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658160325168-628A-4F78-8419-3E7864D33206A133502In the Steppes of Central Asia (Eine Steppenskizze)Russian composer and chemist Alexander Borodin (1833-1887) wrote the symphonic poem In the Steppes of Central Asia in 1880, with it premiering at the Russian Opera Orchestra in St. Petersburg under Nikolai Rimsky-Korsakov's baton on April 20, 1880. Intended as one of several tableaus written for a celebration that never happened of Emperor Alexander II of Russia's then 25-year reign, the work has remained popular on the concert stage since it was first performed. A programmatic work depicting Russians and Asians working together in Central Asia, Borodin included the following note in the score: "In the silence of the monotonous steppes of Central Asia is heard the unfamiliar sound of a peaceful Russian song. From the distance we hear the approach of horses and camels and the bizarre and melancholy notes of an oriental melody. A caravan approaches, escorted by Russian soldiers, and continues safely on its way through the immense desert. It disappears slowly. The notes of the Russian and Asiatic melodies join in a common harmony, which dies away as the caravan disappears in the distance." Instrumentation: 2.1+EH.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set).2.1+EH.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set)
6582603323C9-2C20-4F81-9C65-CFC7EC1AD822M307991ConcertoClar/piano
6583603B9536-E9C0-4D09-B9AB-69E892C39ACEB500302Cadix for BandConcert Band
6584604277C7-45EA-4F4E-8F27-F53963748013A686202Poet and Peasant OvertureFull title: Dichter und Bauer: Overture (Poet and Peasant)1d1, 1, 2, 1 - 2, 2, 1, 0, perc, str
658560468779-67D1-4669-8C9B-F75935F13BD1SC126Rainbow Comes and Goes, TheSsa
6586604A4765-5D42-4074-8570-2AB52C512ABEX510039Apres Heures (out of print)A six minute advanced violin solo.Violin Solo
6587605156EC-6DB3-4CB6-9BC3-0752BA80601ED410021Ragtime for eleven instruments, transcribed for solo pianoPiano Solo
65886052E09C-8106-4580-9359-8025FB04FDD5B394COAlbum Of Brass Sextets(not set)Brass Sextet
658960573FD7-E9A4-41B5-9251-68B9900094E2LL112Wondrous LoveArrangement of the spiritual WONDROUS LOVE for 2-part mixed choir and organ.2 Part Mixed Choir and Organ
65906059AAC3-9EEB-471E-ACE5-4BCE9E382A42A268302Mass in C, K. 167 (Missa Trinitatis) (All new materials)Wolfgang Amadeus Mozart (1756-1791) composed this MASS IN C MAJOR, K. 167 (MISSA TRINITATIS) in 1773 for a performance in the Salzburg cathedral. It is the only mass which he provided with a dedication (in honor of the Most Holy Trinity). In view of the relatively full orchestral scoring, it is surprising to note the absence of the violas. Perhaps this is merely due to a local Salzburg peculiarity. It is more likely though, that the violas simply played the bass line an octave higher. In comparison with other early masses by Mozart, a turn to a more polyphonic setting is undeniable, due perhaps to the influence of Michael Haydn and Padre Martini. Instrumentation: 0.2.0.0: 0.2.2(or Tpt3&4).0: Timp: Org (in Sc): Str (4.4.0.3.3): Mx Chor.0.2.0.0: 0.2.2(or Tpt3&4).0: Timp: Org (in Sc): Str (4.4.0.3.3): Mx Chor
6591605AFCC5-966A-45A9-A0AD-8E1B2BC2797DS632501Flute Trio No. 1
6592605D6D49-1C51-4D3C-AD11-8704755D406EEBM0610125Western Orpheus: Concert Suite from the BalletWestern Orpheus is a ballet commissioned by the San Diego Ballet for the opening of the San Diego Civic Theater. Originally written in 1965, the work was expanded and re-choreographed in 1987, and it is this latter version from which the concert suite presented here has been extracted. Its movements include “Prelude,” “Limbo-Apollo,” “Earth-Wedding Celebration,” “Duo: Orpheus and Eurydice,” “Pas de deux,” “Hades-Bacchanal,” and “Apotheosis and Coda.”Violin, 2(Pi)2(EH)22 222(BsTbn)0 Timp 2Pc Hp Pno/Cel Str
65936065F292-44D1-4E7C-8823-A6E86B78B7AB50250146Fortune Cookie Love SongHere is a grade 1 with a little "bling;" pizzicato, short glissandi, accents, harmonics, and a measure of free-for-all sliding. If your audience doesn't care for fortune cookies, that's okay, because they'll inexplicably have a craving for takeout.Beginning Strings
65946066CC45-5057-4EF4-949E-B3B4AAE26CF8SS149Rhythm BustersWilliam J. Schinstine (1922-1986) graduated from the Eastman School of Music in 1952 and, in addition to his work as a public school music teacher, created a number of educational titles for percussion. One of these pieces, Rhythm Busters (1963), is scored for percussion quartet.4 Percussion
6595606D012D-5249-4983-8088-4AFC6EAFC745P6MarigoldsPiano
659660709332-56E4-4571-9A7D-BB8C14F09493R01422Oceanophony for Chamber EnsemblePlunge into an ocean of music and meet the sarcastic fringehead fish, stoplight parrotfish, a love-struck seahorse, and more. Also available for chamber orchestra.Flute, Clarinet, Bassoon, Violin, Cello, Bass, Piano, Percussion. Slideshow available.
65976074DA0F-07AC-4CC2-A371-7692DB288699ST82Two GavottesHorn Duet
6598607C033A-20C0-4464-B283-C0EEE233E552M254591Two Arias(not set)Saxophone (Soprano, Alto or Tenor) or Clarinet and Piano
6599607C0EA9-C781-451B-89FE-C24ADF1316F1A273291Gloria in D, Op. 103 No. 3/ RV 5890, 1, 0, 0 - 0, 1, 0, 0, str (2.2.1.1.1), org (hpchd), soli SA in set, mx chor
6600608DE487-D5EC-49B6-B6D0-865EE562C630V45Kings PointPiano/vocal