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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
13961CCEC9959-DD84-4A93-A1DC-840620414FCFX410069Tres Exitos(not set)Solo Piano
13962CCED6175-6032-447E-96E3-09002A53DA8652733007Rosina de un verdi palmar for Cello Quartet(not set)Cello quartet with optional piano
13963CCF288D3-51A6-4ACD-A3F4-1AAA0304B6F4B386302Divertimento No. 3 in E-flat, K. 166/159dThe divertimenti in B-flat major, K. 186/159b and E-flat major, K. 166/159d, were both written for pairs of oboes, English horns, clarinets, horns, and bassoons, and are considered companion works. Although the origin and inspiration for such an ensemble with odd instrumentation is uncertain, they are considered the first stage in Mozart's development as a wind music composer.0.2+2EH.2.2: 2.0.0.0
13964CCFEF26C-9667-4BED-ADC8-1CDF326C5F81S19Starlet Overture (out-of-print)Concert Band
13965CD031262-2BD2-4C5E-ADE5-6A49AE076B6ESS202Finale, Op. 77 No. 1From Hob. III:81, this Finale from Haydn's string quartet has been transcribed for a mixed clarinet quartet. The 3rd clarinet and alto clarinet parts both are derived from the viola, allowing the players flexibility in instrumentation.Mixed Clarinet Quartet: 2 Bb Clarinet, Eb Alto Clarinet (Alt. 3rd Bb Clarinet) and Bb Bass Clarinet
13966CD0555B0-3377-4125-B36B-B43A87F99F31EBM0610123Prelude and ToccataWinner of Albuquerque Civic Symphony national Composition contest. Premiere Mar. 21, 1963, Albuquerque, NM, Albuquerque Civic Symphony; Maurice Benney, conductor.3 (pic)-3 (E.hn)-3 (bcl)-2; 4-3-3-1; timp, perc (3), hp, str.
13967CD085EAD-36D4-47DC-ACF5-665C34189211EBM0660050Within the Quota for Two Pianos and Orchestra(not set)2(Pi)222 4221 2Pc Pno/Cel Str
13968CD0FE309-2CB5-4595-BAC0-F50F7BFFAD8AX410028Six Dances(not set)Solo Piano
13969CD11CFAF-C7A8-4497-ADE5-C869278EC5AF52793003POP see 52793013 1, 2, 3, Play! - Violin Key Piano AccompanimentThis collection includes fifteen works in varying styles, keys, moods, and meters, from easy to intermediate level. One, two, or three players may join either a teacher accompaniment part or piano. Books for violin, viola and cello are available in addition to teacher scores and piano accompaniment for each instrument.Violin Trio and Piano, Flexible Instrumentation
13970CD19C923-E4D1-44ED-8309-51992822F934A256902La Damnation de Faust, Op. 243d3, 2d2, 2+1, 4 - 4, 2+2, 3, 2, timp, perc, 2hp, str
vocal soli (STBB), chorus, banda (2 hn, 2 tpt)
13971CD21597D-B8FB-48B6-B148-ECA197E13CCDEBM0690013View from the Bridge, A: Opera in Two Acts (full orchestration)Premiere: Lyric Opera of Chicago, Dennis Russell Davies conducting, Chicago, Ill., October 9, 1999 “This is the opera that Bolcom was born to write.”—USA Today “…Bolcom has written terrific music. The aria ‘New York Lights’ is another small masterpiece from [Bolcom and Weinstein].” —Los Angeles Times Also available from the publisher is a Reduced Orchestration: 2(Pi)1(EH)2(Eb Bs)1 2211(BsTbn) 2Pc(incl Timp) Kbd(opt 2) StrCast of 12: 3(Picc).3(EH).3(Eb A Bs).3(Cbsn): 4.3(Picc).3.1: Timp.3Perc: Hp.Kbd: Str
13972CD251475-78D1-4555-B0F7-17AA5013D5FCA301402Samson and Delilah, Op. 47: Act II, Sc.3 Aria - Softly Awakes My Heart (Samson et Dalila: Mon coeur s'ouvre a ta voix)(not set)2, 2+1, 2+1, 2 - 4, 1, 3, 0, hp, str
13973CD263429-4C0B-4F1F-83FD-E50D98426881LV227CBTwilight Bells(not set)Concert Band
13974CD26B14B-D72E-4630-B687-8CC360EBA91BA912002The Bard, Op. 64Written by Jean Sibelius (1865-1957) in 1913, this cryptic tone poem premiered on March 27th of that year by the Philharmonic Society Orchestra in Helsinki, under the composer's baton. Following that performance, Sibelius revised the harp-led work in 1914, with the new version being first performed in Helsinki again on January 9th, 1916. Instrumentation: 2.2.2+BCl.2: 4.2.3.0: Timp.Perc(1): Harp: Str (9-8-7-6-5 in set).2.2.2+BCl.2: 4.2.3.0: Timp.Perc(1): Harp: Str (9-8-7-6-5 in set)
13975CD29F49C-CEE7-48A4-AD9D-AB13E5A4CD7CST492Tom's Trio(not set)3P
13976CD3066B2-F0E2-49ED-83C5-20E02E3C303250730003Concerto No. 1 in A-minor, Op. 33(not set)Violoncello and Piano
13977CD3CC49C-5E6B-417D-879C-6C694C4D1D4650260017RompA delightful opportunity to feature your outstanding bass player, this work has a little of everything for everyone. The solo stays mostly in fourth position with lots of bow work, quick scales, and even triple stops! Solo grade 3; orchestra grade 2.Double Bass Solo, String Orchestra
13978CD3E98D8-6766-481B-92AF-40BA75918F05S391Il Re PastoreA woodwind choir arrangement of the opera overture by Mozart. Standard instrumentation, including saxophones and contrabass clarinet in Eb or Bb.Woodwind Choir
13979CD42905E-FC95-4F31-B139-07C071B7F77EA539502Karelia Overture, Op. 10The KARELIA OVERTURE, Op. 10 is part of Jean Sibelius' (1865-1957) larger KARELIA MUSIC, which he wrote for the Viipuri Students' Association in 1893 to serve as incidental music for their historical tableau about the Karelia region of Finland that borders Russia. While not quoting any folk tunes directly, Sibelius' music does convey the essence of Finnish folk music. This example of nationalism in music premiered at the Imperial Alexander University in Helsinki on November 23rd, 1893, with Sibelius conducting. The KARELIA MUSIC, the included overture, and the KARELIA SUITE that premiered only ten days later remain among Sibelius' most popular works. Instrumentation: 2+Picc.2.2,2: 4.3.3.1: Timp.Perc(3): Str (9-8-7-6-5 in set). Reprint edition.2+Picc.2.2,2: 4.3.3.1: Timp.Perc(3): Str (9-8-7-6-5 in set)
13980CD4535EA-9F83-4184-96B1-CCA9580FDEE3SC348Celebrate FreedomTtb