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108219D8A6853-B009-4F05-B2BF-2F0D683E7161SS121Sonata No. 6 in e MinorThis arrangement of for flute and piano of BMV 1035 retains the original key of E Major. Originally for flute and continuo, it is transcribed by John Wummer and Jean Albert de la Tournerie. Four movements: I. Adagio ma non tanto
II. Allegro
III. Siciliano
IV. Allegro assai		Flute
108229D8EA247-A8F1-4252-AB0B-2F8DD1B16F21W107791Coronation Anthem No. 3: My Heart is Inditing, HWV 260SATB Chorus, Piano
108239D9363CE-EEAF-46A0-ADD9-6E755350400750250188Island of StarsIsland of Stars is a wonderful early ensemble experience for your young orchestra. Written in two and three parts, the students feel supported yet part of an orchestra experience. The middle section uses pizzicato with enough time for your students to switch from arco and back again. In the mode of E dorian , your students will feel transported to a mystical island under a blanket of stars.String Orchestra
108249D958340-DD94-4BD6-B7DE-5BF546937E4BM409491Ragtime DanceEdited by Emilio Colon. For cello and piano. Score (6 p.) and part.Four Violoncello
108259D990A7E-71EF-4B61-9CF0-11EA8195994ESS651Kaf Skin Kapers2 Snare Drums
108269D99186F-C0D0-4EB2-B433-3EFC8120FF75B512Fingerboard MemoryEmanuel Ondricek (1880 - 1958) was a phenomenal violin pedagogue in the early 20th century, whose students were praised for the musical fervor and remarkable left-hand facility. Filled with his collected exercises, the purpose of this adaptation for violin is to facilitate the learning of scales and arpeggios through a combination of visual and physical memory of the fingerboard.Viola
108279D9C71C0-FB09-4557-A1D4-679ADFFCA29A52732502Elementary Cello TriosSix original trios for cellos at the easy level. Relatively equal parts in G and C are combined with 4/4, 3/4 and 6/8 meters. Titles are Prelude Suite; At The Park; Circle Dance; Rose Garden; Japanese Garden; and Autumn.Cello Trio
108289DA742A5-74CD-4D4D-B0DB-9EFA71183A0EA629402Un Ballo in Maschera: Act I, PreludeUn Ballo in Maschera (A Masked Ball) is an 1859 three act opera by Giuseppe Verdi (1813-1901) with a libretto by Antonio Somma. Initially based on Eugène Scribe’s libretto for Daniel Auber’s 1833 five act opera Gustave III, ou Le bal masqué about the assassination in 1792 of King Gustav III of Sweden who was shot while attending a masked ball, Verdi’s version ran afoul of numerous censorship regulations in Naples, Rome, and France. As a result, the opera underwent a series of significant transformations and title changes, among which include the eventual change in setting from Stockholm, Sweden to Boston, Massachusetts during the colonial era. Taking over two years from commission to production, it became one of the most frustrating experiences of Verdi’s career. The Preludio (Overture) from Act I features themes heard in the first scene of the opera, pitting the music of Riccardo's allies and enemies against each other in dramatic contrast. Instrumentation: 1+Picc.2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set). Reprint edition.1+Picc.2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set)
108299DB25622-E36B-4EA0-AF56-7FBD4E440C17ST605Sunlight DialoguesFlute, Percussion
108309DB545C2-3C9D-4D35-826C-C2CB0E10DA82D22Music for Band Vol 22(not set)Band
108319DB6E9D0-7E7D-47A3-9D4E-BAA0EDAEF60752702024Seven Opera TriosA lovely variety of arias and incidental music, some from movies, in which everyone gets melodic material.Violin 1, Violin 2 /Viola and Cello
108329DBCDDBF-5783-4BF7-9AF3-7300FDA98722X410086Bachango: from Tres ExitosPremiered by Ricardo Lorenz at Indiana University’s Recital Hall; April 25, 1984. The work was revised immediately thereafter and has been performed since then by a dozen pianists all throughout Europe, North and South America. It was performed for the first time in its revised version by Manuel Losada and soon afterwards by Anthony de Mare at Bargemusic Hall during the First New York International Festival of the Arts; June 23, 1988.Solo Piano
108339DBDE619-35D3-4108-87C3-F0892CB413E6X221011Voices of the TrumpetVoices of the Trumpet (2002) for trumpet and organ or piano is a three-movement suite. It was written for and is dedicated to trumpeter Colby Cooman. The three movements are each prefaced with a Old Testament Bible quotation relating to the use of the trumpet. The first movement, Prelude, is slow and meditative—with dramatic “fanfare” outbursts. The second movement, Aria, is reposed and lyrical. The third movement, Rondino, is energetic and vital. The work is designed to be useful both in a worship service context (perhaps using the three movements as prelude, offertory, and postlude) and as a recital piece. The piano and organ accompaniments are different, so both parts are provided.Trumpet, Piano or Organ
108349DC802D2-585A-4776-B67F-B6A9EE6A2C42MP816402Songs of Innocence and Experience for Baritone and QuartetFour Poems by William Blake for Baritone, Flute, Oboe, Cello and Harp. Recorded on Naxos 8.559753 “Kenneth Fuchs – Falling Man” featuring baritone Roderick Williams and JoAnn Falletta (cond.). Movements: 1. The Lamb, 2. Holy Thursday, 3. Spring, 4. The TygerBaritone, Flute, Oboe, Cello, Harp
108359DC91C83-53AA-4448-9325-A500E093B9C0EBM0610207Danza Caribe for OrchestraOriginally written for band, this arrangement for large orchestra was transcribed by Robert Ryker.33(EH)32 4331 Timp Perc Hp Gtr Str
108369DCDFB64-EC0B-432D-8EB8-ED90CC5D0EF0ST797COSamba (Brazilian Scenes #3)This samba for percussion sextet, subtitled "Brazilian Scenes #3," is written for idiomatic Brazilian instruments. Special instructions are included to aid players in the appropriate way to play their parts. Dedicated to Professor George Frock and the University of Texas at Austin Percussion Ensemble.6 Mix
108379DD43696-D7D4-4851-9A45-9A56C975BDEBR00566Pablo BachSuite for Chamber Orchestra. Based on the Solo Cello Suites by J.S. Bach2.2.0+2 Bass Clarinet.2: 2.2.0.0: Strings
108389DD9AD20-206D-488A-BB7A-315EAA8CC0CD50100318Beautiful, Inside and OutThe title aptly describes this genuinely exquisite work for band. It’s all about tone, intonation, and harmonic depth. While not technically challenging, this is music of the highest order and demands a maturity of tone quality and sensitivity.Concert Band
108399DDF4558-BAE4-4E8C-8FDC-4A674CD21978SS117Sonata No. 2 in E-flatThe Sonata No. 2 in Eb (BWV 1031), originally written for flute or recorder and harpsichord, is in three movements: I. Allegro moderato, II. Siciliano, III. Allegro. While long attributed to J.S. Bach, some musicologists believe it was written by his son C.P.E. Bach. This version for flute and piano has been revised by John Wummer and Jean Albert de la Tournerie.Flute; piano
108409DE01194-F2F5-4F37-8EB5-01887D55AAF0SU781Dvorak String Quartet No. 12 in F Major, Op. 96 "American" for Woodwind QuintetAntonin Dvorak composed the quartet in F Major, op. 96 “The American” in the summer of 1893 during his summer vacation in Spillvale, Iowa. From 1892-1895, Dvorak served as director of the National Conservatory of Music in NYC. He had been interested in “American Music” and felt that Native American and Afro-American music could inspire an “American Music” distinct from European influences. He was inspired by (Henry Thacker) Harry Burleigh, his student in New York and one of the first Afro-American composers.
While it is impossible to know why Georges Barrere chose Dvorak’s F Major Quartet to transcribe for Woodwind Quintet, we may easily hazard several guesses. Firstly, it was a work much beloved by the public and very respected by professional musicians. As an immigrant himself, Barrere could easily sympathize with Dvorak’s desire to create a distinctly American work. A work in the key of F Major, it lent itself easily to wind transcription. While known as the Barrere transcription, it turns out that Samuel Baron, one of Barrere’s most famous students and a long time member of the New York Woodwind Quintet, who has to his credit a long list of wonderful transcriptions for woodwind quintet, played a significant role in the transcription.		Woodwind Quintet