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106619b5fe060-9e3b-11f0-a418-0022482c9682S511054Concerto No. 5 in A Major for Violin and Piano, KV 219All ?ve of Mozart’s violin concerti were composed by the 19-year-old prodigy in 1775. Wolfgang studied violin with his father Leopold, a well-known composer and an important violin pedagogue. In his compositions for violin, young Mozart demonstrates complete understanding of the violin, as well as his genius as composer. During his teens, he spent several months in Italy, where he devoted much time studying the compositions of the ?nest Italian violinist-composers such as Giuseppe Tartini, Pietro Locatelli and Pietro Nardini. In addition, Mozart befriended Thomas Linley, a violin student of Nardini who was the same age as Mozart and became known as the “English Mozart.” The Italian in?uence is present in all of Mozart’s violin compositions.

In his Concerto No. 5, the orchestra’s introduction (Allegro Aperto) is followed by the solo violin’s entrance (Adagio), followed by the solo violin’s exposition with the orchestral introduction as the accompaniment. The second movement (Adagio) is one of the ?nest in violin literature, however, at the request of the ?rst soloist to play the work, Mozart composed the Adagio in E Major, KV 261 as a substitute for the original slow movement. The last movement, Rondeau, is based on a minuet theme. In the middle of the movement, a section of Turkish-themed music is written, lending to the nickname of this concerto as “Turkish.” This indispensable performance edition includes the Cadenzas of Joseph Joachim, with the practical bowings and fingerings by Jascha Heifetz’ acclaimed student, Endre Granat, informed by decades of virtuosic performing experience.		Violin, Piano
106629B602760-D8E6-4B01-ABA4-04112B0FF2AASS472Sarabanda(not set)Sax Quartet
106639B622649-6AFC-48E0-9FFE-05C69EE9B59ASS868SonataAlto Sax
106649B672AC2-939E-414C-A16E-C9EAC8EDDD31ST793Lia's AriaFlute
106659b69d16e-9e3b-11f0-a418-0022482c9682S511055Concerto No. 4 in D Major for Violin and Piano, KV 218This concerto was composed in 1775 in Salzburg. Mozart was a ?ne violinist who studied violin with his father, Leopold Mozart. He composed this concerto for himself, but upon completion of the work, Mozart concluded that it was above the level of his mastery of the instrument. Consequently, the ?rst performance was given by Antonio Brunetti, Concertmaster of the Salzburg Court Orchestra. This publication is a unique performance edition with Cadenzas by Joseph Joachim and practical fingerings and bowings by Jascha Heifetz’ acclaimed student, Endre Granat.Violin, Piano
106669B6D55C7-0B6C-4C99-A441-E5AFE33A22CE52250962Igneous RockA hard-driving bass line and drumset supply the forward motion on this rock-style string orchestra piece. It can be played with or without improvised solos.String Orchestra and Drum Set
106679B6E6E74-CEB1-4D17-AD69-A1867CDA0326SC546When Sappho Sings and Plays(not set)Satb
106689B7362BA-23CC-43AD-82C6-B1D89A7C71A9X130022Yes! for Solo Clarinet, Piano, and Trap SetInspired by a Rolling Stones Concert and infused with rock and jazz rhythms. This piano reduction for the solo clarinet piece also includes drum set.Solo Clarinet, Piano, Trap Set
106699b73cf95-9e3b-11f0-a418-0022482c9682S511056Concerto No. 3 in G Major for Violin and Piano, KV 216The musical genius Wolfgang Amadeus Mozart in his early youth studied violin with his father Leopold Mozart, who was a well-known violin pedagogue and author of an important treatise on violin playing. During his early childhood, Wolfgang was celebrated as a child prodigy, both on harpsichord and violin. While composing this concerto in 1775, the 19-year-old Mozart was concertmaster of the Salzburg Prince and Archbishop’s Orchestra. His duties included leading the orchestra and performing chamber music, as well as violin solos. It is likely that Mozart was the ?rst performer of his Violin Concerto in G Major. This one-of-a-kind performance edition includes the Cadenzas of Leopold Auer, with fingerings and bowings by Jascha Heifetz protégé Endre Granat.Violin, Piano
106709B780F46-4E79-4105-BB04-E436168CC479M167391Miniatures, Sets 1, H. 87 (Nos. 1-3)(not set)Violin, Violoncello and Piano
106719B7BAE07-D46F-486F-B661-199F58FC01B1X926301The StrongTenor Solo: TB Chorus, Trumpet, Timpani, Organ
106729b7d4b4e-9e3b-11f0-a418-0022482c9682S511057Rondo in for Violin and Piano in C Major, K. 373Wolfgang Amadeus Mozart's Rondo in C major, K. 373 is a charming and virtuosic work composed in 1781 for violin and orchestra, though it is often performed today in a violin and piano arrangement. Written during Mozart’s time in Salzburg, the piece was likely intended for the court violinist Antonio Brunetti. The rondo form, with its recurring main theme, showcases Mozart’s gift for elegant melodies and graceful phrasing. Lighthearted and spirited, the work allows the violinist to display both lyrical expressiveness and technical agility. Despite its brevity, the piece captures the warmth and brilliance typical of Mozart's mature style. This premier performance edition by Endre Granat, one of Jascha Heifetz’ most accomplished students, contains practical fingerings and bowings informed by decades of masterful performance.Violin, Piano
106739B7DCD69-B217-4D53-9BA8-6BAB2AC726D550440003The Four ElementsAn expressive masterwork for clarinet and piano, The Four Elements is a melodic tone painting that requires close communication between soloist and accompanist. Challenging, diverse, and harmonically rich, the work will make an excellent centerpiece to a recital. I. Earth; II. Air; III. Fire; IV. WaterClarinet And Piano
106749B81DAD5-A773-43B7-8B26-36892CC49F80A220202La Forza del Destino: OvertureThe opera LA FORZA DEL DESTINO by Giuseppe Verdi (1813-1901) was written in 1862 and premiered in the Bolshoi Kamenny Theatre of Saint Petersburg, Russia on November 10 of that same year. Following many performances around the world that included some minor revisions, Verdi made extensive revisions in 1869. That revised version, which premiered at La Scala in Milan on February 27, 1869, included a new overture and has become the standard performance version through today. While the opera is still frequently performed, the 1869 overture is likewise a regular part of the orchestra repertoire, often used as a concert opener. Instrumentation: 1+Picc.2.2.2: 4.2.3.1: Timp.Perc(1): Hp(2): Str (9-8-7-6-5 in set).1+Picc.2.2.2: 4.2.3.1: Timp.Perc(1): Hp(2): Str (9-8-7-6-5 in set)
106759B82BD90-2C17-40C2-AB47-324C02ED28A0A173702Magic Flute, The (Die Zauberfloete), K. 620: OvertureThis overture, written two days before the fairy-tale opera's 1791 premiere, is among the best known in the classical literature. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Str (4-4-3-3-3 in set).2.2.2.2: 2.2.3.0: Timp: Str (4-4-3-3-3 in set)
106769b879a39-9e3b-11f0-a418-0022482c9682S511058Adagio for Violin and Piano in E Major, K. 261This wonderful, lyrical Adagio was composed for Antonio Brunetti. As Mozart resigned his position as Music Director and Concertmaster of the Salzburg Court Orchestra, Brunetti took Mozart’s place in 1777. Brunetti performed Mozart violin concerti in Salzburg with great success, however the slow movement of Violin Concerto No. 5, K. 219 did not please him, as he found it academic and dull. He refused to play the concerto unless the composer replaced it with a movement that Brunetti found satisfactory. The Adagio in E Major, K. 261 is this replacement movement. Brunetti’s criticism notwithstanding, the original slow movement is a masterpiece that has retained its place in the concerto. While many editions exist of this masterpiece, this is the first practical performance edition with meticulously added bowings and fingerings by Jascha Heifetz’ star pupil, Endre Granat.Violin, Piano
106779B8FC85E-3B41-4993-B3AC-9CE95C46FAAB52250534Return of the WarriorsA proud, stately theme in modal B minor represents the warriors in this piece. A combination of staccato and slurred articulations is used, and the cello and bass parts feature chromatic fingerings. Even though the rhythms are fairly simple, this tune will require a lot from the bow and a wide variety dynamics!String Orchestra
106789B92A3F1-A838-4F76-8A4A-2179C6FE0AC850250050Pizzicato PopcornPizzicato Popcorn is music of fun for both players and listeners. It is light-hearted and happy, with joy in each and every note. It isn't necessary to bring the popcorn popper to rehearsal...but it could make you the coolest conductor ever!String Orchestra
106799B9480FF-F3CB-4CB7-865B-461A53B2BE7ASU827Andante Cantabile for Alto SaxophoneHubert Bauersachs (1882-1964) was an American, violin virtuoso, pianist, transcriber, composer and publisher. He was born in St. Louis, Missouri. He was classically trained receiving violin instruction from Dr. J. P. Nemours and Signor Guido Parisi. This edition of Andante Cantabile, most likely written for violin and piano was transcribed for alto or tenor saxophone solo and piano by Rami El-Farrah.Alto Sax, Piano
106809B971358-1F7B-4593-AE32-F18B14CDBED8M106691Dansas Caracteristicas Africanas, W085 (Op. 47, Op. 57, Op. 65)This collection was originally composed in 1914-1915 for piano and then orchestrated in 1916. The music is inspired by the Caripunas Indians of Mato Grosso, Brazil, who had a mix of African and indigenous heritage. The three movements are "Farrapós" (Young People's Dance), Op. 47, "Kankukus" (Elder's Dance), Op. 57, and "Kankikis" (Children's Dance), Op. 65. Reprint edition.Piano Solo