9DE01194-F2F5-4F37-8EB5-01887D55AAF0

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ID9DE01194-F2F5-4F37-8EB5-01887D55AAF0
TitlecodeSU781
Title NameDvorak String Quartet No. 12 in F Major, Op. 96 "American" for Woodwind Quintet
Marketing CopyAntonin Dvorak composed the quartet in F Major, op. 96 “The American” in the summer of 1893 during his summer vacation in Spillvale, Iowa. From 1892-1895, Dvorak served as director of the National Conservatory of Music in NYC. He had been interested in “American Music” and felt that Native American and Afro-American music could inspire an “American Music” distinct from European influences. He was inspired by (Henry Thacker) Harry Burleigh, his student in New York and one of the first Afro-American composers.
While it is impossible to know why Georges Barrere chose Dvorak’s F Major Quartet to transcribe for Woodwind Quintet, we may easily hazard several guesses. Firstly, it was a work much beloved by the public and very respected by professional musicians. As an immigrant himself, Barrere could easily sympathize with Dvorak’s desire to create a distinctly American work. A work in the key of F Major, it lent itself easily to wind transcription. While known as the Barrere transcription, it turns out that Samuel Baron, one of Barrere’s most famous students and a long time member of the New York Woodwind Quintet, who has to his credit a long list of wonderful transcriptions for woodwind quintet, played a significant role in the transcription.
InstrumentationWoodwind Quintet
Commission(not set)
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Title Brand4
Year Composed2014
Copyright Number(not set)
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Duration25
Ensemble Size5
Date Created2013-10-14 20:30:22.000000
Date Updated2025-09-30 20:30:22
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Title Category13
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Title Grade9
Set Series IDD8CE30F3-B065-4685-48A8-08DB00B0FAFD
Title Instrument Category TextWoodwind Duo & Ensemble
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Title Sub Category77
Title Instrument Header103
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Clean Urldvorak-string-quartet-no-12-in-f-major-op-96-american-for-woodwind-quintet-su781