Titles
Showing 13,941-13,960 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 13941 | CC8F68D4-5973-4BF5-AFEB-9909CA7F9878 | D511021 | Fileuse from Suite "Pelleas et Melisande", Op. 80 No. 2 | Violin, Piano | ||
| 13942 | CC9618C6-8FCB-4032-BD76-E62E46045A57 | 10100395 | Paraphrase on Nearer My God to Thee | Taken from a long-lost sketch score acquired by arranger/conductor Wayne Gorder, with sparsely indicated information and instrumentation, it appears that the famed Danish composer, Carl Nielsen composed this treatment in commemoration of the tragic sinking of the RMS Titanic, the tune having been played by its brave band as the ship sank beneath the waters. A moving and lovely treatment, it calls for sensitivity and good control. | Concert Band | |
| 13943 | CC9978CA-0196-423E-B98A-EB02112FEBD6 | X110017 | Flutemagic from "Music for a Summer Afternoon" | Movement VI from Robert Starer's seven movement suite, "Music for a Summer Afternoon." | Flute Solo | |
| 13944 | CC9CEA7F-3FAD-4637-88EF-7890C9AEA9EF | S131017 | Gamba Sonata No. 2 in D Major for Clarinet in A and Piano | Bach’s Sonata for Viola da gamba and Harpsichord, BWV 1028, would later be incorporated into one of the composer’s greatest masterpieces, the St. Matthew’s Passion. This new transcription by world-class clarinetist Richard Stoltzman for Clarinet in A was inspired by collaborations with two great pianists. The joyful, improvisatory essence which this edition strives to capture stems from his 1980’s performance at the Tokyo Music Joy Festival with legendary jazz pianist Keith Jarrett. This publication’s clarinet part also contains a number of insightful interpretive markings in English, some of which come from the illuminating rehearsals Mr. Stoltzman had with Yehudi Wyner, the Pulitzer Prize winning composer, pianist, and harpsichordist of the world-renowned Bach Aria Group. | Clarinet in A, Piano | |
| 13945 | CC9FC7E1-FF74-402E-9222-B3D76B296013 | TU2 | Who So Dwelleth | Satb | ||
| 13946 | CC9FE1A1-5726-47C2-BD50-7CC2D8544DFD | M167691 | Legende | Composed for the 1906 Paris Conservatory trumpet competition and dedicated to the trumpet professor of the conservatory, Merri Franquin. | Trumpet and Piano | |
| 13947 | CCAEB659-3A57-451B-B100-209F573FEA0A | ST927 | Pensamiento | Alto Sax | ||
| 13948 | CCB2249F-C1AC-41B4-BE86-C4F315407669 | 10500635 | Keystone Celebration | John Cheetham is professor emeritus at the University of Missouri-Columbia where he has taught classes in music theory and composition since 1969. Keystone Celebration was commissioned by the Summit Brass through the Missouri Arts Council and premiered by that group in 1989. The title was inspired by the annual Keystone Brass Institute hosted by Summit Brass in Keystone, Colorado. | Brass Choir and Percussion | |
| 13949 | CCB6340C-55B3-43BE-9738-813E5586CAFB | S734 | Angel Band | (not set) | Concert Band | |
| 13950 | CCBCE6C3-1B1E-4E02-8CF7-3B822E7711B1 | A717802 | Slavonic Dances Op. 72/B. 147, Nos. 5-8, critical edition | Two series of Slavonic Dances, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea was suggested to the composer by the publisher, N. Simrock, following the publisher’s introduction to Dvorák’s Moravian Duets by Johannes Brahms. Understanding the national characteristics and talent of the hitherto unkown Czech composer, Simrock suggested he create a series of "Slavonic Dances" in a style similar to that which had recently proved so successful in the base of Brahms’ Hungarian Dances. Using only the rhythms as the most characteristic and expressive element of Slavonic music rather than original folk dance songs, Dvorák quickly completed the second series of eight (Opus 72) for piano duet, often also orchestrating them while still composing. Considered one of the most personal, nationally most characteristic, and most famous of Dvorák’s works, this critical edition of Op. 72, Nos. 5-8, edited by Otakar Sourek was based on original sources. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set). | 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set) | |
| 13951 | CCC40D69-44D0-4EDA-8095-A3AFBF21AAA3 | 10503613 | Fanfare | (not set) | Mixed Brass Quartet | |
| 13952 | CCC5322B-0E0B-43A8-9EEF-AE5C1A3F2DF7 | A224602 | Tannhauser: Venusberg Music (Paris Version without chorus) | (not set) | 3d1, 2, 2, 2 - 4, 3, 3, 1, timp, perc, hp, str | |
| 13953 | CCCE278F-6C9F-41FD-8DC8-3C82012B7F4C | 50362005 | Competition Solos, Book 2 Mallet Percussion | The practical collection of competition solos that are included in this book were selected from state competition lists throughout the United States. While each selection is included on the list of at least one state, check with your director, private instructor or state music association to confirm that your desired solo is an approved selection in your state. The piano book includes alternate accompaniments for instruments of different pitch and therefore can be used for any instrument in the book three series. Codes to download audio are included on each solo book. Titles included: The Young Prince; Viennese Sonatina No. 1 (Allegro); Flower of the Orient; The King's Jester; Two Short Pieces; Spirit of Victory; Barcarolle and Scherzetto; Sparkles; Waltz from Album for the Young. | Mallet percussion | |
| 13954 | CCD058BC-DA86-441C-934B-83071793023F | ST764 | Adagio and Allegro | A representative example of the Baroque style in G Minor. Can also be performed on soprano saxophone. Also available for clarinet. | Tenor Sax and Piano | |
| 13955 | CCD3CBC8-2688-41D8-9788-707969B3E1FF | D814118 | Sunless: No. 5 Elegy | (not set) | Voice, Piano | |
| 13956 | CCD5E92F-1C11-4583-8AF7-0FCCD7D2C60A | V73 | There Will Always Be a Texas | Piano/vocal | ||
| 13957 | CCD8DAF0-BEF8-4CF2-AA76-1A8C30DF01DF | 50100160 | Glory In The Sky | Bold, fresh, and invigorating, Glory in the Sky is a wonderful contest or festival selection. The scoring is uniquely individual and the rhythms drive without being difficult. This is that one totally different work to set your program apart. | Concert Band | |
| 13958 | CCDA6117-0D75-4B41-8E9C-8556F77EC203 | R00781 | Zinman Freylakh | Commissioned by the Minnesota Orchestra in honor of the 60th birthday of Maestro David Zinman | 2+1.2+1.2+EbCl.2+1: 4.3.3.1: Timp.Perc(2): Str | |
| 13959 | CCDFF4E9-3B2D-4C54-9386-D63975AF92E5 | SU110 | Etude No. 18 | This is a fine recital or contest selection for the intermediate young bass clarinet player. | Bass Clarinet, Piano | |
| 13960 | CCE9377D-F9F0-41DF-ACF1-92D9941F5854 | S325MB | March Grandioso for Marching Band | (not set) | Marching Band |