Titles
Showing 6,201-6,220 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 6201 | 5A344EE9-BC48-480D-86C0-8BD3D9A83BD4 | S328 | High School Band March (out-of-print) | Marching Band | ||
| 6202 | 5A4485E7-A1F9-4A83-B868-BD87921171DD | 50100153 | March 159 (CLIX) | A rousing march done with flair is just the ticket for your next concert. The Dan Adams creativity is in full bloom in this spirited crowd pleaser. Accessible to players at a wide-ranging level of abilities, this is living proof that the march will never die. | Concert Band | |
| 6203 | 5A452C47-C52D-479E-A131-EB3B2455FA26 | SC222 | Stars Are With the Voyager, The | Satb | ||
| 6204 | 5A52D44A-0A8D-4F91-AD28-08F5BCF09130 | 10620296 | Aria | (not set) | Marimba Solo and Piano | |
| 6205 | 5A52ED11-D8E3-4964-A92B-1017994AD60F | R00704 | And Marsyas | Mezzo-Soprano Solo Flute, Oboe, B-flat Clarinet, Percussion(2), Piano, Harp, Violin, Viola, Cello | ||
| 6206 | 5A55D7F3-DC10-4891-9F90-2B64C164230B | A309102 | Tannhauser: Act II, Einleitung and Scene 1: Dich teure Halle (soprano) (Introduction and Elisabeth’s Song) | Tannhäuser, an 1845 opera in three acts by Richard Wagner (1813-1883), combines two German legends: the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. Like many of Wagner's works, the story focuses on the conflict between sacred and profane love, as well as redemption through love. It was first performed on October 19, 1845, in the Königliches Hoftheater Dresden, and this 1845 edition is referred to as the "Dresden version." A heavily revised version was created for a March 13, 1861, performance at the Paris Opéra, though the jeering from a highly critical audience caused Wagner to withdraw this "Paris version" after only three performances. Further revisions to the Paris version were made in 1875 to create the "Vienna version," including a return to German rather than French, and it is this update of the Paris version that is most commonly used today. The complete opera remains a major part of the opera repertoire. Dich, teure Halle, grüss ich wieder (Dear hall, I greet thee once again) takes place during the opening scene of Act 2. It is sung by Elisabeth, where she expresses her sadness since Tannhäuser had left, but she is joyful in his return and the songs he will sing. Instrumentation: 2.2.2.2: 4.0.0.0: Str (4-4-3-3-3 in set): Solo Soprano. | 2.2.2.2: 4.0.0.0: Str (4-4-3-3-3 in set): Solo Soprano | |
| 6207 | 5A5768E9-E50F-4248-A381-000A742E8B02 | SS114 | Fantaisie (out-of-print) | Trumpet | ||
| 6208 | 5A57C9B3-B87F-454B-B893-9A8782A20F39 | 50250179 | Just So in the North | This arrangement, in D Major, is based on an 18th-century dance tune. Each section gets pieces of the theme. Teaching points include string crossings, changing to pizzicato from arco and back, and counting 8th, quarter and half notes. Basses are the only section that will shift. Sancho included instructions for the dance that goes with this tune, so don’t be surprised if the audience dances along! | String Orchestra | |
| 6209 | 5A599105-A4E3-479A-BE8E-201183A85146 | M231291 | Six Etudes, Op. 135 | Saint-Saens' Op. 135 is a unique set of six neo-classical etudes written for the left hand only. Ravel studied these etudes when writing his "Concerto for the Left Hand." Etudes: 1. Prelude 2. Alla fuga 3. Moto perpetuo 4. Bourree 5. Elegie 6. Gigue | Piano Left Hand | |
| 6210 | 5A61BDC7-1103-48C6-9E13-D22DB4F53CD4 | R00489 | Saxophone Concerto: Red Shift (orchestra version) | Can also be performed as a chamber ensemble with one player per part or with multiple strings for chamber orchestra version. Both verions are available from the publisher on rental. | Alto Saxophone Solo: 1.1.1(d BCl).0: 1.0.0.0:Perc(1).Pno: Str | |
| 6211 | 5A623F64-3443-4737-B149-8C8F8F7B1AEF | X504110 | Tango Johannes for String Quartet | This collection includes two arrangements by Reza Vali of Johannes Brahms (Waltz, Op. 39, No. 10 and Waltz, Op. 39, No. 7) and also an original work titled Three Romantic Songs, No. 3. Versions for string quartet and cello quartet are available from the publisher. | String Quartet | |
| 6212 | 5A67A0ED-6F65-40AC-9906-3F49E1F21491 | 50250186 | Complexus | Recurring asymmetric ostinato figures drive this hypnotic piece, punctuated by harmonically lush cadences. Works well either as an opener or pre-intermission cliffhanger. It is also a fun way to warm up those fingers and counting skills in rehearsal! | String Orchestra | |
| 6213 | 5A6AE2CF-EEE6-4AE9-94F3-47A91F32FFF8 | 10508606 | Three Chorales | Includes chorales by J. C. Bach, J. S. Bach and Carl Ludwig. Instrumentation: 2 trumpets, 2 horns, 2 trombones, baritone (trombone), tuba. Also playable by quartet or sextet. Included: 1. Lass't Uns Erfreuen (J.C. Bach); 2. Chorale for Brasses (Carl Ludwig); 3. Freuet Euch Ihr Christen (J.S. Bach). | Brass Choir or Quartet or Sextet | |
| 6214 | 5A7275FF-AFBB-4B65-994E-8D9FB6239943 | S849CB | Fujita 5 | (not set) | Concert Band | |
| 6215 | 5A74BADF-07B7-452B-BFC7-3C2D74B99566 | A615002 | Symphony No. 4 in F minor, Op. 36 (German Edition) | Peter Ilyitch Tchaikovsky (1840-1893) began work in 1877 and finished it the following year. Begun soon after Tchaikovsky established his relationship with long-time patroness Nadezhda von Mech, SYMPHONY No. 4, Op. 36 was dedicated to her, and she requested that the work include a program describing the work. The composer obliged, and the resulting program has resulted in the work sometimes receiving the nickname "Fatum" or "Fate." While the symphony was met with a lukewarm reception at its February 22, 1878 premiere with the Russian Musical Society under Nikolai Rubinstein, it has since become a staple of the concert repertoire. The current edition is the German, but the original Russian edition is also available from the publisher under publisher's code A2190. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set). | 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set) | |
| 6216 | 5A762E66-35B6-4FB9-A95B-DAB0B666FC75 | SC410 | Morning Hymn | This hymn by Watts and Select is set to music and arranged for SSA choir by Paul Drummond. | Ssa | |
| 6217 | 5A76C1A1-1D85-4B14-9019-3EB06AABCD48 | A796702 | Ariadne auf Naxos (revised version) | 2d2, 2, 2+1, 2 - 2, 1, 1, 0, timp, perc, 2hp, cel, harm, pf: 6vn, 4va, 4vc, 2cb (set as scored)vocal soli (16 roles, SSSSAATTTTTBBBBB) | ||
| 6218 | 5A83201D-4A8C-4173-A295-65AA99499B18 | A194302 | Otello: Overture | 2, 2, 2, 2 - 4, 2, 1, 0, str | ||
| 6219 | 5A83C255-582A-4C42-BE71-1C10C557E3A8 | 52703197 | Suite for String Quartet | Perfect for reception music or a high school quartet, this suite exudes latin flavor. Movements: 1. Tango, 2. Andante, 3. Nocturne, 4. Rondeau. | Violin 1, Violin 2, Viola, Cello | |
| 6220 | 5A84067F-AAF4-4A8C-86CA-35CC87643CF3 | 50250067 | Grandfather's Clock | The addition of two wood blocks to the string orchestra gives this timeless tune a unique sound. The wood block part can be played by a percussionist or anyone with a rudimentary knowledge of music, so programming options are unlimited. This is a guarante | Score and Set |