Titles
Showing 6,521-6,540 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 6521 | 5F0CCC1B-7B46-4AEA-A9CB-F2263F3630A7 | 52731563 | Let's Duet: Volume 2 - Cello | The second volume in this series includes intermediate level duets compatible for violin, viola, cello and bass. Learn dotted rhythms and 6/8 meter, chromatic fingerings, facility with pizzicato, varying types of bow strokes, and double stops as students are introduced to shifting with familiar classic tunes. This volume is a technique builder and works best with the more treble of the two instruments on the top line. | Cello Duet | |
| 6522 | 5F11779C-7E1E-42F7-99EB-BB8E134380B1 | 10370116 | String Masters, Book 1: Piano Accompaniment | The String Master collections are easy to intermediate, harmonized collections of classical themes and popular tunes for young string orchestras. They are presented in such a way as to be playable with any combination of strings (as the piano accompaniment can be used to fill in any missing parts, or to strengthen weak sections), with a variety of difficulty levels available in the violin parts, thus enhancing the value of this collection. The compositions in this volume have been selected for their programmatic and educational as well as developmental values. The material has also been compiled with the viewpoint of keeping it interesting from the melodic, rhythmic and harmonic outlook, and to instill well-balanced musicianship. Suitable for trios, quartets, and string orchestras. Included in Book 1: 1. "Praise God" Choral (Old German); 2. Water Music (Handel); 3. Choral (Teschner); 4. Irish Folk Song (anonymous); 5. Choral (J.S. Bach); 6. Spanish Folk Song (anonymous); 7. March from "Joshua" (Handel); 8. Berceuse (Reber); 9. Chorale (J.S. Bach); 10. The Great Gate of Kiev (Mussorgsky); 11. Chorale (Mendelssohn); 12. March from "Nutcracker Suite" (Tchaikovsky); 13. Morning Prayer (Tchaikovsky); 14. German Dance (Dittersdorf); 15. Rosamunde (Schubert); 16. Prologue (Gounod); 17. Festival March (Grieg); 18. Chorale (J.S. Bach); 19. Hansel und Gretel selection (Humperdinck); 20. Agnus Dei (Bizet). | Flexible String Ensemble: Piano Accompaniment | |
| 6523 | 5F16719A-54AC-43C6-8D9C-2D4248FD1C9C | X156002 | Andante | By renowned recording artist Eugene Rousseau. | Soprano Saxophone, Piano | |
| 6524 | 5F234BE5-71E2-4C18-AFCA-EB298D32C465 | 52703172 | Wedding Album 3 - String Quartet | This collection includes: Te Deum (Charpentier); Bist Du Bei Mir (Bach); If With All Your Hearts (from "Elijah," Mendelssohn); My Heart Ever Faithful (Bach); Meditation from "Thais" (Massenet); Ave Maria (Bach/Gounod); and Suite from "The Fairy Queen" (Purcell). | Violin 1, Violin 2, Viola, Cello | |
| 6525 | 5F248F38-BC0A-459D-81A4-AE912E690853 | EBM0610099 | Montezuma: Suite from the Opera | The story of Sessions’ Montezuma is told retrospectively by one of the Spanish conquistadores. The arrival of Cortez and the reaction of the Aztecs, who identify him, at first, as one of their gods, lead to the love of Cortez for a captive Indian princess. | 3.3.4.3: 4.4.3.1: Timp.Perc.Pno.Hp: Str | |
| 6526 | 5F2491E6-D348-4148-80AB-E5A101F08A90 | B400902 | Suite of Carols for Brass Choir | Composed in 1955. Selections: While by my Sheep; In Dulci Jubilo; Lo, How a Rose E'er Blooming; I Saw Three Ships; From Heaven High I Come to You; We Three Kings of Orient are; and March of the Kings. | 0.0.0.0: 4.4.3+BTbn.1+Bar. | |
| 6527 | 5F26A7B6-2E58-45B7-9384-2834E0601E7A | R01125 | Pataruco: Concerto for Maracas and Orchestra | The only concerto of its kind, Pataruco showcases the style of maraca playing found only in the folk music of Venezuela and Columbia. Versions for orchestra and wind symphony are available from the publisher. | Maracas Solo: 2.2.2.2: 2.2 +BTbn.0: Timp.Percussion.Hp: Str | |
| 6528 | 5F29D1A2-CA7B-4983-9DE1-2BA71650A720 | M347191 | Passacaglia for Violin and Violoncello | Duet arrangement of Handel's Passacaglia from "Suite in G minor" HWV 432, originally for keyboard. Versions for Violin & Viola and Violin & Violoncello available from the publisher. | Violin and Violoncello | |
| 6529 | 5F2CC44A-ECEE-4E19-B8A1-912D46EB789F | S520 | Caccia | Dedicated to and Commissioned by Melvin Montgomery and the Gamma Phi Chapter of Kappa Kappa Psi for the Stephen F. Austin Symphonic Band. | Concert Band | |
| 6530 | 5F309E3A-1FA4-4CA2-B420-C8B0BF427892 | X504094 | String Quartet No. 2 | (not set) | String Quartet | |
| 6531 | 5F332296-A99C-438C-9B17-7AE7F8031B92 | X131007 | Perimeters | Recorded by Scott Anderson and Robert Pollock on Albany Records, 2006. | Clarinet, Piano | |
| 6532 | 5F345786-A526-4249-9A6F-7B31F2043A0C | ST335 | De Tous Biens Playne | Brass Quartet | ||
| 6533 | 5F356392-2F47-4614-B310-1BFC6D30E2D6 | X504064 | Beyond Words: Ricercar for Violin, Viola, Cello and Piano | Composed in the immediate aftermath of September 11, 2001. Weaves motivic ideas from the first verses of Thomas Tallis' "Lamentations of Jeremiah" | Violin, Viola, Cello and Piano | |
| 6534 | 5F36B9AB-BB19-4CAB-BA92-F867FA71DE10 | SU170 | Chorale St. Antonii | 4 Guitars | ||
| 6535 | 5F458ECD-26CF-4162-AC67-1F102AFB600B | R00459 | The Golden Dove | 4+Piccolo.2.3+Bass Clarinet+ContraBass Clarinet.2.AATB Saxophone Ensemble: 4.4.4.Euphonium.1: Percussion(4): Double Bass | ||
| 6536 | 5F4E5C40-7A92-4992-B977-3474E532BFDE | 52710047 | Come Thou Fount: Eight Pieces for Violin and Piano | Eight beautiful arrangements of well-known American hymns and spirituals. Hymns included: 1. How Firm a Foundation 2. Come Thou Fount of Every Blessing 3. Spiritual 4. Simple Gifts 5. There is a Fountain 6. Be Thou My Vision 7. Holy Manna 8. Shall We Gather at the River? | Violin and Piano | |
| 6537 | 5F52CAFF-E75B-43E6-B128-410339207400 | R00693 | A Gentle Musicke, Op. 44 | Flute Solo String Orchestra | ||
| 6538 | 5F5DBBD1-8D12-45B5-8591-EFF20C3FF429 | B348 | Songs By John Duke, Vol. 2 | This four volume collection of songs was created with the avowed purpose of offering a substantial group of John Duke's previously unpublished songs. It is published in collaboration with The Society of the Friends of John Duke. Volume 2 Contents: 1. Reveille (?.?. Housman), 2. O, It Was out by Donneycarney (James Joyce), 3. Bread and Music (Conrad Aiken), 4. Stop All the Clocks (W.H. Auden), 5. Counting the Beats (Robert Graves), 6. Survivor (Archibald MacLeish), 7. Give Me Your Hand (John Wheelock), 8. The Black Panther (John Wheelock), 9. Spirit's House (Sara Teasdale), 10. Mastery (Sara Teasdale), 11. Lessons (Sara Teasdale), 12. In ? Burying Ground (Sara Teasdale), 13. Wood Song (Sara Teasdale), 14. Refuge (Sara Teasdale), 15. At the Aquarium (Max Eastman), 16. Dirge (Adelaide Crapsey), 17. Night Coming out of ? Garden (Lord Alfred Douglas), 18. The Dark Hills (?.?. Robinson) | Vocal | |
| 6539 | 5F607314-0E86-4D58-941A-3D53746148F3 | A888702 | Les Patineurs (complete ballet) | An idea from composer Constant Lambert, who was the music director of the Vic-Wells Ballet during the 1930s, LES PATINEURS (The Skaters) combines vocal and dance numbers from two Giacomo Meyerbeer operas: LE PROPHETE and L'ETOILE DU NORD. Depicting a Victorian skaing party on a frozen pond on a winter's evening, the ballet in one act contains a sequence of eight divertissements, each depicting a different combination of skaters (couples, individuals, etc.), identified by the clothes they are wearing. Premiered in 1937, the work was a great success and was one of the first ballets ever to be televised. It still enjoys regular performances and recordings today. Instrumentation: 1+Picc.2.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str (4-4-3-3-3 in set). This version has been edited by William McDermott. | 1+Picc.2.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str (4-4-3-3-3 in set) | |
| 6540 | 5F6D3808-4C1B-4F8D-A140-DCCADECF6E15 | S955CB | Scottish Highland Overture | Scottish Highland Overture was commissioned by the MacArthur Middle School in Lawton, OK, in honor of their longtime conductor, Sue Ann Hannah. Taking inspiration from the school’s mascot (the “Scots”) the piece is based very loosely on the Scottish folk song, “The Dowie Dens o’ Yarrow.” The faster ‘A’ section contains lots of rhythmic interplay between voices while the ‘B’ section gives everyone a chance to play in a very lyrical and legato style. This fun and playable overture is a great introduction to the Dorian mode for young bands, and features a short horn section soli opening the middle section, with ample cross-cueing to provide additional support as needed. | Concert Band |