Titles
Showing 6,101-6,120 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 6101 | 58D53716-F108-4979-AD00-C7DB9262F5F8 | 10620234 | Andante Cantabile | This "Andante Cantabile" (from SINFONIA CONCERTANTE in E-flat for Two Violins and Orchestra) by J.S. Bach's youngest son, Johann Christian, has been arranged by Henri Marteau, with the solo part transribed for a two-mallet soloist by Scott R. Meister. A work in a slow tempo with a single melody line throughout, it is a must-have for any intermediate player's recital or contest collection. Versions for flute, oboe, clarinet, and saxophone with piano accompaniment, arranged by Henry Marteau, are also available from the publisher. | Mallet Instrument Solo and Piano | |
| 6102 | 58DB82F0-7EA9-4905-9F18-71FAD4CF3156 | SC745 | Take, O Take Those Lips Away | (not set) | Satb | |
| 6103 | 58DDB10F-243E-45A4-A368-0398DB32B4ED | 50100164 | Cycle of the Werewolf | A surrealistic tour-de-force for concert band, this work sizzles from the first note to the last. Inspired by the Stephen King story of the same name, the work shows the contemporary concert band at its best. Dark, foreboding, and yet triumphant, this is a can't miss selection for any concert. | Concert Band | |
| 6104 | 58DE3D6D-1F79-4FB6-857D-61DA58D7E838 | D3187 | Music for Band Vol 12 | Band | ||
| 6105 | 58E29FED-9840-45D0-A962-CEFE60B7612F | X157005 | Andante con Moto | Grade III. Tenor Saxophone, Piano | Tenor Saxophone, Piano | |
| 6106 | 58ECCA1C-FBDF-449D-9A95-88B8D45E9292 | SU193 | Three Pieces (Eastern Serenade, Slumber Hour, Ta | Flute Choir | ||
| 6107 | 58EED856-5EF7-4CBE-BF29-F785D0BB6E72 | M370091 | Fifteen (15) Songs, Book 1: Nos. 1-7 | This collection of art songs by French composer Léo Delibes (1836-1891) was first published in 1887. The publisher has broken the collection into two volumes. French text. Reprint edition. Book 1: 1. Églogue; 2. Que l'heure est donc brève! (How Fleeting the Hour); 3. Myrto; 4. Avril; 5. Départ (Departure); 6. Les filles de Cadix (The Maids of Cadiz); 7. Heure du soir (Evening Hour). Book 2: 8. Bonjour, Suzon! (What Matter); 9. Chanson de l'oiseleur (Song of the Bird-catcher); 10. Regrets!; 11. Chant de l'almée (Song of the Almée); 12. White and pink (Blanche et rose); 13. The nightingale (Le rossignol); 14. Love's grief (Peine d'amour); 15. Arioso. | Voice and Piano | |
| 6108 | 58F1FC7E-7705-4DE6-AEA2-31C8944BC171 | R00671 | Eisleriana: Concerto For Eleven Players | Flute(d Alto Flute), B-flat Clarinet, Bassoon, Trumpet, Percussion(2), Piano, Violin, Viola, Cello, Double Bass | ||
| 6109 | 58F6AE36-5999-43B4-8F06-49BC2A153B0D | R50 | Bassoonata for Bassoon and Band | (not set) | Bassoon Solo: Concert Band | |
| 6110 | 58F8B1C8-6E4C-4388-AB3B-EBBA4D5530CC | S112007 | Concerto No. 2 in D Major for Flute, K. 314 (with Flute 2 part) | The concerti by Wolfgang Amadeus Mozart K 313 in G Major and K 314 in D Major represent two of the most important pieces for the flute. These Carol Wincenc publcations help students in their learning and preparation of these great works by utilizing a second flute part, an effective practice introduced by her teacher Marcel Moyse. The second part serves as a useful tool in lessons at which no pianist is present to accompany the soloist and reveals to the student musical subtleties and concepts which would otherwise not have been possible to impart. The arrangements have been carefully written to be playable on historical as well as modern flutes, and include Ms. Wincenc's own cadenzas that have been brilliantly honed by years of professional concertizing. | Flute solo with flute 2 accompaniment | |
| 6111 | 58FB3ECB-0BE4-40EE-9923-3646ACBD3638 | M329691 | 20 Preludes and Postludes, Op. 78 | (not set) | Organ | |
| 6112 | 58FD99EF-5E21-4C13-9BB3-9071994D8DDB | SO104C | Carol of the Bells | This intermediate arrangement blends a traditional approach to this holiday favorite with a popular twist somewhat reminiscent of the scores of Leroy Anderson. The melody is passed among all the sections as variety is breathed into the ostinato patterns with variations in texture, dynamics, rhythm, and the use of pizzicato. Care has been taken in the placement of bowings at key points and ensuring the parts are well balanced between variety and playability for the abilities of school and community orchestras. | String Orchestra | |
| 6113 | 59021D76-6055-4DBA-A5D7-BD01EE412781 | 10412152 | Samba for Flutes | (not set) | Flute Trio and Piano | |
| 6114 | 5902B3F5-C281-412C-9427-B36304D05422 | SC664 | Wake Up! | (not set) | Sab | |
| 6115 | 5903117C-5C15-4A96-8430-DA754AB76FFA | 10200057 | Die Meistersinger: Excerpts from the Opera | Excerpts from Wagner's DIE MEISTERSINGER here arranged by master of composition and arranging for young musicians, Edmund Siennicki. | Full Orchestra | |
| 6116 | 59069785-EA69-47C4-B570-022775B0D6F5 | X111013 | Paisaje Hispanico | This rhapsodic work celebrates the musical richness of Spain and the hispanic diaspora in the New World. The musical motives are woven together into a fantasia that evokes sounds from flamenco to the Andean flute. | Flute, Piano | |
| 6117 | 5907B6E3-C384-489B-A432-11BAC08A82B5 | D511062 | Violin Sonata 6 | Digital publication by Edition Gulidoff, Ukraine. | Violin, Piano | |
| 6118 | 5907EC60-717F-4058-8923-605E3021F986 | 52783161 | Wedding Album 2 - Piano Trio | Included: J.S. Bach, Wachet auf, Arioso, and Sheep may Safely Graze; Schumann, Traumeri; Beethoven, Ode to Joy; Franck, Panis Angelicus; Mozart, Alleluja from Exultate Jubilate and Andante from Piano Concerto #21; Tchaikovsky, Sleeping Beauty Waltz. | Piano Trio | |
| 6119 | 590D3546-05B6-48DE-8ECC-75BE7783D846 | A113290 | Concerto Grosso, Op. 6, No. 1 in D | The present edition of Arcangelo Corelli's (1653-1713) CONCERTO GROSSO in D, Op. 6, No. 1 is based on the edition by Roger of Antwerp, printed in 1714. At that time, 12 concerti grossi - namely 8 church concerti (concerti da chiesa) and 4 chamber concerti (concerti da camera) were published posthumously in 1714 under opus number 6, having been commissioned by Cardinal Pietro Ottoboni. Likely composed sometime around 1690, the concerto is scored for an ensemble of two concertino violins and a cello, plus the ripieno strings and continuo. The harpsichord or organ continuo was realized by Waldemar Woehl. It is structured as a five-movement sonata da chiesa - a church sonata. Instrumentation: Str (2-2-2-1-1 in set): Vn(2) concertante: Vc concertate: Hpchd in set. Reprint edition. | Str (2-2-2-1-1 in set): Vn(2) concertante: Vc concertate: Hpchd in set | |
| 6120 | 5913F51B-6CF5-4B51-B45B-5B88615E7E87 | M171991 | Sarabande and Rigaudon | American composer Arthur Foote (1853-1937) was a member of the "Boston Six" and an advocate of Brahms and Wagner in the United States. His Sarabande and Rigaudon is written for oboe (or flute), viola (or violin) and piano. Edited by Stephen Kiser and Douglas B. Moore. | Oboe (or Flute), Viola (or Violin) and Piano |