Titles
Showing 13,961-13,980 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 13961 | CCEC9959-DD84-4A93-A1DC-840620414FCF | X410069 | Tres Exitos | (not set) | Solo Piano | |
| 13962 | CCED6175-6032-447E-96E3-09002A53DA86 | 52733007 | Rosina de un verdi palmar for Cello Quartet | (not set) | Cello quartet with optional piano | |
| 13963 | CCF288D3-51A6-4ACD-A3F4-1AAA0304B6F4 | B386302 | Divertimento No. 3 in E-flat, K. 166/159d | The divertimenti in B-flat major, K. 186/159b and E-flat major, K. 166/159d, were both written for pairs of oboes, English horns, clarinets, horns, and bassoons, and are considered companion works. Although the origin and inspiration for such an ensemble with odd instrumentation is uncertain, they are considered the first stage in Mozart's development as a wind music composer. | 0.2+2EH.2.2: 2.0.0.0 | |
| 13964 | CCFEF26C-9667-4BED-ADC8-1CDF326C5F81 | S19 | Starlet Overture (out-of-print) | Concert Band | ||
| 13965 | CD031262-2BD2-4C5E-ADE5-6A49AE076B6E | SS202 | Finale, Op. 77 No. 1 | From Hob. III:81, this Finale from Haydn's string quartet has been transcribed for a mixed clarinet quartet. The 3rd clarinet and alto clarinet parts both are derived from the viola, allowing the players flexibility in instrumentation. | Mixed Clarinet Quartet: 2 Bb Clarinet, Eb Alto Clarinet (Alt. 3rd Bb Clarinet) and Bb Bass Clarinet | |
| 13966 | CD0555B0-3377-4125-B36B-B43A87F99F31 | EBM0610123 | Prelude and Toccata | Winner of Albuquerque Civic Symphony national Composition contest. Premiere Mar. 21, 1963, Albuquerque, NM, Albuquerque Civic Symphony; Maurice Benney, conductor. | 3 (pic)-3 (E.hn)-3 (bcl)-2; 4-3-3-1; timp, perc (3), hp, str. | |
| 13967 | CD085EAD-36D4-47DC-ACF5-665C34189211 | EBM0660050 | Within the Quota for Two Pianos and Orchestra | (not set) | 2(Pi)222 4221 2Pc Pno/Cel Str | |
| 13968 | CD0FE309-2CB5-4595-BAC0-F50F7BFFAD8A | X410028 | Six Dances | (not set) | Solo Piano | |
| 13969 | CD11CFAF-C7A8-4497-ADE5-C869278EC5AF | 52793003 | POP see 52793013 1, 2, 3, Play! - Violin Key Piano Accompaniment | This collection includes fifteen works in varying styles, keys, moods, and meters, from easy to intermediate level. One, two, or three players may join either a teacher accompaniment part or piano. Books for violin, viola and cello are available in addition to teacher scores and piano accompaniment for each instrument. | Violin Trio and Piano, Flexible Instrumentation | |
| 13970 | CD19C923-E4D1-44ED-8309-51992822F934 | A256902 | La Damnation de Faust, Op. 24 | 3d3, 2d2, 2+1, 4 - 4, 2+2, 3, 2, timp, perc, 2hp, str vocal soli (STBB), chorus, banda (2 hn, 2 tpt) | ||
| 13971 | CD21597D-B8FB-48B6-B148-ECA197E13CCD | EBM0690013 | View from the Bridge, A: Opera in Two Acts (full orchestration) | Premiere: Lyric Opera of Chicago, Dennis Russell Davies conducting, Chicago, Ill., October 9, 1999 “This is the opera that Bolcom was born to write.”—USA Today “…Bolcom has written terrific music. The aria ‘New York Lights’ is another small masterpiece from [Bolcom and Weinstein].” —Los Angeles Times Also available from the publisher is a Reduced Orchestration: 2(Pi)1(EH)2(Eb Bs)1 2211(BsTbn) 2Pc(incl Timp) Kbd(opt 2) Str | Cast of 12: 3(Picc).3(EH).3(Eb A Bs).3(Cbsn): 4.3(Picc).3.1: Timp.3Perc: Hp.Kbd: Str | |
| 13972 | CD251475-78D1-4555-B0F7-17AA5013D5FC | A301402 | Samson and Delilah, Op. 47: Act II, Sc.3 Aria - Softly Awakes My Heart (Samson et Dalila: Mon coeur s'ouvre a ta voix) | (not set) | 2, 2+1, 2+1, 2 - 4, 1, 3, 0, hp, str | |
| 13973 | CD263429-4C0B-4F1F-83FD-E50D98426881 | LV227CB | Twilight Bells | (not set) | Concert Band | |
| 13974 | CD26B14B-D72E-4630-B687-8CC360EBA91B | A912002 | The Bard, Op. 64 | Written by Jean Sibelius (1865-1957) in 1913, this cryptic tone poem premiered on March 27th of that year by the Philharmonic Society Orchestra in Helsinki, under the composer's baton. Following that performance, Sibelius revised the harp-led work in 1914, with the new version being first performed in Helsinki again on January 9th, 1916. Instrumentation: 2.2.2+BCl.2: 4.2.3.0: Timp.Perc(1): Harp: Str (9-8-7-6-5 in set). | 2.2.2+BCl.2: 4.2.3.0: Timp.Perc(1): Harp: Str (9-8-7-6-5 in set) | |
| 13975 | CD29F49C-CEE7-48A4-AD9D-AB13E5A4CD7C | ST492 | Tom's Trio | (not set) | 3P | |
| 13976 | CD3066B2-F0E2-49ED-83C5-20E02E3C3032 | 50730003 | Concerto No. 1 in A-minor, Op. 33 | (not set) | Violoncello and Piano | |
| 13977 | CD3CC49C-5E6B-417D-879C-6C694C4D1D46 | 50260017 | Romp | A delightful opportunity to feature your outstanding bass player, this work has a little of everything for everyone. The solo stays mostly in fourth position with lots of bow work, quick scales, and even triple stops! Solo grade 3; orchestra grade 2. | Double Bass Solo, String Orchestra | |
| 13978 | CD3E98D8-6766-481B-92AF-40BA75918F05 | S391 | Il Re Pastore | A woodwind choir arrangement of the opera overture by Mozart. Standard instrumentation, including saxophones and contrabass clarinet in Eb or Bb. | Woodwind Choir | |
| 13979 | CD42905E-FC95-4F31-B139-07C071B7F77E | A539502 | Karelia Overture, Op. 10 | The KARELIA OVERTURE, Op. 10 is part of Jean Sibelius' (1865-1957) larger KARELIA MUSIC, which he wrote for the Viipuri Students' Association in 1893 to serve as incidental music for their historical tableau about the Karelia region of Finland that borders Russia. While not quoting any folk tunes directly, Sibelius' music does convey the essence of Finnish folk music. This example of nationalism in music premiered at the Imperial Alexander University in Helsinki on November 23rd, 1893, with Sibelius conducting. The KARELIA MUSIC, the included overture, and the KARELIA SUITE that premiered only ten days later remain among Sibelius' most popular works. Instrumentation: 2+Picc.2.2,2: 4.3.3.1: Timp.Perc(3): Str (9-8-7-6-5 in set). Reprint edition. | 2+Picc.2.2,2: 4.3.3.1: Timp.Perc(3): Str (9-8-7-6-5 in set) | |
| 13980 | CD4535EA-9F83-4184-96B1-CCA9580FDEE3 | SC348 | Celebrate Freedom | Ttb |