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63815D025E92-4F36-46D0-B37A-B9B358813771F702Musidex File Set Solos and Ensembles, 200-numbersForms
63825D0EECDB-CEA0-4C5E-87DF-021545AF9437A838102Summer Nights, Op. 7 (Les nuits d'ete): 2. Le spectre de la rose (transposed in D)The song cycle LES NUITS D’ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its facets, progressing from youthful innocence to loss and renewal. Originally composed in 1841 for solo vocalist and piano, Berlioz completed orchestration of each of the six songs in 1856. While regrettably neglected for many years, this song cycle was rediscovered in the 20th century and has become one of the composer's most popular works. The songs in the original keys (1. A; 2. B; 3. F minor; 4. F-sharp; 5. D; 6. F) are available from the publisher both as a complete set (A2573) and individually. Robert Sutherland has edited five of the songs in the cycle and has transposed each in multiple keys to expand the work to more vocalists. Songs completed by Robert Sutherland: 1. Villanelle (E, F, and G), 4. Absence (Db, D, Eb, and E), 5. Au Cimetie?re, Clair de lune (Bb, B, and C), and 6. L'lle inconnue (D, Eb, and E). A transposition of 2. Le Spectre de la rose to D and a transposition of 3. Sur les Lagunes to g minor is also available from the publisher. Le spectre de la rose (The Ghost of the Rose) tells of a girl's dreams of the ghost of the rose she had worn to a ball the previous day. The rose has died and ascended to paradise; to have died on the girl's breast was a fate that kings might envy. Instrumentation: 2.1.2.0: 2.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Voice (high voice). Newly engraved edition.2.1.2.0: 2.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Voice (high voice)
63835D11EE28-BB17-40C2-AD33-648AEBEFBF5BM353991L'Organiste Pratique, Op. 46, Bk. 3French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 12 books of "L'Organiste Pratique" is available from the publisher.Organ
63845D1B0247-BA9B-4BEB-8D9E-BC787AC30095S560006Sonata dall' Op. 18 PtGuitar Solo
63855D1E22F5-818E-49C2-8FCC-E02F5920C6A6A13Tannhauser OvertureFull Orchestra
63865D1F4EF5-D6F2-4CCF-8F72-E2C1890F7624R01623Concerto for Amplified Piano and Wind EnsembleCommissioned by an Indiana University Fellowship in 2001, this work was inspired by the two principals of the premiere performance: Paul Barnes (soloist) and Ray Cramer (conductor). The work requires that the piano be amplified to put the piano on an equal footing with the wind band, which allows for more complex interplay between the soloist and ensemble through the entire dynamic spectrum. The work is three movements: I. Signals (which borrows rhythmic scoring ideas from epic score by Richard Rogers and arrangements of Robert Russell Bennett for the 1952 WWII documentary, "Victory at Sea), II. Remembrance (composed in the months following the death of the composer's father), and III. Running iwht Scissors (so titled for the very precarious metric and rhythmic fabric which holds the movement together).Solo Amplified Piano: Wind Ensemble
63875D212CF6-EF8A-4777-8FD9-7809CABE9EA7A257302Summer Nights, Op. 7 (Les Nuits d'Ete), (Original keys: A, B, F minor, F-sharp, D, F)The song cycle LES NUITS D’ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its facets, progressing from youthful innocence to loss and renewal. Originally composed in 1841 for solo vocalist and piano, Berlioz completed orchestration of each of the six songs in 1856. While regrettably neglected for many years, this song cycle was rediscovered in the 20th century and has become one of the composer's most popular works. The songs in the original keys (1. A; 2. B; 3. F minor; 4. F-sharp; 5. D; 6. F) are available from the publisher both as a complete set (A2573) and individually. Robert Sutherland has edited five of the songs in the cycle and has transposed each in multiple keys to expand the work to more vocalists. Songs completed by Robert Sutherland: 1. Villanelle (E, F, and G), 4. Absence (Db, D, Eb, and E), 5. Au Cimetie?re, Clair de lune (Bb, B, and C), and 6. L'lle inconnue (D, Eb, and E). A transposition of 2. Le Spectre de la rose to D and a transposition of 3. Sur les Lagunes to g minor is also available from the publisher. Instrumentation: 2.1.2.1: 0.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (high voice). Reprint edition.2.1.2.2: 3.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Voice
63885D257A7F-CEB5-471B-803A-C0791E353324S823CBPromenade
63895D2AFFE6-AA64-4543-94DF-9C9904BFB519X204001Midsummer SongsMidsummer Songs (2001) for tuba-euphonium quartet was commissioned for and is dedicated to the British tuba-euphonium quartet Tubalaté. The work was inspired by the group’s stunning playing and their championship of new repertoire for their ensemble combination. The work is in three movements, each preceded with an epigraph from William Shakespeare’s famous play, A Midsummer Night’s Dream. Much of the musical material is shared throughout the three movements.2 Euphonium (TC or BC), 2 Tuba
63905D2DDB21-C036-4C0E-B80E-F95EBF201515A781090Romeo and Juliet, Op. 64: Morning Serenade (Aubade)The ballet Romeo and Juliet was originally written by Sergei Prokofiev (1891-1953) in 1935. However, running afoul of the Soviet censors who disliked the happier ending (departing from Shakespeare's tragic ending), the premiere of the complete ballet was postponed until 1940, after the work was heavily revised. Morning Serenade (Aubade) takes place near the end the end of Act 3. This arrangement by Lazar Gosman includes the following instrumentation: Perc(1): Str (8-8-3/3-6.0 in set): Solo Violin in set.Perc(1): Str (8-8-3/3-6.0 in set): Solo Violin in set
63915D2FD97F-18A3-403F-BA2B-B9BD9A60253450100307Juba DanceNathaniel Dett was one of John Philip Sousa’s favorite composers, even in a time when racial relations in the United States were less than optimal. Dett’s music is filled with melodic charm and harmonic interest. Juba Dance plays and sounds much like a march.Concert Band
63925D31B3E8-81A6-4A5C-8D55-2DE5CDF403D1SS307Introduction and TarantelleTrumpet
63935D343542-55CA-4456-B9A8-26BF1B5DADCB50250166Groundhog's RevengeGet ready for a bluegrass battle! You thought you got rid of that pesky groundhog, but he’s back and tearin’ things up again. It’s upper strings against lower strings as everyone gets a turn playing fun and exciting themes. Using the G pentatonic scale, parts are easily approachable for all instruments. Use the included theme sheets to learn the more challenging parts as unison exercises to keep everyone involved and maximize instructional time. Even though all of the included themes don’t show up in every part, when students know each other’s parts they listen to each other better come together as a tighter group in the end. For some added flair directors can add some finger slides and talk about accent patterns for an authentic bluegrass style.String Orchestra
63945D3BF6B5-427E-488B-B947-CCE38530EBE1X138002Autumn WindBass clarinet solo, dedicated to Kevin Shempf.Bass Clarinet solo
63955D46C839-A583-49C0-BC25-69594C463A1FM250891Danzas Fantasticas, Op. 22The best-known work by Spanish composer Joaquín Turina (1882-1949), DANZAS FANTÁSTICAS (Fantasy Dances or Fantastic Dances), Op. 22 was written in 1919 between August 11 and 29, first for piano, then orchestrated later, although the orchestral version premiered first at the Teatro Price in Madrid on February 13, 1920, by the Orquesta Filarmónica de Madrid, Bartolomé Pérez Casas conducting. The piano version was finally premiered by Turina on June 15, 1920, at the Málaga Sociedad Filarmónica. Inspired by the novel LA ORGÍA by José Más, quotations from the novel were printed on the score before each of the three dances. Movements: I. Exaltación (a jota from Aragon); II. Ensueño (a Basque zortziko in 5/8 time); III. Orgía (an Andalusian farruca).Solo Piano
63965D476DFA-3AF0-4CB3-9F23-758692001DF4SU206COConcertato for Trombone, Bass Trombone, Percussion and PianoAfter the success of his Bass Trombone Concerto, Nelhybel turned to write a duet in 4 movements for tenor and bass trombones with band, which was premiered by Mark Weaver and Vic Johnson with the US Coast Guard Band. It is a very challenging work, which is also available in a version for soloists with piano and percussion. (1995) ca. 13'Trombone, Bass Trombone, 3 Percussion, Piano
63975D483D69-D0D5-4B6E-BAD0-701285D6B7E0CR032019Keiser Southern Music 2019-2020 Rental Catalog(not set)(not set)
63985D4A48B1-5739-4F8D-8139-585B60002EC352723011Quatrabratsche: Vol. 2To third position. 1. Theme from String Quartet (Haydn); 2. Prelude (Chopin); 3. Theme from String Quartet (Schubert); 4. Prelude (Chopin); 5. Themes from Symphony No. 2 (Brahms); 6. Impromptu (Schubert).Viola Quartet
63995D4C82CC-FA39-4144-AF12-1D1BBF4A85E8S006501Antiche Danze ed Arie, Suite 1 (Ancient Airs and Dances)Between 1917 and 1931, Ottorino Respighi (1879-1936) transcribed three orchestral suites from original pieces written for lute between the 16th and 18th centuries. The first suite, written in 1917, includes works by Simone Molinaro (1599), Vincenzo Galilei (1550s; the father of Galileo Galilei), and two anonymous composers, both from the end of the 16th century. Instrumentation: 2.2+EH.0.2: 2.1.0.0: Hpchd.Hp: Str (9-8-7-6-5 in set).2.2+EH.0.2: 2.1.0.0: Hpchd.Hp: Str (9-8-7-6-5 in set)
64005D4E7691-B8B6-4313-97A2-F025EB9F44865272200810 Viola Trios1st viola to 3rd position. Now includes optional cello part for 3rd viola.Viola Trio with optional Cello