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Showing 10,881-10,900 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
108819E762999-E59E-47CD-A687-7FD906CD5A3FSU366THE FIRST NOEL (BACK T
108829E870EB5-145F-42D0-8802-8C9AF5A4F962X624509Breathless for Soprano Sax and Percussion(not set)Soprano Sax, Percussion
108839E924506-E2FF-42E1-8940-9D4899C96F26X520002Calligraphy No. 5 for ViolaAlso available for violin or guitar.Viola Solo
108849E946EBE-71BC-4382-AA43-14670E14BDA110100220The Golden Ear Pasodoble (La Oreja de Oro)Part march, part Spanish popular music, part reflective solo trumpet cadenza, this is a lively and exciting work that will work as a welcome change of pace for any concert program. The editing is explicit with supreme care taken by Dr. Fennell.Concert Band
108859E95A038-DECE-4AE8-B0E6-CC6D8C2C1CCFSS720Ancient MenuetThis piece for the intermediate player is a wonderful selection for either contest or recital.Clarinet and Piano
108869E9CF2B1-D9DC-4B42-8113-CD9EE963E868S544CBEaglecrest - An OvertureThis overture opens with the Walt Whitman quote, "Skyward in air a muffled sound, the dalliance of the eagle..." Commisioned by the Explorer Wind Symphony, Explorer Post 934- Manchester, New Hampshire, T.J. Rand, Conductor.Concert Band
108879EA5897F-914F-4DCD-A411-D7AF63A1030EA29CVariations on a Quaker Hymn(not set)Full Orchestra
108889EA62043-1A99-4051-9E27-110B93A40495SS481Rondo for PercussionRondo for percussion septet was written while Donald Gilbert, a student of William Schinstine and William Sheet, was attending the Eastman School of Music. Instrumentation: I. Triangle, II. Tambourine, III. Suspended Cymbal and Crash Cymbal, IV. Snare Drum, V. Tympani, VI. Woodblock and Tom-tom, VII. Tam-tam/Gong and Bass DrumPercussion Septet: Triangle; Tambourine; Sus. Cymbal and Crash Cymbal; Snare Drum; Tympani; Woodblock and Tom-tom; Tam-tam/Gong and Bass Drum
108899EA8238A-5571-41B8-AA22-B9E5802E64B3S511018Angel's TouchViolinist Solomiya Ivakhiv presented the world premiere of Angel’s Touch in December, 2013. She says of the work; "Angel’s Touch embodies a child-like mysticism, exploring naivety, hope, and inner peace leading to enlightenment. Deliciously dark motifs are triumphed by happiness in the end. It is quite reflective of the composer’s own childhood in post-war and Soviet-occupied Ukraine. It is sprinkled with Ukrainian folklore elements from the Carpathian Mountains, also reminding me of my own childhood. As I premiered this work in Weill Recital Hall at Carnegie Hall, I was overcome with the gravitas attached to this formidable piece of art. It will live on as a testament to human achievement."Violin, Piano
108909EA95DA6-FCBC-4D68-A5B7-D6717D10836FS23STOP AND GO MARCH (OUT
108919EAD8E9E-796F-40B7-9164-CFF8C4B27979X5020222 Little Whos for Violin and GuitarComposed for Duo46, University of Wisconsin Madison.Violin and Guitar
108929EAEA271-63BF-4D7E-BBB1-992AFAEC67ADR00983Remembering OrpheusComposed for Wataru SatoAlto Saxophone 2(2d Piccolo).2.2.2(1d ContraBassoon): 2.2.2.1: Timpani.Percussion(2-3): Strings
108939EB109C8-4B85-47D7-9C10-1108D7984A75O39The Ten Minute Jazz Scale Inventory(not set)Jazz Band
108949eb1d596-9e3a-11f0-a418-0022482c9682A902702Ehre Gottes aus der Natur, Die (from Six Songs, Op. 48, No. 4) [arrangement in D]In 1901, Ludwig van Beethoven (1770-1827) made first mention of his growing deafness in a letter to Dr. Franz Wegeler in Bonn. The likelihood that his condition was incurable tempted the composer to withdraw from society, and it likely caused his temporary attraction to more religious subjects, such as the poems of Christian Fürchtegott Gellert. Six of these poems are used as the texts for his SIX SONGS, Op. 48 (SECHS LIEDER), written for voice and piano between 1801 and 1802, though No. 3 may have been sketched as early as 1798. While each poem is by Gellert, the six settings are not musically related, unlike Beethoven's one other song collection, AN DIE FERNE GELIEBTE, Op. 98. The most popular of the SIX SONGS is the fourth, the majestic DIE EHRE GOTTES AUS DER NATUR (The Glory of God in Nature), with the starting text of "Die Himmel rühmen des ewigen Ehre" ("The Heavens extol the Glory of God"). While Gellert's poem is inspired by Psalm 19, it expands on the biblical text with themes of natural theology popular at the time, where God's magnificence is revealed in nature's wonders. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9.8.7.6.5 in set): Solo Medium or High Voice. Felix Josef Mottle transcribed DIE EHRE GOTTES AUS DER NATUR for orchestra in the original key of C. In this edition, Arthur Luck has transposed Mottl's orchestration to the key of D. No score exists for Luck's version in D, so it is recommended that the original Mottl score in C (A273801) be used in performances. Both versions are available from the publisher.2.2.2.2: 4.2.3.0: Timp: Str (9.8.7.6.5 in set): Solo High Voice
108959EB73D13-31D9-41AD-AD13-D28E3ED4238ASU162Duo for Violin and ViolaString Trio
108969EB8FBA2-01AB-4C27-AD61-4DF52C6B8C3AST218DyadicsFlute
108979EB97D35-8545-4324-977D-8F9A12CF0620M7CSVictor Band Folio No. 1 (out-of-print)
108989EB9DA90-EB02-42F8-8AA2-D9F1A2467ABCA934090Irish Tune from County Derry
108999EBB194A-4F32-4637-8105-BA5C092521ACX676001Meditation and Rejoicing for Brass Quintet, Timpani and OrganCommissioned by Christ Episcopal Church, Alameda, California, Matthew Burt, music director for Easter 2005.Brass Quintet, Organ, Timpani (optional)
109009EBB9231-BFCB-45B5-BAB9-C033422204F210100249Lyric DanceCombining the intoxicating moods of Brazilian Bossa Nova, contemporary band scoring, and stylistic percussion (with plenty of room to expand the percussion parts), this original composition is a refreshing, light composition that works on any concert program. Block scored without extremes of range or capability, it is a pleasing change of pace from standard repertoire provided by a master of the medium.Concert Band