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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
108019D3BDEA1-DE27-4ACF-AD96-23597DF5F6BALV709CBGolden Crown(not set)Concert Band
108029D3F7836-71CF-4827-96FA-C148C46CD27110371001Rhythm Sessions for Strings, Violin 1This is an important new collection for string educators--excellent material for ensemble drill and warm-up. Rhythm Sessions is scored for string orchestra with an optional third violin substitute part for the viola. Extremely cleverly written, they will also provide exceptional encore material! Also included are scale studies and a very useful Rhythm Glossary as an easy reference for practicing specific patterns in a group setting.Violin 1
108039D40015F-ED6C-472E-920E-8CA00B3C7E96R01012Four Persian Folk Songs: Set No. 5 for Soprano, Chorus and Mixed QuartetCommissioned by The Pittsburgh New Music EnsembleSoprano Solo: Children's Chorus or SSA Chorus: Harp, Piano, Perc(2)
108049D431177-7B1A-409E-B101-B7D44F9382A350250140Maybe Maybe NotMaybe this piece is in C minor... maybe not! A flexible left hand is essential to perform the catchy melody with good intonation. There are examples of chromatic sliding, position work, and syncopation.String Orchestra
108059D504593-C02F-4630-B4E3-11D0F704FAAASU339Concerto No. 1 for Trombone (Sonata for Trombone)Completed in the Spring of 1993, Ewazen's Sonata for Trombone was commissioned by Michael Powell who premiered the work at the Aspen Music Festival and recorded it on Cala Records. Later orchestra and band arrangements followed, both of which feature an added cadenza and are available separately from the publisher. Duration ca. 18', Grade 5.Trombone, Piano
108069D5588E9-A0E8-47BE-AE51-18ED7E21DD58TC1156Arise Shine for SAB Chorus(not set)Three-Part Chorus with Keyboard Accompaniment
108079D5C6509-930E-4E6D-817C-3F5E6AB19A62RMR15CBConcerto No. 1 in f Minor for ClarinetCarl Maria Von Weber is well known for oboe, clarinet, bassoon, and horn works. He was commissioned to write two clarinet pieces by King Max Joseph after Heinrich Barmann, clarinetist of the Royal Orchestra of Germany, premiered Weber's Concertino, Op. 26. This concerto is written in the purest Romantic vein of the Arthur Freischutz. The 3/4 meter of the allegro is uncommon, the middle section is straight-forward, and the final rondo is characterized by vivacity, elegance, and spirit, and permits the soloist to display freely all the resources of his/her virtuosity.Concert Band
108089D601E59-E997-4727-B324-E530609DFC77ST792Concert Solo No. 1This piece for trumpet and piano, edited by Himie Voxman and R.P. Block, is written in as fast-slow-fast single movement.Trumpet and Piano
108099D6372C8-6815-4F87-A689-C7966FBCE99CX110012Heir Play (recorder)(not set)Solo Recorder
108109D637397-7DCC-432C-8B10-164B092C1B5DR01442Harmonium: Six Poems of Wallace Stevens for Soprano and Orchestra(not set)Solo Soprano: 2(2dPicc).2.2(2dBCl).2: 4.2.2.0: Timp.Perc(1).Hp.Clst: Str
108119D65D5F0-ACD3-46ED-9696-155C895FC738R48Adagio from Symphony No. 7 (Mvt. II)The monumental second movement of Anton Bruckner's Seventh Symphony (marked sehr feierlich--with great solemnity), is one of the most celebrated works of its type. Structurally, it combines the classical 'theme and variations' technique with features of sonata form, modified to suit Bruckner's own Romantic inspiration. The first theme, often referred to as the "Adagio of Premonition," was composed soon after Bruckner received the news of Wagner's fatal illness. This gives way to the more lyrical second theme, in F-sharp major, which is stated twice, separated by a contrasting middle section. The development section consists of extensive variations on the first theme, interspersed with statements of the second, ornamented with various obbligati.
This movement is generally regarded as a "funeral ode" on the death of Richard Wagner, Bruckner's idol. Yet the actual "Funeral Music" (according to Bruckner himself) does not occur until the coda, where it is introduced by a shattering crash of cymbals. "At this point," wrote Bruckner, "the news of the Master's death reached me."		Concert Band
108129D6DC0BC-AA54-46E2-A33C-6A941305BF86M337291Rondino(not set)Solo Piano
108139D6EC513-E1E5-4A69-9CA0-150DCB85A156S805CBAccord"Accord" is written in the style of an American hymn. The solos are reminiscent of the call and response often found in early American hymnody, and the chord structure is largely diatonic. Melodies are characterized by steps and small leaps, typical of much vocal music.Concert Band
108149D70E56A-0E7C-4DC7-9040-CA517782770FR01172The Moon Singer: Chamber Opera in One ActBased on "The Moon Singer" by Clyde Robert Bulla.Soprano, Soprano or Boy Soprano, Contralto, Tenor, Baritone, Bass Flute, Oboe, Horn, Guitar, Percussion, String Quintet
108159D71E1A5-2E23-4665-95C6-7AFB6903E5B9SO40CTwo PersuasionsString Orchestra
108169D7B01B4-0D42-4FA6-9866-FDC2626B567FA255702Missa Solemnis in D, Op. 123(not set)2, 2, 2, 2+1 - 4, 2, 3, 0, timp, org, str (2.2.1.1.1), solo SATB, mx chor
108179D7CC99F-141E-4CE2-AD4E-D8F91DED2CC5SC32Jenny Kiss'd MeTtb
108189D841E6C-96A5-4EC9-97E1-EE5D204890EFLV180CBSING WITH THE BAND
108199D87B685-F6A9-4A6E-A850-FCE9D5395604A837090Twelve Days of Christmas, The [orchestration for high voice, A-flat]This traditional Christmas carol has been orchestrated and arranged for high voice and orchestra (key of A-flat) by William Ryden. Instrumentation: 2.2.2.2: 4.3.3.1: Timp.Perc(3): Str (9-8-7-6-5 in set): Solo High Voice. A version for low voice and orchestra (A836990) in the key of F is also available from the publisher.2.2.2.2: 4.3.3.1: Timp.Perc(3): Str (9-8-7-6-5 in set): Solo High Voice
108209D88CD0D-49C2-49C6-ADC7-19A21082271AA281202Faust: Act III, Cavatine: Salut demeure chaste et pure (Salve dimora) (tenor)CHARLES GOUNOD (1818-1893) was a prolific French composer in the mid 1800’ s, but he was not well recognized by his peers or the public until his opera Faust was first performed in Paris in 1859. The opera remains today as one of the most dramatic and popular in the repertoire. The libretto by Jules Barbier and Michel Carré, based on the two-part play by Goethe, tells the story of the aging philosopher in search of lost youth. Selling his soul to the devil, he is transformed into a young man, but when he falls in love with the virtuous Marguerite, her own soul hangs in the balance. In Act 3, having sent the devil on an errand to find a gift for her, Faust sings "Salut demeure chaste e pure" in praise of her unrivalled purity. Instrumentation: 2.2.2.2: 4.0.0.0: Timp: Str (4.4.3.3.3 in set): Solo T.2.2.2.2: 4.0.0.0: Timp: Str (4.4.3.3.3 in set): Solo T