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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
106219AE9071A-67A1-4454-A2E3-C889D4C52B55ST467Minuetto, Op. 37This lively minuetto and trio is from the Op. 37 by Walckiers. This arrangement is for 3 standard C flutes. Edited by Himie Voxman and R.P. Block.Flute Trio
106229AED79AE-2E74-4FD9-9D83-C17119508C71X511012Arcs(not set)Violin, Piano
106239AEF0F7B-C35D-4143-8EE2-565729B6236DA699402La Muse et le Poete, Op. 132 [composer's transcription]The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1910, with Eugene Ysaÿe on violin, Jospeh Hollmann on cello, and the composer at the piano. Saint-Saëns transcribed the version for violin, cello and orchestra that same year, and the same two string players premiered that version on October 20 at the Sarah Bernhardt Theater in Paris under Fernand Le Borne. Despite the title (which was later added by the publisher to make it more marketable), no program is intended for the work and neither instrument represents either the muse of the poet. Saint-Saëns himself referred to the piece as "a conversation between the two instruments instead of a debate between two virtuosos." Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Hp: Str (9-8-7-6-5 in set): Solo Violin.Solo Cello (both in set).2.2.2.2: 2.2.3.0: Timp: Hp: Str (9-8-7-6-5 in set): Solo Violin.Solo Cello (both in set)
106249AEF5AD6-950C-4E5D-AAC0-59375496B25ER00185Roethke PreludesReceived the 1998 Kenneth Davenport National Prize for Orchestral Music. Inspired by the poetry of American poet, Theodore Roethke.2(1d Piccolo).2.2(1d Bass Clarinet).2(1d ContraBassoon): 2.2.3.0: Timpani.Percussion(2).Piano.Harp: Strings
106259AEF7954-A4C1-4C62-A76C-DD0A200F5D29A242302Cello Concerto No. 2(not set)2, 2, 2, 2 - 4, 2, 0, 0, timp, str, solo cello
106269AF45F29-C85C-4C2F-9ECD-E0A97012AAE650100270Children's Ball, TheSousa wrote much more than marches, of which this lesser-known work is a fine example. It is from a suite entitled Camera Studies - Music for an Imaginary Film. Though not strictly a march in terms of tempo and form, The Children’s Ball certainly has a light and dancelike character, with solo and soli passages for clarinet, alto saxophone and euphonium, along with some fancy mallet work for the xylophone. This premiere edition for the modern concert band was prepared by the Library of Congress senior musicologist and foremost Sousa scholar, Loras John Schissel.Concert Band
106279AF48D41-DCCD-4543-A85A-B406D435A0F9ST915Gypsy SongThis lively tune in harmonic minor provides the perfect vehicle for the beginning soloist. Versions for both Bb and Eb low clarinets are available from the publisher.Bass Clarinet or Contrabass Clarinet and Piano
106289AF67E80-812A-4E5C-B567-82F458447399S301001Five and Dime
106299AFBC2B9-871C-4336-A39D-066980C28F6CS1022CBPhantom Regiment for Band - Second EditionThis work was written by Leroy Anderson in 1951 and premiered by him when he recorded it for Decca. Interestingly, in 1956 the Phantom Regiment Drum and Bugle Corps of Rockford, Illinois changed their original name from the Rockford Rangers after having heard the piece played by a different corps. The music emulates the sound of distant trumpets and soldiers marching, drawing closer to the listener bit by bit. As the music gains strength, the marching and trumpets get louder and after passing the audience, it slowly fades away as they disappear into the distance again. This exclusive Southern band edition by Mark Rogers reintroduces Anderson’s enchanting work to new generations of audiences.Concert Band
106309AFF59E4-52E9-4ABB-8515-0E35A2BB4354A158090Toy Symphony, Hob.II: 47 [attributed to Franz Joseph Haydn]Traditionally attributed to Franz Joseph Haydn, the TOY SYMPHONY, Hob.II: 47, is known for its whimsical assortment of toy instruments. Authorship has long been disputed as musicologists have put forth a variety of contenders such as Leopold Mozart and Michael Haydn. Recent scholarship has pointed to the Benedictine monk Edmund Angerer (1740-1794). According to an apocryphal story, Haydn wrote the piece after he had purchased an armful of toys at a fair, performing it at a Christmas party in the presence of his family. The short three-movement work, also known by its German title KINDERSINFONIE, is often heard in holiday and children’s concerts. Instrumentation: 0.0.0.0: 0.1.0.0: Perc (6): Str (5.5.0.0.6).0.0.0.0: 0.1.0.0: Perc (6): Str (5.5.0.0.6)
106319B027B66-161C-4A8B-B033-D2DED51EED2220612592Roll Time(not set)Three Snare Drums with Opt. Bass Drum and Cymbals
106329B04E3A9-8797-4942-9442-5310831F943E52250270Cello Song for String OrchestraThis lyrical, flowing tune is a feature for the cello section, but very nice for the entire orchestra. It’s a nice reward for the hardworking cello section and a nice interlude in your concert. A version for cello quintet or cello quartet with bass is also available from the publisher. Grade 2.5, Duration: 2:30.String Orchestra
106339B07B3B7-8A9F-4B82-BB20-ADD58F7A46A4R00717The Emperor and the NightingaleComposed for Barry GreenSoprano, Bass - Baritone, Double Bass Soli Percussion(3)
106349B1427C2-B041-4632-AFD4-E0DD93EF5CE8M300291Lointain Passe, Op. 11(not set)Violin and Piano
106359B168F28-CA67-4BE9-AD0E-1E54AA1146D8M197691Three Pieces, H. 108(not set)Piano Solo
106369B19524A-EBDE-4EBE-ADAA-A62D59F60A72X205016Three Fanfares, Op. 107 (Tres Fanfarrias)Dedicated to the Philharmonic Brass of Chile. Fanfares include: I. For a Town Festivity II. For a Religious Ceremony III. For a Sport EventBrass Quintet
106379B21330D-0F20-4EBA-ABA8-4332D79CCAA410710125Turkish March, Op. 113This familiar piece comes from THE RUIN OF ATHENS and was written in 1811 as a set of incidental music to a play. Delightfully light and vibrant, this classical march has been transcribed for violin and piano by Ferenz Nagy.Violin and Piano
106389B215008-F867-482B-8FC1-F572A9686A84MP410020Haunted LabyrinthThis "choose your own adventure" piece meanders through sixteen spooky and mysterious "rooms" in the labyrinth. Premiered by Robert Conway, piano, Ann Arbor, MI, August 14, 1994. Score is a single 36" x 24" poster which includes performer instructions.Piano solo
106399B2327BC-1F8F-4A80-B7B1-8790393096FA20537001Processions in ContrastThese two marches are based on the same theme and each creates a pompous, yet dignified processional mood despite contrasting styles. The marches can be played separately or together in sequence to highlight the differing styles.Trombone (Euphonium) 1,2,3 and 4
106409b25104c-9e3b-11f0-a418-0022482c9682S511048Scherzo from Midsummer Nights DreamThe Scherzo is a movement by Felix Mendelssohn from the incidental music to the play by William Shakespeare A MIDSUMMER NIGHT'S DREAM. The play inspired Mendelssohn to compose the music because it was a childhood favorite. There are two works by Mendelssohn called A MIDSUMMER NIGHT'S DREAM; the Overture composed in 1826 and the Incidental Music added in 1842. The Scherzo was originally scored for orchestra. The brilliant transcription for violin and piano is by Willy Burmester.Violin, Piano