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Showing 13,901-13,920 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
13901CBB2BC90-5373-46FB-B01E-83F05369FBCDEBM0610618Exchanges for Trumpet and BandPremiere: Robert Nagel, trumpet, Lehigh University Concert Band, Jonathan Elkus, conductor, May 2, 1970, Grace HallTrumpet, Band
13902CBB52B5F-6EDE-4E6E-845E-EB807CFBA834LV720CBScherzo for Woodwinds(not set)Concert Band
13903CBBAA6E5-4362-4996-903B-5080AD22C4CDSS113Solo De ConcertThis advanced intermediate trupet solo by Camille Erlanger was written as an audition piece for the Paris Conservatory. This edition has been revised and transcribed for trumpet in Bb by Georges Mager as part of the Albert Andruad Wind Instrument Music Library.Trumpet and Piano
13904CBC1794A-E6F7-4D44-AFCB-4E3EFA48870C10441336Viennese Sonatina No. 1 for Clarinet Duo and PianoThis arrangement by Floyd O. Harris of the Allegro movement from W.A. Mozart's VIENNESE SONATINA No. 1 has versions available for solo flute, clarinet, or trumpet with piano and for duo flutes, clarinets, or trumpets and piano.Clarinet Duo and Piano
13905CBC22DAE-3C3B-46FB-8DB8-AA884D74A8BBST97SonataThis advanced clarinet sonata employs a meterless approach to rhythm that rather emphasizes a freer approach to the interpretation of the rhythm.Clarinet
13906CBC30978-B683-400A-B439-8B85C4783CDBM171091In Folk Style, (medium voice)(not set)Medium Voice and Piano
13907CBCBEA99-B24E-4A70-9D4A-8FCC6067B155C1CSCHARLES LEE HILL'S SC
13908CBDB2800-49A6-44D1-8958-584CC470109DX624508Seven Ghosts Above the Landscape for Alto Sax and DrumsetThis piece for alto saxophone and drumset is dedicated to the victims of hurricane Katrina.Alto Saxophone, Drumset
13909CBE16114-7B7A-4812-AD51-16075209C33CSJ690505Walk with Jenny
13910CBE1C0B9-C14F-41C2-9D0C-797DA8AE1793527930151, 2, 3 Play! 2.0 Piano (Viola/ Cello Key)This collection includes fifteen works in varying styles, keys, moods, and meters, from easy to intermediate level. One, two, or three players may join either a teacher accompaniment part or piano. Books for violin, viola and cello are available in addition to teacher scores and piano accompaniment for each instrument.Cello or Viola solo, duo or trio, with or without accompaniment.
13911CBE3E55B-68F5-40D2-9873-03AD71D559BCMP814008Cabaret Songs: AmorThe 1st of ten William Bolcom songs part of his "Cabaret Songs," versions are available with piano, string quartet, orchestra, and band accompaniment.Medium voice and Piano
13912CBE3EC4A-CB94-4349-BB4A-000CBE3D9431ST461Bird Of the Forest (L'oiseau Des Bois) for Flute and Horn QuartetDoppler's style as a composer is a combination of techincal gymnastics, brilliance, and bravura, challening the flutist while allowing the player the opportunity to delight the audience. This delightful, pastorale piece, for solo flute and horn quartet, calls upon the flutist to exhibit rapid technical feats whle imitating the joyous songs and tills of a carefree bird, singing in the woods. This piece will add sparkle and excitement to any concert program.Flute and Horn Quartet
13913CBE3EDDB-E6AB-4BE1-B1C7-4F22E784EB32R01221Ireland: Poema SinfonicoSymphonic Poem in one movement.3+Picc.2+EH.2+BCl.2+Cbsn: 4.3.3.1: Timp.Perc(2).Hp: Str
13914CBE47D08-455F-4E2D-8110-3F0C03F6B646EBM145153Sonata for PianoIncludes three movements: Theme and Variations, Romance and Finale Fantasia. Recorded by pianist Garrick Ohlsson on Bridge Records 9220.Piano solo
13915CBE81390-C855-4944-99A9-AAFBC9A4ED24A299402Boheme, La: Act I, Aria: Si. Mi chiamano Mimi (soprano)LA BOHÈME (The Bohemian), one of the most beloved and commercially-successful operas, is based on the 1851 novel Scenes of Bohemian Life by Henri Murger. With a libretto by Luigi Illica and Giuseppe Giacosa, Giacomo Puccini (1858-1924) worked on it from 1893 to 1895. It first appeared at the Teatro Regio in Turin on February 1, 1896, conducted by 28-year-old Arturo Toscanini. Weighed negatively against Turin's recent Italian premiere of the Wagner opera Gotterdammerung, it received a lukewarm response from audience and critics. A few months later, concertgoers filled opera houses on both sides of the Atlantic to hear it. In Act I, Rodolfo the painter has just met Mimi in the darkness of his garret while trying to look for a key she has lost. He introduces himself with an aria, then Mimi responds with her own, Sì, Mi chiamano Mimì (Yes, they call me Mimi). She describes a simple life, woven, like the embroidered flowers of her craft, with spring hopes and dreams. Instrumentation: 2+Picc.2+EH.2+BCl.2: 4.2.2.0: Timp.Perc(2): Hp: Str(4-4-3-3-3 in set): Solo Soprano. Reprint edition.2+Picc.2+EH.2+BCl.2: 4.2.2.0: Timp.Perc(2): Hp: Str(4-4-3-3-3 in set): Solo Soprano
13916CBE99D15-CCA3-4257-B355-C440BA37AACARCST145Sonata No. 9 in C K. 303Flute, Piano
13917CBED6C84-A539-4462-9D8A-2B648481E55150100191Festive EpisodesA celebratory compilation of themes that show the band in its best light, Festive Episodes is an accessible and joyous work. It is melodic, rhythmic, colorful, and allows everyone to play an important part in its performance.Concert Band
13918CBF97724-C96B-466C-8E3A-51573B5BF2A6SC714She Sat and Sang AlwaysTexas University Interscholastic League Sightreading for 3A and 2A Non-Varsity Tenor-Bass (TB) and 3B, 2B, 3C and 2C Varsity Tenor-Bass (TB) Choirs. Text a setting of a poem by Christina Rosetti. Versions for TB and TTB are available from the publisher.Tb
13919CBFCF22D-5D01-4C75-987C-B1D23ACCB66FW112591Poeme Roumain, Op.1(not set)Chorus
13920CBFD8FED-C93C-4375-AF33-C107F7A5009EA726190Four Novelletten, Op. 52, No. 4 in D MajorSamuel Coleridge-Taylor's (1875-1912) FOUR NOVELLETTEN, Op. 52, is a brilliantly crafted set of four short movements for string orchestra, with optional tambourine and triangle. Its title possibly inspired by Robert Schumann's set of piano miniatures, NOVELLETTEN, Op. 21, Coleridge-Taylor wrote his 1903 work for strings, infusing romantic sentimentality with a coloristic exploration of the modern string orchestra. Despite his publisher's early lack of success with the work, it must certainly have been one of the composer's favorite works as he programmed the set repeatedly on concerts he conducted throughout his career. No. 4 in D Major , though intended as the finale of the set, works equally well as a concert opener. Instrumentation in set: Perc(1 opt. player: Tambourine.Triangle): Str (8-8-5-5-5 in set). Each of the four movements from the suite are available separately from the publisher.Perc(1 opt. player: Tambourine.Triangle): Str (8-8-5-5-5 in set)