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107019bcb3324-9e3b-11f0-a418-0022482c9682S512007Concerto for in D minor for Two Violins and Piano, BWV 1043This composition, also known as the Double Concerto, is among Johann Sebastian Bach’s most popular and recorded works. From the infancy of recordings to the present, great violinists such as Fritz Kreisler, Efrem Zimbalist, Adolph Busch, Joseph Szigeti, Carl Flesch, David Oistrakh, Isaak Stern, Yehudi Menuhin, Itzak Perlman and dozens of other virtuosi have recorded this composition. The date of this work is between 1718 and 1730. As the composer’s manuscript is lost, the composition survived solely as a work by copyists, the first printed copy dated 1852. With fingerings and bowings by Endre Granat, one of Jascha Heifetz’ most accomplished students, this publication of Bach's timeless masterpiece is a must-have for professional and aspiring student violinists alike.2 Violins, Piano
107029BCEED2A-47AA-417D-A708-CBC529244683A806202Concerto for Piano No. 1 in F-sharp minor, Op. 1 (Final version, 1919)Sergei Rachmaninoff (1873-1943) first composed his CONCERTO FOR PIANO No. 1 in F-sharp minor, Op. 1 in 1891, when he was 17 (movements 1 and 2) and 18 (movement 3 and the orchestration). As a student work, Rachmaninoff was advised to base his effort on a specific model, and the young composer chose to adapt the musical structure of his on Grieg's PIANO CONCERTO. The first movement premiered on March 17, 1892, at the Moscow Conservatory, with Rachmaninoff as soloist under the baton of Vasily Safonov. Outside of some performances by Alexander Siloti, to whom the work was dedicated, the concerto was not revisited by the composer until 1917, after the public was already familiar with his Second and Third Concertos. The revisions made were considerable and highlight the course of Rachmaninoff's development in the intervening years, where he used his accumulated knowledge of harmony, orchestration, piano technique, and form to pull a concise, spirited work from his early effort. Rachmaninoff, however, was disappointed that it never became as popular with the public as his other concerti, saying, "I have rewritten my First Concerto; it is really good now. All the youthful freshness is there, and yet it plays itself so much more easily. And nobody pays any attention. When I tell them in America that I will play the First Concerto, they do not protest, but I can see by their faces that they would prefer the Second or Third." This revised version was finalized in 1919. Instrumentation: 2.2.2.2: 4.2.3.0, Timp.Perc(2): Str (9-8-7-6-5 in set): Solo Piano. Reprint edition. Study score.2.2.2.2: 4.2.3.0, Timp.Perc(2): Str (9-8-7-6-5 in set): Solo Piano
107039BD1F485-4AF4-4F5A-B91C-7BACA27DD49D50250195Summer DazeThrough colorful harmonies, beautiful full bow sound, and creative fingerings, students will dream about their own “Summer Daze.” The intricate harmonies crafted by Thom Sharp will invite students to tune and listen to the harmonic changes in cut time found in this Level 2 string orchestra piece.String Orchestra
107049BD3D843-C9AE-4497-B5C4-65D0CB0223CEB461Clarinet Solos for the Young Player, Bk. 1Twelve original pieces arranged in progressive order and specifically designed to help young players master crossing the"break."Clarinet
107059BD720D3-1633-45CA-B9EF-07C31ACE12A6M203791Tres Libros, Vol. 2(not set)Guitar
107069BE04C0E-D3F3-449E-BEB9-3783663603C050341008Easy Original Flute Duets and TriosBeautifully written and arranged with the young player in mind, these 33 duets and trios make wonderful concert and festival repertoire for early performance. Several of the titles coordinate with other books in the Easy Original Duets and Trios series and may be played in mixed combinations of instruments. There is even a very nice easier selection that can be performed with snare drum. Teachers looking for new and interesting material will be pleased to find several enjoyable selections in a variety of styles, suitable for players whose performance abilities range from beginner to intermediate levels. We enthusiastically recommend the easier duets and trios as first concert material. The note ranges in these selections are very limited and the writing style encourages independent thought.Flute
107079be7ad24-9e39-11f0-a418-0022482c9682A183502Serenade No. 9 in D, K. 320 (Posthorn)Wolfgang Amadeus Mozart (1756-1791) composed the Serenade No. 9 in D Major, K. 320 for a graduation ceremony at the University of Salzburg. Completed on August 3, 1779, it was subtitled "Posthorn" due to the inclusion of a part for the valveless brass instrument that was traditionally used to announce the departure of a mail coach. This would have seemed a fitting farewell to the students leaving the university. At the center of the work, the third and fourth movements offer an array of solos for each of the woodwinds in turn. Instrumentation: 2.2.0.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set): Solo Posthorn in set. Reprint edition.2.2.0.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set): Solo Posthorn in set
107089BEA440F-6DB1-4CEC-A522-884A99BE2FEB50100094Musicians' StrikeOnly the imagination of you and your band limit the possibilities of this gem from the pen of Johann Strauss' arranger. A full score with corrections accompanies clean, easy to read parts. Instrumentation has been adjusted for the modern concert band to eliminate transposing. Get the signs ready for the picket line!Concert Band
107099BEA8FD9-9206-49D7-A487-204F28A28E2CEBM0610030TransientesCommissioned by the New Haven Symphony Orchestra under a grant from the William Inglis Morie Trust for Music. Never performed. Note: At this time only the score is available for perusal. Serious inquiries for performance will be addressed through this website3.2.2.2: 4.2.3.1: Perc(4).Pno: Str
107109BF296A5-68C6-4FC4-9152-205050C370F2EBM0630027Jesu tot: Lament of The Blessed VirginFor Unison Treble Chorus, Organ, String OrchestraUnison Treble, Organ, String Orchestra
107119BF3CDF7-8799-4DD6-907A-B76DAA45707E52793010POP see 52793018 1, 2, 3, Play! - Supplemental Viola PartThis collection includes fifteen works in varying styles, keys, moods, and meters, from easy to intermediate level. One, two, or three players may join either a teacher accompaniment part or piano. Books for violin, viola and cello are available in addition to teacher scores and piano accompaniment for each instrument.Violin Trio and Piano, Flexible Instrumentation
107129BFD3A13-A810-4CF7-8E2C-75D03204D5C3X064007Partita, Op. 100 for Alto Saxophone and Piano TrioOriginal composition by renowned Chilean composer Juan Orrego-Salas. Commissioned for Eugene Rousseau and the Haydn Trio.Alto Saxophone, Violin, Cello, Piano
107139BFDBF75-440B-41C5-853C-D63F7CA59ED0R00716Double ConcertoBurial Chant Ð Sundry Ecstasies Composed for the Oakland Symphony Orchestra in memory of Calvin SimmonsViolin, Viola Soli    3(2d Piccolos).3(1d English Horn).3(1d Bass Clarinet).3(1d ContraBassoon): 4.2.3.1: Timpani.Percussion(2): Strings
107149C0D3A17-B910-45D1-A800-D570BBBFC6D8ST854Zapateado(not set)Marimba
107159c19ddf8-9e39-11f0-a418-0022482c9682A183802Serenade No. 12 in C minor, K. 388/384a (Nacht Musique)SERENADE No. 12 in C minor, K. 388/384a, written for eight wind instruments, was composed by Wolfgang Amadeus Mozart (1756-1791) in 1782 or 1783. While serenades (or Harmoniemusik) at the time were generally written as "dinner music" and meant to be light-hearted, such as Mozart's previous wind octet, SERENADE No. 11 in E-flat, K. 375, his SERENADE No. 12 is unique in its use of a minor key. Nothing is known about why Mozart chose to write a work that departed so much from the style's norm, nor do we know when it was first performed, but he found it worthwhile enough to later transcribe it himself as the STRING QUINTET, K. 406/516b. Instrumentation: 0.2.2.2: 2.0.0.0. Reprint of Gustav Nottebohm's 1880 edition, included in the Mozarts Werke.0.2.2.2: 2.0.0.0
107169C1B6E0A-B297-4425-8886-FDDB64DD2985S560018Prelude for Guitar
107179C21EC3E-5C47-42A4-B358-7BE80B5A3268ST184THREE (3) AMERICAN SON
107189C250246-1354-4820-8F91-BE288FFB52B0V61FIND YOURSELF (OUT-OF-
107199c2cc3ed-9e39-11f0-a418-0022482c9682A183902Maurerische Trauermusik, K. 477/479a (Masonic Funeral Music)The MAURERISCHE TRAUERMUSIK (MASONIC FUNERAL MUSIC) in C minor, K. 477/K. 479a by Wolfgang Amadeus Mozart (1756 – 1791) was composed in 1785 as a member of the Freemasons. It was performed during a Masonic Funeral service on November 17, 1785 in memory of Duke Georg August of Mecklenburg-Strelitz and Count Franz Esterházy von Galántha, members of the Viennese aristocracy. This piece makes use of 3 basset horns that Mozart specifically wrote for fellow Freemasons, Anton David and Vincent Springer. Instrumentation: 0.2.1+3bssthn.0+CBsn: 2.0.0.0: Str (4.4.3.3.3 in set): (opt. Cl & 2Bsn for Bssthns included).0.2.1+3bssthn.0+CBsn: 2.0.0.0: Str (4.4.3.3.3 in set): (opt. Cl & 2Bsn for Bssthns included)
107209C30399C-400A-46EE-BC38-E7E2A5713ECF10300163Pedal Technique for the TimpaniGeared for intermediate timpani players, this is a wonderful teaching tool from a master whose many years as principal timpanist with the Pittsburgh Symphony Orchestra have resulted in this great book.Timpani