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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
106419B28D37E-AF3D-403B-BE68-FFF08119D38F10740333Dance of the Bears for Double Bass and PianoThis easy and fun solo is perfect for a first recital piece. Also available in Competition Solos Bk 1 (50345004 / 50781004 piano accompaniment).Double Bass and Piano
106429B2B2D76-A2D6-4136-BFCF-B102A7FAAE2650100325Alien Invasion from the Dark PlanetColorful percussion and unusual instrumental effects will bring a true sense of amazement to your audience as the narrator tells the story of an alien invasion and its aftermath.Concert Band and Narrator
106439B2C3387-7169-40E8-8404-F3CF13EC6EC2M114291Petite Suite(not set)Flute and Piano
106449b2f8ae7-9e3b-11f0-a418-0022482c9682S511049Adagietto from Symphony No. 5The Adagietto is the 4th movement of Gustav Mahler’s (1860-1911) FIFTH SYMPHONY, written in 1901-1902. It is Mahler’s most popular work, often performed separately from the symphony. This incredibly expressive piece of music was a love song to his future wife Alma, and is eminently suitable for solo violin with piano accompaniment. Otto Winterbecher, a disciple of Mahler, created this transcription.Violin, Piano
106459B30C883-4ADE-435C-A13B-EA4390347813SS351Adagio and Allegro, Op. 70This adagio and allegro, edited by Lorenzo Sansone, has versions available for horn, violin, viola and cello from the publisher. This version for violoncello makes use of both bass and tenor clefs.Cello and Piano
106469B312025-34CC-45D3-8536-079B58B7FCCEX772004Dawn Game(not set)3+Piccolo. 2. 3+Bass Clarinet. 2.AATB Saxophones: 4.4.2.1.2 Euphoniums: Timpani. Percussion(3).
106479B32EA65-5F12-4FF7-AD05-643BCE4663B7S69MBSpring Festival(not set)Marching Band
106489b38a9e4-9e3b-11f0-a418-0022482c9682S511050Mendelssohn: On Wings of Song/ Massenet: Meditation from ThaisThe French composer Jules Massenet (1842-1912) is best known for his operas. His most popular composition is the Meditation, the violin solo from his opera THAIS (1894). The violin and piano version is by Martin Marsick. ON WINGS OF SONG is from Felix Mendelssohn’s (1809-1847) popular song cycle Op 34/2. The violin transcription is by Joseph Achron. This transcription has been in the repertory of many of the great violinists past and present.Violin, Piano
106499B3DBF57-FA20-441C-A0DB-9F319C59EE5E50250032Gems of IrelandNever before published, this is a new publication from Victor Herbert's original manuscript. Written in two brief movements, Little Red Lark is a lush Irish folk song and Fagan is a rousing jig. Your players and audience alike will love this!String Orchestra
106509B3FC7EC-786D-4D3B-99B4-10454DED95B920100741March For A Happy DayAdd some spring to everyone's step with this tuneful march. The melody is contagious and the toes will be tapping when you program this upbeat and cheerful selection. The limited ranges, technical and rhythmic demands will make teaching it a happy day indeed.Band
106519B40F758-252A-4A46-ABEA-E077CC1B9D18B400502Belle of the Ball for BandLike most of Leroy Anderson’s efforts, "Belle of the Ball" is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitalization -- of the Viennese waltz tradition. Having said that, the main theme sounds rather unlike a Strauss waltz, but the voice of Tchaikovsky is evident in its playful, fantasy-like character. The melody is rhythmic and comes in short groups of notes, beginning with two notes, then three, then expanding further; the music skates along elegantly. The middle section features a delightful variation on the theme, in which Anderson’s gentle belled sonorities impart a playful innocence. Versions for band and the original orchestral scoring are available.Concert Band
106529b41faa0-9e3b-11f0-a418-0022482c9682S511051Violin Concerto No. 1 in A minor for Violin and Piano, BWV 1041While the original manuscript by the composer is lost, it is assumed that the Violin Concerto in A minor was composed between the years 1717-1723 in Köthen.The earliest available source is a copyist manuscript from 1730. The concerto is originally scored for solo violin, strings and continuo. Unlike many works by Bach, this concerto never disappeared from the repertoire nor lost any of its popularity. It was frequently performed in Germany in the 18th century, but it was not printed until 1852 and continues to be in the repertory of most violinists from students to great concert artists. This unique edition includes concise fingerings and bowings by Jascha Heifetz’ protégé, Endre Granat.Violin, Piano
106539B4AD8B0-B594-458C-9D73-DD27E76660CC10440190Amour Viens Aider for Clarinet and PianoAmour Viens Aider ("Love, Thy Help") is one of the most performed arias in the operatic repertoire. It appears at the opening of the second act of the opera Samson and Delila, in a scene where Delila pleads to an ancient love deity to help her seduce and defeat the Hebrew warrior Samson. This arrangement by Paul Whear effectively translates the haunting aria to the solo brasswind medium, allowing instrumentalists to play and enjoy a fine Romantic miniature.Clarinet and Piano
106549b4beada-9e3b-11f0-a418-0022482c9682S511052Violin Concerto No. 2 in E Major for Violin and Piano, BWV 1042J.S. Bach wrote this concerto between 1717 and 1723 in Cötchen where he was in the employ of Prince Leopold of Anhalt-Cötchen. The original manuscript is lost, and the earliest source of this work is a manuscript by a copyist from 1760, ten years after Bach’s death. While Bach was primarily a harpsichordist and organist, he also played violin and viola. In fact, he had led Prince Leopold’s orchestra from the viola stand. His superb writing for the violin shows that he was familiar with Vivaldi’s works, and while the E Major Concerto has much in common with the concerto grosso form of the period, the character of this work is unabashedly a violin concerto for a brilliant soloist. This publication presents the world’s premier performance edition of this concerto, with practical fingerings and bowings by acclaimed Heifetz protégé, Endre Granat.Violin, Piano
106559B51FCBF-295C-46CB-A0AD-B181D9CE9A96R00323Festive Sounds2+Piccolo.2.2.2: 4.2.3.1: Timpani.Percussion(2)Harp: Strings
106569B52676D-3BE4-495F-97F2-2CE9F2B175C0M339591L'Organiste Liturgiste, Op. 65, Bk. 7French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 10 books of "L'Organiste liturgique" is available from the publisher.Organ
106579B535B2A-76E8-4037-B247-B7BE6915C953M983790Hopak from Sorochinsky FairFull Orchestra
106589B5489D4-A291-4B16-8D7D-ABA683E0F2D8R01023Like Streams in the DesertCommissioned by Dayton Philharmonic Orchestra, Neal Gittleman, Music Director, with support from the Jewish Federation of Greater Dayton in honor of the 50th anniversary of the founding of the state of Israel. It is inspired by Psalm 126, whose theme is the return of exiles to Zion. This psalm, sung at festive meals on Sabbath and holidays, has sustained generations of Jews in exile.2(2d Picc).2.2.2: 4.2.2.1(alt Btbn): Timp.Perc(2).Hp: Str
106599b569956-9e3b-11f0-a418-0022482c9682S511053Chaconne in G minor for Violin and PianoTomaso Antonio Vitali (1663-1745) became violinist of the d’Este Court Orchestra in Modena at the young age of twelve. As a composer he is mostly remembered as the creator of the Chaconne for violin and continuo. Since the composer’s autograph was lost, the work was ?rst published and edited by Ferdinand David from a copyist manuscript in 1867. The Chaconne has also been arranged for violin and organ, violin and string quartet and orchestra with solo violin. It has become an integral part of violin recital programs, known as an ideal opening work. This unique and practical performance edition includes bowings and fingerings by Endre Grant, one of Jascha Heifetz’ most acclaimed protégés.Violin, Piano
106609B5FCBD9-4092-4FB3-8217-33DA7F291416SO153CGrande PolkaThis toe-tapping polka is originally for piano solo and transposed to the keys of A and E major. The melody and harmony float between the violins, with a brief appearance for cello and bass. The viola section provides a strong rhythmic drive. This work was written and published in 1860 while Bares was still enslaved. Not only is it a strong example of a composition by a black composer, but also a playable introduction to more complicated key signatures for your orchestra.String Orchestra