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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
62815B847DAC-6070-493B-849D-9E0164C7B379ST80Banquet MusicThis march, minuet and trio for flute, oboe, Bb clarinet, and bassoon offers the intermediate woodwind quartet the opportunity to work on alternating articulation patterns. It will work well as a recital or contest selection.Woodwind Quartet: Flute, Oboe, Bb Clarinet, Bassoon
62825B88B2BE-040E-47C0-A113-5E77B28F2956B480Duet Fun, Bk. 2(not set)Trumpet Duet
62835B953691-59B0-489F-8E24-D6824E04EC34A25CQueensmere(not set)Full Orchestra
62845B9769B3-C9F9-4B5A-8873-847E6D7EC7D0A125902Symphony No. 7 in A, Op. 92Written between 1811 and 1812 while Ludwig van Beethoven (1770-1827) was improving his health in the Bohemian spa town of Teplitz, the Symphony No. 7 is considered among the composer's best works (including by the composer himself) with the second movement, 'Allegretto," so popular that the premiere audience demanded it be played again. The movement is frequently performed separately even today. Often tied thematically to Beethoven's musical confrontations with Napoleon Bonaparte, this symphony was written in the context of the European wars of liberation from years of Napoleonic domination. The work premiered on December 8th, 1813, at a charity concert for soldiers wounded in the Battle of Hanau with Beethoven conducting. At the premiere, the composer addressed the participants with, "We are moved by nothing but pure patriotism and the joyful sacrifice of our powers for those who have sacrificed so much for us." The orchestra included some of the best musicians of their day: violinist Louis Spohr and composers Johann Nepomuk Hummel, Giacomo Meyerbeer, and Antonio Salieri. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set).2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set)
62855B97D5C9-2DBD-448F-813B-28D34E43F1E0R01459Tango a Borges for 6-Player Tango EnsembleA tribute to Luis Borges, one of Argentina's greatest writers. Borges was even known to write lyrics to Milongas, a forerunner of the tango genre with faster tempi.Violin, Clarinet in Bb, Piano, Bandoneon, Bass, Percussion
62865B996036-CFD0-42EE-BD47-4B294C465CE4A604890SarabandBlending the slow triple meter of a classical-era dance with a contemporary foxtrot, Leroy Anderson created his charming SARABAND. The first performance took place on May 27, 1948 with the Boston Pops Orchestra under the direction of Arthur Fiedler. The composer conducted the first recording with Decca Records on September 11, 1950. Instrumentation: 2+Picc.2.2.2: (3Sax-AAT): 4.3.3.1: Timp.Perc(3): Hp/Pno(Opt): Str(9.8.7.6.5 in set): Pno Cond Sc in set.2+Picc.2.2.2: (3Sax-AAT): 4.3.3.1: Timp.Perc(3): Hp/Pno(Opt): Str(9.8.7.6.5 in set): Pno Cond Sc in set
62875BA2973B-85DE-4082-8710-578724BF4F0AF801Musidex File Set Recordings, 100-numbersForms
62885BA5DBF7-EED5-470C-BD14-524E3A2FC6C4R00977Madame BovaryBallet after the novel by Gustave Flaubert.2(1d Alto Flute)+Piccolo.2(1d English Horn).2(1d E-flat Clarinet)+Bass Clarinet.2(1d ContraBassoon).Alto Saxophone: 4.3.3.1: Harp.Piano: Strings
62895BA72F14-28C8-4AF0-9E2F-A8E56222DF54EBM0610189View from the Bridge, A: New York Lights (excerpt)The purchase link is for the Tenor and Piano sheet music. The orchestral arrangements are on rental only. Regular Orchestration: 3(Pi)3(EH)3(Eb A Bs)3(Cbsn) 43(Pi)31 Timp 3Pc Hp Kbd Str Reduced orchestration: 2(Pi)1(EH)2(Eb, Bs)1 22(Pi)11(BsTbn) 2Pc(incl Timp) Kbd(opt2) Str(33221)Regular: 3(Picc).3(EH).3(Eb,A,Bcl).3(Cbn): 4.3(Picc).3.1: Timp.Perc(3).Hp.Kbd: Str/ Reduced: 2(Picc).1(EH).2(Eb,Bcl).1: 2.2(Picc).2.0: Perc(2).Kbd(opt2): Str
62905BA7E080-6F55-4DE4-88F1-7CA12D78DEC510443261Allegro in A minor, Op. 74, No. 3Brisk, challenging yet rewarding work that requires four strong, independent players. 4 Bb.Bb Clarinet Quartet
62915BADEF99-5813-46F0-99CB-A8476CD5FF87SU260Im tiefsten WaldeIM TIEFSTEN WALDE (In the Deepest Forest) is one of five tone poems originally written for solo winds that comprise Schmid's Opus 34. It was composed in 1920, and was dedicated to Josef Suttner, solo hornist at the Music opera, and teacher of horn at the Munich Hochschule.

Edited by Thomas Bacon, versions for horn, cello, trombone/euphonium/bassoon, tuba, and tenor saxophone are available from the publisher.		Horn and Piano
62925BB6C6C3-AE41-435F-BEBC-9A88675E0212S379CBSerenade for Clarinet and BandThis work is one of a group of three pieces for solo wind instruments and band commissioned by the G. LeBlanc Corporation as performance vehicles for their artist/clinicians, the other two being "Ode for Trumpet" and Ballade for Alto Saxophone". This serenade was written for clarinetist Robert E. Lowry. Set in the form of a freely developing lyrical idyl in variation form involving an almost continous musical development, the solo clarinet line together with a constantly shifting harmonic background paint a pastoral scene of Sioux life that suggests an overall three-part song form. This edition includes, for the first time ever, a full score in addition to the condensed score originally available. Versions for orchestra, band, and piano accompaniment are available from the publisher.Clarinet Solo, Concert Band
62935BB7FFD9-9578-4FD3-AB25-C3202D3AB532V19Texas Our Texas (in D)This version in D of the state song of Texas can be used with the orchestra arrangement (A26C) by Ralph R. Guenther, available separately from the publisher.Piano/vocal
62945BB9FF39-222E-47D7-AA5F-C2F88AABB276SU327Invention FanfareTrumpet Duet
62955BBA103D-CAE0-4CC3-9E18-971AA70E6234X151009Five Old French DancesThis grades III-IV arrangement comes with parts for Eb and Bb saxophones. Dance titles include: I. L'Agreable- Rondeau, II. La Provencale, III. La Musette, IV. La Matelotte, V. Le BasqueSaxophone, Piano
62965BC01459-2F23-40F0-8970-9F2F0ADAED37A812002Much Ado About Nothing: Suite for Orchestra, Op. 11 (5 movements)When Max Reinhardt was engaged to direct a German language production of Shakespeare’s MUCH ADO ABOUT NOTHING at the Vienna Volksbühne in 1918, he asked Korngold to compose the incidental music. The production, under the German title VIEL LÄRMEN UM NICHTS did not open until May 6, 1920 at the Schönbrunn Palace Theater; in the pit the composer led members of the Vienna Philharmonic, performing no less than 18 pieces of music. In the meantime, due to the tardy premiere of the play, Korngold had already extracted this five-movement orchestral suite which garnered much praise when performed three months before the play’s opening night. The five movements included: 1. the Overture; 2. Scene in the Bridal Chamber; 3. Holzapfel und Schlehwein (a mock-serious scene); 4. Intermezzo (Garden Scene); and 5. Hornpipe. When the play moved to Vienna’s Burgtheater (more than 80 performances) and later to the Rezidenz Theater in Munich, the music continued to attract much attention. Demand for the music was such that Korngold arranged the suite into versions for violin and piano (four pieces), and for solo piano (three pieces). German composer-arranger Leo Artok (1885-1935) also arranged the most popular three items (Hornpipe, Garden Scene and In the Bridal Chamber) for small orchestra, which were then published by Schott in 1926. All editions noted above are available from the publisher. Instrumentation: 1dPicc.1.1.1: 2.1.1.0: Timp.Perc(3): Hp.Pno.Harm: Str (9-8-7-6-0 in set; no bass).1dPicc.1.1.1: 2.1.1.0: Timp.Perc(3): Hp.Pno.Harm: Str (9-8-7-6-0 in set; no bass)
62975BC40E81-24E7-42F3-8703-C62A91FA0E75EBM141448FieldsFields is a dynamic, advanced concert solo for the 5-octave marimba. Its three movements include free passages, wistful chorales and rolled passages, and a “Wood Rag” and “Plain Dance” that create contrasting, driving rhythmic energy. As inscribed in the foreword: “Fields explores and celebrates the wide-openness and free-spiritedness on the inside and outside of us.”Marimba solo
62985BC46C79-6A41-4A33-B612-291175E52F25O14JBNo No No(not set)Jazz Band
62995BC49E30-3737-484C-9DA6-7085EAD33D8CM175491Serestas, W216 (Nos. 1-6)This is the 1st book of the collection of Serestas, W216, featuring Nos. 1-6 for voice and piano. Included: 1. Pobre cega; 2. O Anjo da guarda; 3. Canção da folha morta; 4. Saudades da minha vida; 5. Modinha; 6. Na paz do outono. Reprint edition.Voice and Piano
63005BC5B439-9D91-4A1A-9A67-4B6109324EEBST727The Girl With the Flaxen Hair (La fille aux cheveux de lin)This famous composition (the eighth piece in Debussy's first book of Preludes) is named after the eponymous poem by Leconte de Lisle. It is known for its musical simplicity, which contrasts from Debussy's style at the time. Originally written for piano, David Hite has arranged this beautiful melody for clarinet with piano accompaniment.Clarinet and Piano