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Showing 14,021-14,040 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
14021CDF1E5C7-3D49-43E5-9261-CA078DCFA0FES360Song Of The Soldiers (out-of-print)Marching Band
14022CDF61973-76AD-43EE-85ED-344663043FA8M10Victor String Class Method, Part 2 (out-of-print)String Orchestra
14023CDFB4FC5-30A5-4922-A9DD-16DCF4664DAA51100805ChesterConcert Band
14024CDFB6555-1CED-4BF7-8081-5C4CD517AC02D511017SerenadeViolin, Piano
14025CDFBED55-210F-474B-8D93-62D302AE988FM328391LegendeWind and String Octet
14026CDFCB53E-EEE8-4AF2-B030-498993BC594450100059In Footsteps of LegendsAt times heroic and bold, at times elegant and lovely, this musical work pays tribute to iconic figures that have shaped the lives of youth. Everything bands love to play is here, with active lines and sonorous harmonies throughout. An excellent vehicle that teaches nearly any musical concept.Concert Band
14027CDFCEBAD-76D2-4DC1-B59E-E8A483A59AD7S814CBHobart Centennial MarchHOBART CENTENNIAL was commissioned by the Centennial Committee as part of the celebration of the 100th Anniversary of Hobart, Oklahoma (established August 8, 1901). Premiered on the courthouse lawn in Hobart on August 6, 2001 by the 145th United States Army Reserve Band, with the composer conducting.Concert Band
14028CDFE9FD5-9C3D-402C-9C76-A26D218F504FSS852ConcertoOriginally written for alto saxophone and string orchestra, this piano reduction for the advanced player is part o the "Contemporary Saxophone Series", edited by Cecil Leeson.Alto Saxophone and Piano
14029CDFF07AF-2C0F-4333-90AE-0F011271AA34M808490Colonel Bogey MarchEvery one loves a great march and now your string orchestra can play one! Optional percussion helps capture the spirit of the original march, which has been transposed to a much more friendly key for strings. We dare the orchestra and audience to leave without whistling the melody!String Orchestra
14030CE00F99B-3F66-4AC7-AF64-61CD2D6981DASU92Adagio and Allegro(not set)Clarinet Quartet
14031CE054421-313D-4910-BF42-83F98F346CF952250955Tunes with Changes You Can UseHere is a set of 4 wonderful jazz tunes written to the changes of some of our most-beloved jazz standards. Each tune is neatly arranged so that the melody can be played by any section or individual, and so that any player can take ad lib solos. Generous tips for improvisation are included as well as written-out solos. Rhythm section parts are provided as well as helpful performance tips. The pieces in this set are written in keys that will be most helpful to the students when playing with other jazz instrumentalists. This set is perfect for the gigging string section.Violin, Viola, Cello, Double Bass, Piano, Guitar, & Drums
14032CE06DA2D-0DEC-46A5-B32A-998322F013F7X301009AfterimageFor Lynn VartanPercussion Solo
14033CE09DAD0-48A5-4EA1-8721-E596ED15D18FST892Overture to Les Fetes VenitiennesBrass Choir
14034CE0A285F-318A-42DE-9423-16113A984BB5SJ111001Lil' Lite O' Mine/ Sparklin' for Flute and PianoNewly engraved, corrected edition. Recorded by Harold Jones, Flute and Colette Valentine, Piano on Leonarda Records.Flute and Piano
14035CE16612B-AAF9-4D4B-A608-D78C2234E76BW73079110 Pieces, Op. 12This collection of 10 short pieces by Sergei Prokofiev ranges in style and difficulty and can be performed in its entirety or individually. Individual pieces included: 1. March; 2. Gavotte; 3. Rigaudon; 4. Mazurka; 5. Capriccio; 6. Legenda; 7. Prelude; 8. Allemande; 9. Humorous Scherzo; 10. Scherzo.Piano Solo
14036CE1737D1-BBDF-4D33-9BAB-4DFE12FFA7D420100558El Bandido de Zamora(not set)Band
14037CE1808FD-0337-4C4F-98A8-E53D1D14DF4DA307202Traviata, La: Act I Finale, Scena ed Aria: Ah fors' e lui; Sempre libera (soprano) (excerpt)La Traviata (The Fallen Woman) is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled Violetta, after the main character. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, ca. 1700. It was not until the 1880’s that the composer’s and librettist’s original wishes were carried out and “realistic” productions were staged. La Traviata has become immensely popular and is among the most frequently performed of all operas. This excerpt from the end of Act 1 is among the most well-known in opera, where Violetta wonders if Alfredo could be her one great love (È strano!... Ah, fors' è lui - "Ah, perhaps he is the one"), but decides that she needs her freedom (Sempre libera - "Always free.") Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Hp: Str (4-4-3-3-3 in set): Solo Voice.2+Picc.2.2.2: 4.2.3.1: Hp: Str (4-4-3-3-3 in set): Solo Voice
14038CE1D09BA-E288-47CC-B89C-76A60CE2D374A196102Africa, Op. 89Following the death of his mother in 1888, a depressed Camille Saint-Saëns (1835-1921) decided to take a trip to his favorite destination, North Africa, travelling to Ceylon, then to Alexandria and Cairo over the period of several months. While he was in Egypt, he composed his fantasia for piano and orchestra, AFRICA, Op. 89. Dedicated to pianist Marie-Aimée Roger-Miclos, it premiered on October 25, 1891, with the dedicatee playing the solo, and the work was an immediate success both at the premiere and after, which pleased Saint-Saëns a great deal to the point that he considered AFRICA a signature work. Borrowing themes and techniques from North African music, the fantasy draws on material he heard in Algeria and Egypt, offering an exotic sound to those listening in the late 19th and early 20th centuries. This concertante is notable also as one of the first works to be recorded with the composer as soloist, with a surviving 1904 recording with Saint-Saëns at the piano. This colorful piece continues to be performed regularly today. Reprint edition. Instrumentation: 2.2.2.2: 2.0+2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set): Solo Piano.2.2.2.2: 2.0+2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set): Solo Piano
14039CE1E41D0-F1FA-45E3-B334-E0E259D58F57RMR2CBConcertpiece No. 1, Op. 11 for Trumpet and BandGerman composer Vassily Georgivich Brandt (Willy Brandt- 1869-1923) emigrated to Russia as a teenager, where he played principal trumpet in the Bolshoi Theater Orchestra and joined the faculty of the Moscow Conservatory, and later the Saratov Conservatory, as professor of trumpet. Brandt is well know in trumpet circles as a composer of pedagogical works and short solo pieces for trumpet. This arrangement for band came about as a result of a request from Cindy Mikel, a dear friend of the arranger, when she was invited by her old high school band director to perform as a trumpet soloist at her old high school. It is with warm feelings after many years of friendship that this score is inscribed to Cindy Mikel.Trumpet Solo, Concert Band
14040CE24C9EA-C5A4-4445-A9C2-FB22779C8935M169191Fantasy Pieces, Op. 43FANTASY PIECES (Fantasiestykker), Op. 43, by Danish composer Niels Wilhelm Gade (1817-1890) is a four-movement work for clarinet or violin and piano. Composed in 1864, it was one of the composer's most oft-performed works during his lifetime. The third movement, a Ballade, is steeped in the spirit of Scandinavian folklore.Clarinet (or Violin) and Piano