Titles
Showing 13,901-13,920 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 13901 | CBB2BC90-5373-46FB-B01E-83F05369FBCD | EBM0610618 | Exchanges for Trumpet and Band | Premiere: Robert Nagel, trumpet, Lehigh University Concert Band, Jonathan Elkus, conductor, May 2, 1970, Grace Hall | Trumpet, Band | |
| 13902 | CBB52B5F-6EDE-4E6E-845E-EB807CFBA834 | LV720CB | Scherzo for Woodwinds | (not set) | Concert Band | |
| 13903 | CBBAA6E5-4362-4996-903B-5080AD22C4CD | SS113 | Solo De Concert | This advanced intermediate trupet solo by Camille Erlanger was written as an audition piece for the Paris Conservatory. This edition has been revised and transcribed for trumpet in Bb by Georges Mager as part of the Albert Andruad Wind Instrument Music Library. | Trumpet and Piano | |
| 13904 | CBC1794A-E6F7-4D44-AFCB-4E3EFA48870C | 10441336 | Viennese Sonatina No. 1 for Clarinet Duo and Piano | This arrangement by Floyd O. Harris of the Allegro movement from W.A. Mozart's VIENNESE SONATINA No. 1 has versions available for solo flute, clarinet, or trumpet with piano and for duo flutes, clarinets, or trumpets and piano. | Clarinet Duo and Piano | |
| 13905 | CBC22DAE-3C3B-46FB-8DB8-AA884D74A8BB | ST97 | Sonata | This advanced clarinet sonata employs a meterless approach to rhythm that rather emphasizes a freer approach to the interpretation of the rhythm. | Clarinet | |
| 13906 | CBC30978-B683-400A-B439-8B85C4783CDB | M171091 | In Folk Style, (medium voice) | (not set) | Medium Voice and Piano | |
| 13907 | CBCBEA99-B24E-4A70-9D4A-8FCC6067B155 | C1CS | CHARLES LEE HILL'S SC | |||
| 13908 | CBDB2800-49A6-44D1-8958-584CC470109D | X624508 | Seven Ghosts Above the Landscape for Alto Sax and Drumset | This piece for alto saxophone and drumset is dedicated to the victims of hurricane Katrina. | Alto Saxophone, Drumset | |
| 13909 | CBE16114-7B7A-4812-AD51-16075209C33C | SJ690505 | Walk with Jenny | |||
| 13910 | CBE1C0B9-C14F-41C2-9D0C-797DA8AE1793 | 52793015 | 1, 2, 3 Play! 2.0 Piano (Viola/ Cello Key) | This collection includes fifteen works in varying styles, keys, moods, and meters, from easy to intermediate level. One, two, or three players may join either a teacher accompaniment part or piano. Books for violin, viola and cello are available in addition to teacher scores and piano accompaniment for each instrument. | Cello or Viola solo, duo or trio, with or without accompaniment. | |
| 13911 | CBE3E55B-68F5-40D2-9873-03AD71D559BC | MP814008 | Cabaret Songs: Amor | The 1st of ten William Bolcom songs part of his "Cabaret Songs," versions are available with piano, string quartet, orchestra, and band accompaniment. | Medium voice and Piano | |
| 13912 | CBE3EC4A-CB94-4349-BB4A-000CBE3D9431 | ST461 | Bird Of the Forest (L'oiseau Des Bois) for Flute and Horn Quartet | Doppler's style as a composer is a combination of techincal gymnastics, brilliance, and bravura, challening the flutist while allowing the player the opportunity to delight the audience. This delightful, pastorale piece, for solo flute and horn quartet, calls upon the flutist to exhibit rapid technical feats whle imitating the joyous songs and tills of a carefree bird, singing in the woods. This piece will add sparkle and excitement to any concert program. | Flute and Horn Quartet | |
| 13913 | CBE3EDDB-E6AB-4BE1-B1C7-4F22E784EB32 | R01221 | Ireland: Poema Sinfonico | Symphonic Poem in one movement. | 3+Picc.2+EH.2+BCl.2+Cbsn: 4.3.3.1: Timp.Perc(2).Hp: Str | |
| 13914 | CBE47D08-455F-4E2D-8110-3F0C03F6B646 | EBM145153 | Sonata for Piano | Includes three movements: Theme and Variations, Romance and Finale Fantasia. Recorded by pianist Garrick Ohlsson on Bridge Records 9220. | Piano solo | |
| 13915 | CBE81390-C855-4944-99A9-AAFBC9A4ED24 | A299402 | Boheme, La: Act I, Aria: Si. Mi chiamano Mimi (soprano) | LA BOHÈME (The Bohemian), one of the most beloved and commercially-successful operas, is based on the 1851 novel Scenes of Bohemian Life by Henri Murger. With a libretto by Luigi Illica and Giuseppe Giacosa, Giacomo Puccini (1858-1924) worked on it from 1893 to 1895. It first appeared at the Teatro Regio in Turin on February 1, 1896, conducted by 28-year-old Arturo Toscanini. Weighed negatively against Turin's recent Italian premiere of the Wagner opera Gotterdammerung, it received a lukewarm response from audience and critics. A few months later, concertgoers filled opera houses on both sides of the Atlantic to hear it. In Act I, Rodolfo the painter has just met Mimi in the darkness of his garret while trying to look for a key she has lost. He introduces himself with an aria, then Mimi responds with her own, Sì, Mi chiamano Mimì (Yes, they call me Mimi). She describes a simple life, woven, like the embroidered flowers of her craft, with spring hopes and dreams. Instrumentation: 2+Picc.2+EH.2+BCl.2: 4.2.2.0: Timp.Perc(2): Hp: Str(4-4-3-3-3 in set): Solo Soprano. Reprint edition. | 2+Picc.2+EH.2+BCl.2: 4.2.2.0: Timp.Perc(2): Hp: Str(4-4-3-3-3 in set): Solo Soprano | |
| 13916 | CBE99D15-CCA3-4257-B355-C440BA37AACA | RCST145 | Sonata No. 9 in C K. 303 | Flute, Piano | ||
| 13917 | CBED6C84-A539-4462-9D8A-2B648481E551 | 50100191 | Festive Episodes | A celebratory compilation of themes that show the band in its best light, Festive Episodes is an accessible and joyous work. It is melodic, rhythmic, colorful, and allows everyone to play an important part in its performance. | Concert Band | |
| 13918 | CBF97724-C96B-466C-8E3A-51573B5BF2A6 | SC714 | She Sat and Sang Always | Texas University Interscholastic League Sightreading for 3A and 2A Non-Varsity Tenor-Bass (TB) and 3B, 2B, 3C and 2C Varsity Tenor-Bass (TB) Choirs. Text a setting of a poem by Christina Rosetti. Versions for TB and TTB are available from the publisher. | Tb | |
| 13919 | CBFCF22D-5D01-4C75-987C-B1D23ACCB66F | W112591 | Poeme Roumain, Op.1 | (not set) | Chorus | |
| 13920 | CBFD8FED-C93C-4375-AF33-C107F7A5009E | A726190 | Four Novelletten, Op. 52, No. 4 in D Major | Samuel Coleridge-Taylor's (1875-1912) FOUR NOVELLETTEN, Op. 52, is a brilliantly crafted set of four short movements for string orchestra, with optional tambourine and triangle. Its title possibly inspired by Robert Schumann's set of piano miniatures, NOVELLETTEN, Op. 21, Coleridge-Taylor wrote his 1903 work for strings, infusing romantic sentimentality with a coloristic exploration of the modern string orchestra. Despite his publisher's early lack of success with the work, it must certainly have been one of the composer's favorite works as he programmed the set repeatedly on concerts he conducted throughout his career. No. 4 in D Major , though intended as the finale of the set, works equally well as a concert opener. Instrumentation in set: Perc(1 opt. player: Tambourine.Triangle): Str (8-8-5-5-5 in set). Each of the four movements from the suite are available separately from the publisher. | Perc(1 opt. player: Tambourine.Triangle): Str (8-8-5-5-5 in set) |