 | CAC2C1D3-C594-4CF2-83ED-3FE4A2744084 | X510044 | The Nightingale for Solo Violin and Narrator | This story of a nightingale's beautiful song, an emperor, and a WingDing robotic fake bird was written by Bruce Adolphe based on the story by Hans Christian Andersen. The extraordinary violinist and impresario Daniel Hope commissioned this piece for family audiences for solo violin and narrator. | Solo Violin | |
| 13848 | cac4ce27-9e39-11f0-a418-0022482c9682 | A240302 | Meeresstille und Gluckliche Fahrt Overture, Op. 27 (Calm Sea and Prosperous Voyage) | The concert overture MEERESTILLE UND GLÜCKLICHE FAHRT (CALM SEA AND PROSPEROUS VOYAGE), OP. 27, is a setting of two Goethe poems by Felix Mendelssohn (1809-1847). Beethoven was inspired by this poetry when he composed his cantata of the same name in 1815. The overture begins with a slow introduction depicting the calm sea, then the voyage of the ship as the wind fills its sails and its eventual arrival at the yonder port. The first private performance was heard at the composer’s home on September 8, 1828. Its public premiere took place at a benefit concert in Berlin on December 1, 1832. An 1834 revision is the only surviving version performed today. Instrumentation: 2+Picc.2.2.2+CBsn: 2.3.1.0: Timp: Str (9.8.7.6.5 in set). | 2+Picc.2.2.2+CBsn: 2.3.1.0: Timp: Str (9.8.7.6.5 in set) | |
| 13849 | CAC8BEAE-D242-4EF8-9B6C-A551297BB640 | R00458 | Free - Fall | 2(1d Piccolo, 1d Alto Flute).1+English Horn.1+Bass Clarinet.1: 2.1.1.0: Percussion(2).Harp: Strings (minimum 4.4.3.2.1) | ||
| 13850 | CAD005ED-7C22-4CEA-ACCF-F412FC82BD9B | MP944011 | The More Loving One | |||
| 13851 | CAD83C27-1989-44D5-A893-5C551AA4B25D | M391391 | A Song Of Liberty, Op. 49 | (not set) | High Voice and Piano | |
| 13852 | CADA639F-04C5-4BAC-ADFE-F227982450A5 | S686CB | Sonora | Sonora is a musical landscape depicting the great Sonora Desert of southern Arizona and northern Mexico. It was written for the Robinson Middle School Band of Plano, Texas, Katey Collier-Delaney conductor. | Concert Band | |
| 13853 | CADBA2C8-05FB-418F-962F-7345928C67E6 | MP814019 | Cabaret Songs: At the Last Lousy Moments of Love | This orchestration of the 6th of William Bolcom's "Cabaret Songs" was created by the composer on commission from Deutsche Gramophone expressly for soprano Measha Brueggergosman. It may be heard on her 2007 CD, "Surprise!". The full set of ten songs and each individual movement is available for rent. | Solo Sop and Piano | |
| 13854 | CADC406A-30D2-4324-8949-C42FC93A5664 | SS962 | Four Lyric Pieces | These pieces were conceived as a suite, and should be performed as such whenever possible, with an exception for the third movement which can be played alone. Challenging players both technically and conceptually, this piece for unaccompanied flute is a wonderful recital selection for the advancing flutist. | Flute Unaccompanied | |
| 13855 | CAE09AB0-9F25-4D0D-A790-C1B674CC0A12 | M249491 | Cinq Pieces en Trio | A neo-classical work consisting of five short pieces lasting one to three minutes each. Dedicated to French bassoonist Fernand Oubradous and the Paris Reed Trio. | Oboe, Clarinet and Bassoon | |
| 13856 | CAE808A2-CACD-4278-8918-2D05D28E0FA3 | R00971 | About Leaves | Three Portraits for Chamber Orchestra. Inspired by the poetry of Robert Frost. Movements: I. Treading on Leaves II. Light as Balloons III. The Last Color | 1.0.2.1: 0.0.0.0: Strings | |
| 13857 | CAF062F8-083E-4D39-A95A-4024D5913BBB | A272702 | Les Noces (The Wedding), K040 | LES NOCES (THE WEDDING), K040, first conceived in 1914, is a ballet by Igor Stravinsky for the Ballets Russes. As he began to develop an affinity for a colder, stripped-down musical aesthetic, the original instrumentation underwent several changes before its premiere on June 13, 1923 in Paris. Dedicated to Serge Diaghilev, the work is unusually scored for four pianos, four soloists, chorus, and percussion. Its four scenes, performed without break, depict the rituals before and after a wedding ceremony, ending in an effervescent feast. Instrumentation: Timp.Perc(7-8): Pno(4): Soli S.MzS.T.B in set: Mix Chorus (SATB). | Timp.Perc(7-8): Pno(4): Soli S.MzS.T.B in set: Mix Chorus (SATB) | |
| 13858 | CAF0F093-0E0D-4936-8E24-BFF3F8462C38 | X511023 | Black Sun | First Prize National Association of Composers, USA Twelfth Annual Composers' Competition. | Violin, Piano | |
| 13859 | CAF0F1DA-FF06-4351-BE58-A856B797C7D1 | SC511 | Estaciones | TTBB, Flute, Percussion, Electric Bass | ||
| 13860 | CAF3D3C0-4272-450C-B9F2-78EBCDAC5125 | S730 | Espana Rhapsody | Originally, written for orchestra by Chabrier using actual melodies that the composer collected in Spain, a malaguena and ajota aragonesa, this brilliant piece was first arranged for band by Lucien Cailliet in 1964. Cailliet's transcription reflects the trends towards very large band instrumentation that were in vogue at the time, though only originally with a condensed score. In a project to offer a full score, a substantial number of errors and misprints in the instrumental parts were discovered that had never been corrected. This revised transcription allows the substantial number of errors to be corrected while rescoring the transcription to make it more compatible with the practice of contemporary wind bands. | Concert Band |