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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
65415F746940-D9CA-4C0D-90E4-7887B095395050443001Two by TwoThe Biblical story of Noah, who took two of every animal aboard the ark before the flood devastated the world, is a familiar one. In this quartet, four clarinets are paired off, two by two, in presenting the thematic material. Each pair essentially plays the same rhythm which gives security to the ensemble for less experienced players. The range and flow of the melodies are very characteristic of clarinet playing.. This is exactly the kind of music developing clarinetists need to experience.Bb Clarinet 1, 2, 3 and 4
65425F78E85C-800D-4685-8329-E60A7BA40B1DEBM0610593Cabaret Songs: Fur (Murray the Furrier excerpt)The original orchestrations of William Bolcom's "Cabaret Songs" was created by the composer on commission from Deutsche Gramophone expressly for soprano Measha Brueggergosman, which may be heard on her 2007 CD, "Surprise!". The composer added two more songs in 2014, including the 9th called "Fur", on commission from the Grant Park Music Festival. The full set of ten songs and each individual movement is available for rent.Solo Med. Voice: 1.1.1.1: 1.1.1.0: Perc: Pno: Str
65435F7EE3F4-AFB5-48F8-B183-708B89AD040D50703014Civil War Songs(not set)Violin 1, 2, Viola and Violoncello
65445F8299E2-A8BD-4E1F-9CF9-E29C1D3C51C6M370691L'Organiste Pratique, Op. 57, Bk. 10French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 12 books of "L'Organiste Pratique" is available from the publisher.Organ
65455F839958-984D-4535-B704-A90298849936ST348DuoClarinet, Violin
65465F8A442D-4411-4144-AB4E-8D965398DA45A900090Naughty Marietta: Ah, Sweet Mystery of Life(not set)2, 2, 2, 2, (AAT saxs) - 4, 3, 3, 1, timp, perc, str
65475F97B586-C4EB-4FBA-9F8B-428FD469B11D20100331Fanfare and SalutationA wonderful work for a concert opener or closer. The form of the work is a fanfare followed by a rhapsody. After the main theme is established in the opening fanfare, the mood becomes quite calm while the second and third themes are announced in the lower voices. The exciting conclusion uses all three themes in counterpoint, illustrating why Mr. Cichy is becoming so popular today.Band
65485F9911AA-8958-4833-BB30-51A740D24D6BS671Celtic Hymns and DancesThis one moevement work draws its inspiration from medieval and renaissance music. Although the melodies and themes are original creations, the modal harmony, the characterstically energetic rhythms and the use of colorful wind orchestration calls to mind music of ancient times. Within the piece one finds pastoral ballads, heroic fanfares and joyful dances culminating in a lively sonorous finale. CELTIC HYMNS AND DANCES was commissioned by and is dedicated to James Dudale and the Berea (Ohio) High School Symphonic Winds who premiered the work.Concert Band
65495F9B59F4-4219-4722-93E5-4E706C359E03M905902Adeste Fidelis (O Come All Ye Faithful): A Christmas Carol for Concert Band and Optional ChorusThe works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus. These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season. Choral scores for each work are available separately. Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High. Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas.SATB Chorus with Concert Band
65505F9D1C35-44B3-45E3-9EA7-4AFFB6A9623AA154702Symphony No. 104 in D ‘London’ (Hob. I:104)SYMPHONY NO. 104 IN D MAJOR (H. 1/104) is the last foray into the symphonic form by Franz Joseph Haydn (1732-1809). It is sometimes called the LONDON SYMPHONY, due to the theme in the finale which recalls the urban street cries that listeners would have been familiar with. It is also known as the Salomon Symphony, after the violinist and impresario Johann Peter Salomon who coordinated Haydn’s London tours. It premiered at the King’s Theatre on May 4, 1795, in a performance that featured other works by the composer. A great success, the work is a masterful display of forty years’ perfection and innovation. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set).2.2.2.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set)
65515FAC1079-6CD6-4C31-ACC6-40B2A40ED120ST983Under the Double EagleThis arrangement for flute choir by Richard Thurston provides and uncommon opportunity for the ensemble to perform a classic march.Flute Choir: Piccolo, 2 1st Flute, 2 2nd Flute, 2 3rd Flute, 2 4th Flute, Alto Flute, and Bass Flute
65525FB29E7D-5A61-48BF-A256-861B0D0A540CM324791Symphonic Chorale, Op. 69(not set)Organ
65535FB33FC9-48C9-46E1-AF29-297689F04031SC544This Is the DayThis setting of Psalm 118:24 is available with both SAB and SATB voicings from the publisher.Satb
65545FB9FD5D-AE9C-4CCA-BA2D-62EE94860AC1A725002Sheherazade, M. 41Maurice Ravel’s (1875-1937) SHÉHÉRAZADE, M. 41 is a song cycle based on three poems by Tristan Klingsor. Both men belonged to a circle of young artists known as the Hooligans (Les Apaches), and upon hearing Klingsor read some of his poetry to the group, Ravel suggested that he set three of the verses to music. Not to be confused with the 1898 overture of the same name, it is scored for solo soprano and orchestra, but one of Ravel’s acquaintances noted that the composer and poet were contemplating the solo part being sung by a male voice. Alfred Cortot conducted the premiere on May 17, 1904 at the Salle Nouveau Théâter with soprano Jeanne Hatto. This Kalmus edition was edited by Clinton F. Nieweg. Instrumentation: 2+Picc.2+EH.2.2: 4.2.3.1: Timp.Perc(7): 2Hp.Clst: Str (9.8.7.6.5 in set): Solo Sop. Movements: I. Asie (Asia); II. La flûte enchantée (The Enchanted Flute); III. L'indifférent (The Heedless One).2+Picc.2+EH.2.2: 4.2.3.1: Timp.Perc(7): 2Hp.Clst: Str (9.8.7.6.5 in set): Solo Sop
65555FBC813C-62B2-4DA3-8A2A-332E84AA4454ST229SUITE (OUT-OF-PRINT)
65565FC2F8ED-ABA7-4334-A3E5-C337664CEDABR01073Implications of MelissaAn opera in one act.Soprano, Mezzo-Soprano, Tenor Soli B-flat Clarinet, Violin, Cello, Piano
65575FCC56A9-FD2D-4752-801D-3CA2BCAF1E49R00007Symphony No. 13333-4331-H-Piani/Celesta-perc.-Strings
65585FD18969-2814-4DE3-8E6E-8D3E0AC333EBSC783All Glory and PraiseTexas UIL Sightreading for 3A, 2A, and 1A Varsity Tenor-Bass (TBB) Choirs and 5A and 4a Non-Varsity Tenor-Bass (TBB) Choirs. Anna Marie Gonzalez adapted this from music written by William Chappell.TBB
65595FD48AC5-2CAF-41AC-9F35-025A6F416B7BSC419Airborne, The(not set)Ttb
65605FD6EB8C-3EBA-45E4-A8B5-50F4CEB09D38A204702Symphony No. 1 in E minor, Op. 39Started in 1898, Jean Sibelius (1865-1957) completed and premiered his SYMPHONY No. 1 in E minor, Op. 39, the following year when only 33 years old. Dissatisfied with the original version, which has been lost, Sibelius quickly revised the work in 1900, and it is this version that is performed today. Starting with a contemplative clarinet solo over a timpani roll, this early work is characterized by the use of string and woodwind solos. Perhaps more lushly romantic than his later works, the work still showcases the structure and logic inherent in Sibelius' later works. Instrumentation: 2(dPicc).2.2.2: 4.3.3.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set). Reprint edition.2(dPicc).2.2.2: 4.3.3.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set)