Titles
Showing 10,721-10,740 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 10721 | 9C3633A1-BFBC-41A4-B9F4-D204051D9158 | MP412006 | Garden of Eden, The for Two Pianos | |||
| 10722 | 9C3727F1-6F16-4A2C-85F1-2D1BD0DD879B | A700601 | Symphonic Dances, Op. 45 | Symphonic Dances, Op. 45, is Sergei Rachmaninoff's (1873-1943) final score, composed in 1940. The only work he composed wholly in the United States, to which he fled when he saw the coming world war, it premiered on January 3rd, 1941, by the Philadelphia Orchestra under the baton of Eugene Ormandy, to whom it was dedicated. Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: ASax: 4.3.3.1: Timp.Perc: Hp.Pno: Str: FULL SCORE and STUDY SCORE ONLY are available. Study Score. | 2+Picc.2+EH.2+BCl.2+CBsn: ASax: 4.3.3.1: Timp.Perc: Hp.Pno: Str: FULL SCORE and STUDY SCORE ONLY are available | |
| 10723 | 9c3e5f4f-9e39-11f0-a418-0022482c9682 | A184402 | Les Petits Riens: Ballet, K.Anh. 10/K. 299b (complete ballet) | LES PETITS RIENS, K.Anh. 10/K. 299b is a ballet in one act and three tableaux by French choreographer Jean-Georges Noverre, set to music by Wolfgang Amadeus Mozart (1756-1791). It was originally performed as an interlude for Niccolo Piccini’s opera LE FINTE GEMELLE. The premiere took place at the Academie Royale de Music in Paris on June 11, 1778. It received only five more performances, and to make matters worse, Noverre forgot to compensate him. The score, for a long time considered lost, was rediscovered in the archives of the Paris Opera in the late 19th century. This Kalmus edition was edited by Victor Wilder as part of the Mozarts Werke series. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (4.4.3.3.3). | 2.2.2.2: 2.2.0.0: Timp: Str (4.4.3.3.3) | |
| 10724 | 9C3F080E-F2D9-49D7-BAFF-013A4BEEF98B | X015002 | Prelude for Woodwind Quintet | Woodwind Quintet | ||
| 10725 | 9C429591-8F96-4217-8778-946599DD1A1A | X505003 | Encuentros Op. 114 | (not set) | String Quartet, Piano | |
| 10726 | 9C43923F-1F41-4837-8606-50F6ACD05F07 | ST169 | Minuet and Hunting Scene | Jean Marie LeClair (1697-1764) was a French Baroque composer and violinist, commonly credited as the founder of the French violin school. This arrangement by Otto Mueller for woodwind quintet is a welcome addition to the Baroque repoertoire for that ensemble. Southern's edition was introduced originally in the Albert Andraud wind instrument series. Movement titles: 1. Menuet 2. Chasse (Hunting Scene). | Woodwind Quintet | |
| 10727 | 9C43C892-5C6B-43B1-894C-2850D2EED420 | SS863 | Fantasy | Alto Sax | ||
| 10728 | 9C455A60-7AFE-44F7-80E6-EE44919B9BC8 | 12300110 | The Higher Frets on All Strings: Vol. 2 | "The Higher Frets on All Strings: Volume 2" is a book of developmental guitar studies, progressing from first position to fifth position. | Guitar | |
| 10729 | 9C47A8BA-6231-486C-B394-C3C0CE22E39B | SU559 | Duet for a Ceremony (Love One Another) | One of a series of pieces that the composer has written to be performed at weddings of dear friends, this composition for trumpet, trombone, and piano was written for the wedding of Craig Shelton and Isabelle Rousseau, with an additional performance for Lone Syrup and Paul Branda in Denmark. The text is a poem titled "Love one Another" by Kahlil Gibran. Parts for both trumpet in C and Bb are provided. | Trumpet (C or Bb), Trombone, Piano | |
| 10730 | 9C48CB63-EDA5-480D-A13C-CF1761270B48 | EBM0610078 | Variations and Epilogue for Cello and Orchestra | Nikolai Lopatnikoff composed Variations and Epilogue as a memorial to his first wife who died in 1945. That original score, bearing the opus number 31, was a chamber work for cello and piano. The lyricism and subtle communicative quality of the music attracted immediate attention. It was first performed by Raya Garbousova and Erich Itor Kahn in New York on January 17, 1947. It was subsequently recorded by Nikolai and Joanna Graudan for Columbia Records, reissued later under the Orion label. In 1973, Lopatnikoff completed a new version of the work in which he replaced the piano part with full orchestra, keeping the cello part essentially intact. Mindful of the concertante character of the new version (identified as Op. 31a), the composer added a cadenza for the cello. The premiere of this version was given by the Pittsburgh Symphony Orchestra under William Steinberg, with Michael Grebanier the cellist, on December 14 & 16, 1973. Local music critics raved about both the work and soloist. The form of the work is Theme, 5 Variations, Cadenza, and Epilogue. The theme is original, revealing the composer’s Russian melodic heritage. | Cello, 2222 2200 Timp Pc Hp Str | |
| 10731 | 9C494622-0A9D-4D65-A743-DED4CAF5F570 | SS144 | Sonata for Trumpet | This three movement composition for trumpet and piano follows the standard fast-slow-fast sonata format. Very much in the 20th century idiom tonally, it contains technical passages with fast tonguing contrasted with soarding cantabile sections. | Trumpet and Piano | |
| 10732 | 9c502f4a-9e39-11f0-a418-0022482c9682 | A184902 | Concerto for Piano No. 2 in E, Op. 59 | German-Polish composer Moritz Moszkowski (1854-1925), while less well-known today, was a very respected and popular composer during the late nineteenth century, with Polish pianist and statesman Ignacy Paderewski saying of him, "After Chopin, Moszkowski best understands how to write for the piano, and his writing embraces the whole gamut of piano technique." Moszkowski composed his PIANO CONCERTO No. 2 in E, op. 59 in 1898, though the long-lost PIANO CONCERTO No. 1 did cause some confusion regarding the numbering of Op. 59 as his second piano concerto. Perhaps Moszkowski's finest large score work, the concerto gained a level of popularity after its March 12, 1898, premiere by the Philharmonic Society in Queen's Hall, London (the composer at the piano), seeing frequent performances in European concert halls, though that inexplicably faded after World War I. Exhibiting a fine sense of contrast and balance across its four movements, this mostly light work is a fine effort from one of the last of the Romantic composers, and it deserves to find its way back to the concert hall with greater frequency. Instrumentation: Solo Piano with Piano reduction. Orchestra instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(1): Hp: Str (9.8.7.6.5 in set): Solo Piano in set. Reprint edition of the solo and piano reduction in a playing score format. | Solo Piano with Piano reduction. Orchestra instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(1): Hp: Str (9.8.7.6.5 in set): Solo Piano in set | |
| 10733 | 9C55D40C-31CC-420D-B12D-C38FB3F34351 | SS210 | Reverie and Petite Valse | Best known for orchestraing the works of his friend, Claude Debussy, Andre Caplet was a fine composer in his own right. Though he composed predominantly for voice, he has several instrumental compositions, including this two movement work for flute and piano (1897), a very representative of the French style from the late 19th century. | Flute | |
| 10734 | 9C569CA1-A72F-4745-B9D2-29FE01071742 | WM11780 | Waltz for Debby (Saxophone Quartet) | A Bill Evans classic, this graceful waltz has been arranged for SATB saxophone quartet by Dana Perna. Suitable for intermediate players and above. | Saxophone Quartet | |
| 10735 | 9C5A046D-BB55-4174-84C4-6C88410DF7EF | X221005 | Meditation on "Wondrous Love" | Meditation on " Wondrous Love" (2000) for trumpet and organ was written for and is dedicated to trumpeter Colby Cooman. It is a contemplative meditation on the tune WONDROUS LOVE from William Walker's Southern Harmony. The tune is usually set to the text "What Wondrous Love Is This, 0 My Soul?" The work is a contemplation on the text and tune of the original hymn as well as transformations of its basic pitch material. The work is designed to be suitable in either worship service or concert settings. | Trumpet, Organ | |
| 10736 | 9C5B1D9F-8180-4EB7-85B1-0C15310A34C0 | M254691 | Trio | (not set) | Oboe, Clarinet and Bassoon | |
| 10737 | 9C5FFE07-6510-4C04-BA10-C8462CFD774F | LV157CB | Simple Song | (not set) | Concert Band | |
| 10738 | 9C61F879-A72C-4E97-B2A9-64B76A45AF77 | A273102 | Te Deum: No. 4 from Quattro Pezzi Sacri (Four Sacred Pieces) | 3, 2+1, 2+1, 4 - 4, 3, 4, 0, timp, perc, str (2.2.1.1.1), solo S, mx chor | ||
| 10739 | 9C66DB93-DBDC-4FA2-AF87-2ADB14BAE200 | 50250036 | The Brilliant Red Shandandan Flowers | This song is as beautiful as the red flowers themselves. Rich harmonies transport the listener to the hillsides of Shanxi Province, home to the bright red blossoms. The song is widely popular in China and can be sung by nearly every adult in the country | String Orchestra | |
| 10740 | 9C66F928-44BA-46BF-93AB-038970AAE498 | 20100333 | ABODA Pioneers | This march was commissioned for the 50th Anniversary of the Arizona Band and Orchestra Director's Association (ABODA). You will need good trombones and low brass to give a successful performance of what the composer best termed "a real barn-burner". | Concert Band |