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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
64415DD2601E-C721-4FF8-9CE0-BF122A5CE251S259MBCadet Lieutenant March(not set)Marching Band
64425DDB5777-7554-4E61-A157-BF84F1FA70BB52716003Chinese Folk Songs: Volume 2 for Violin Duo, Trio or QuartetChinese Folk Songs is a compilation for string duo, trio or quartet, arranged by Albert Wang. The collection includes six songs: 1. Fall Recollections at Dressingtable (Zhuang Tai Qui Si); 2. Whether He Knows or Not (Zhi Dao Bu Zhi Dao); 3. Little Cabbage (Xiao Bai Cai); 4. General's Command (Jiang Jun Ling); 5. Jiaocheng Mountain (Jiao Cheng Shan); 6. Elunchun Folk Tune (E Lun Chun Xiao Chang). Volume 2 for violin duo, trio, or quartet.Violin Duo, Trio, or Quartet
64435DE148F5-7E18-4343-B7E8-5E80B1088B78A115302Concerto Grosso, Op. 6, No. 4 in A minor, HWV 322George Frideric Handel's (1685-1759) Concerti Grossi, Op. 6 (also Twelve Grand Concertos, HWV 319-330), are a collection of twelve concerti grossi for two violins and cello with an accompanying four-part string orchestra and harpsichord continuo, and they are among the best examples of the Baroque concerto grosso. Modeled more on Arcangelo Corelli's concerto da chiesa and concerto da camara than on Antonio Vivaldi's three-movement form adopted by J.S. Bach, these 1739 works were composed to be performed during the intermissions of Handel's oratorios. Among the twelve Concerto Grosso can be found a mixture of original music and music borrowed from other works by the composer. No. 4 in A minor, HWV 322 is predominantly newly composed, the final allegro borrows from the aria È si vaga of Handel's Italian opera Imeneo. Instrumentation: Str (2-2-2-1-1 in set): Hpchd (in set): Soli Vn(2).Solo Vc. This urtext edition has been edited by Wilhelm Weismann.Str (2-2-2-1-1 in set): Hpchd (in set): Soli Vn(2).Solo Vc
64445DE4E221-D3D7-4972-B4DD-3EDB91EF506FM346691Romance et Gavotte de MignonUsing material from the opera MIGNON, this work for Violin and Piano is an homage to Ambroise Thomas.Violin and Piano
64455DE77548-7453-44ED-8002-1B3462229E88M293191Seven Spanish Folksongs (Siete Canciones Populares Espanolas)Manuel de Falla (1876-1946) wrote his Siete canciones populares españolas (Seven Spanish Folksongs) in 1914 for voice and piano, and it premiered on January 14th of the following year, with Luisa Vela singing and the composer at the piano. The work combines authentic folk melodies and otherwise to offer the infectious melodies and rhythms inherent to the popular tunes with very original piano accompaniments. Songs included: 1. El paño moruno, 2. Seguidilla murciana, 3. Asturiana, 4. Jota, 5. Nana, 6. Canción, and 7. Polo. The immediate acclaim following the 2015 premiere in Madrid helped Falla gain international recognition. Reprint edition.Voice and Piano
64465DEA4CD6-E661-46F1-A32D-0490E0B67FF5M218391Sonata No. 1 in A Major, IPG 9SONATA NO. 1 in A Major was dedicated to Philippe Gaubert’s (1879-1941) teacher Paul Taffanel. Written after Gaubert returned from WWI in 1917. It includes three movements: 1. Modéré (sans lenteur), 2.Lent, 3. Allegro moderato. Reprint edition.Flute and Piano
64475DF80351-625D-463C-9A14-6440766EF986SS386Trio in c MinorContents: I. Largo, II. Vivace, III. Andante, IV. Allegro.Woodwind Trio: Flute (alt. Violin), Oboe (alt. Bb Clarinet or Violin), and Bassoon (alt. Violoncello)
64485DF84F31-8B4E-478D-9DF7-02CC10572FFEX511053Concerto for ViolinThe Concerto for Violin was written in early 2012 for Philip Ficsor. The four movements, conceived separately, are intended to have the feeling of a suite rather than a verbose, heavy interpretation of the concerto form. The 1st movement, "A Little Parlour Music", carries the subtitle "after Poulenc" in a reflection of the lightness and charm of that composer's work. The 2nd movments, "Remembrance of Things Past", is the most expressive of the movements. The 3rd movement, "Santa Barbara Rag", is full of syncopated rhythm and humor with even a slight reference to another well-known rag. And the 4th movement, "John Adams Light", looks back at the early minimalism of Adams with its repitition and constant motion. The concerto is available with piano reduction and for rental with the full orchestra accompaniment.Violin and Piano
64495DFDE04F-1073-4EDB-98E2-FA2C2ACAC4A0A638002Aladdin Suite, Op. 34/F. 89Danish composer, Carl Nielsen (1865-1931), was commissioned by the Royal Theatre in Copenhagen, to write incidental music to a new production of Adam Oehlenschläger’s "dramatic fairy tale" Aladdin, or The Miraculous Lamp, which was to be presented in February of 1919. Nielsen, always modest and regarding himself as primarily a musical craftsman, undertook the commission happily, writing much of this imaginative and melodic music in 1918. While Nielsen's symphonies are seen as more dramatic and experimental, this light-hearted incidental music still exhibits his originality, with his progressive harmonies and approach to the exotic dances. Regrettably, the director of the play altered the instrumentation so that he could use the orchestra pit to build an extended stage, and he cut a significant portion of the music, leading to a furious Nielsen demanding that his name be removed from both posters and programs from the soon-to-be failed production. Still, the music proved very popular as Nielsen would frequently conduct various extracts both in Denmark and abroad to great acclaim. Seven of these extracts were combined into a suite after Nielsen's death. Movements: 1. Oriental Festival March; 2. Aladdin's Dream/ Dance of the Morning Mist; 3. Hindu Dance; 4. Chinese Dance; 5. The Marketplace in Isphahan; 6. Dance of the Prisoners; 7. Negro Dance. Instrumentation: 2(2nd dPicc).2(2nd dEH).2.2: 4.2.3.1:Timp.Perc(4-5): Clst: Str (9-8-7-6-5 in set): Mix Chor (Mvmt 7 only; Available separately). Reprint edition.2(2nd dPicc).2(2nd dEH).2.2: 4.2.3.1:Timp.Perc(4-5): Clst: Str (9-8-7-6-5 in set): Mix Chor (Mvmt 7 only)
64505DFFCF96-C198-4119-BD30-505234495317POP3779184POP VCL CONN 1/2" SDESHEET
64515E075FC1-3652-4315-A655-E17E421E4527SS553A-MAYING (POP)
64525E09A0EA-51CB-4607-86A5-F6488FCE2FE4A225302Siegfried Idyll, WWV 103Richard Wagner (1813-1883) composed the symphonic poem Siegfried Idyll, WWV 103 in 1870 as a birthday present to his second wife, Cosima, following the birth of their son Siegfried in 1869. Originally written for a small chamber orchestra of 13 players (flute, oboe, two clarinets, bassoon, two horns, trumpet, two violins, viola, cello, and bass), Wagner had members of the Tonhalle Orchester Zürich assemble on the stairs at their villa at Tribschen (Lucerne), Switzerland on Christmas Day, 1870 and start the music to wake the sleeping Cosima. While the piece was intended to remain private, Wagner felt pressured to sell the work in 1878 with expanded orchestration due to financial concerns, though the larger orchestra retains the expressiveness and intimacy of the original. Some of this music also found itself incorporated into Wagner's 1876 opera Siegfried, particularly the love duet between Brünnhilde and Siegfried, Ewig war ich. The work also borrows the melody from the German lullaby Schlaf, Kindlein, schlaf (Sleep, Children, Sleep). Instrumentation: 1.1.2.1: 2.1.0.0: Str (9-8-7-6-5 in set). Study score.1.1.2.1: 2.1.0.0: Str (9-8-7-6-5 in set)
64535E0AE226-FB14-4CEB-B581-141BBDC35F8AX814046Do You Dream in Color?Composed to a poem by blind Mezzo-Soprano Laurie Rubin, "Do You Dream in Color" is both a personal memoir and a celebration of the human spirit.Mezzo-Soprano, Piano
64545E13437D-6D61-4B5C-ACF1-DD0413E87D58D511001Siciliano from Sonata No. 2 for flute and harpsichordArranged for Violin and Piano by Leopold Auer.Violin, Piano
64555E1E3C9E-A072-40A8-A346-83C08DE23FE910100216Song of the PrairieStarting with an extended slow, lyrical section, this single-movement work eases into an allegro section in duple meters. With clear articulations and tasteful key changes, the satisfying melodic lines pass between voices and serve as platforms for exciting tutti passages. With comfortable ranges and no solo passages, this is a strong opener for any concert or contest program.Concert Band
64565E1E4758-7225-4E3F-85E6-79E2BB03AC4810442166Andante and GavotteClarinet and Piano
64575E204BF6-9E84-4376-880E-95243BC57F97A506902Edgar: Act I, Aria: Questo amor, vergogna mia (baritone)Hoping to repeat the success of his first opera LE VILLI, the publisher Ricordi commissioned Giacomo Puccini (1858-1924) to write EDGAR, SC 62, based on a libretto by Ferdinando Fontana after Alfred de Musset’s play La Coupe et les lèvres. The poor reception of the original four-act version persuaded Puccini to revise it twice over the course of two years, the second being a shortened three-act version. The last revision came in 1905, at which point, Puccini gave up trying to correct what he perceived to be the dramatic flaws in the work. The story depicts the Flemish knight Edgar who spurns the love of the virtuous Fidelia and elopes with her adopted sister, the sensuous Tigrana. In the Act I aria QUESTO AMOR, VERGOGNA MIA, he reflects on his unreciprocated and forbidden love for her. Instrumentation: 2+Picc.2.2.2: 4.0.0.0: Hp: Str (4.4.3.3.3 in set) [solo baritone]. Reprint edition.2+Picc.2.2.2: 4.0.0.0: Hp: Str (4.4.3.3.3 in set) [solo baritone]
64585E243C4B-B292-4855-AAD9-32277C1D101450250182BINGOWith the fun addition of "woofs" and percussion to spell out B-I-N-G-O, this arrangement strengthens the counting and note reading skills of your beginning ensemble.String Orchestra with Percussion
64595E2723B9-74BC-4CEA-A349-59764EC397DCR01385Rumi Sings of Love for Soprano and 15 PlayersCommissioned by Duquesne Contemporary EnsembleSoprano Solo: Fl(alto fl). Ob (E.Hn), Clar (basscl.), bssn: horn/tpt/tromb: Pno, harp, 1 perc: 2Vn, Vla, Vcl, Cb.
64605E29D39F-F3A2-4AE5-8430-A7CBC3976E46M292891The Gospel HallThis work for brass choir and drums was commissioned by Weltblech, and is in four movements: I. The Welcome, II. Hymn 1, III. Hymn 2, IV. Praise! Instrumentation: 4 Trumpets, Horn, 3 Tenor Trombones, Bass Trombone, Tuba, and Drum Set.4tpt Hn 3tbn Bstbn Drums