Titles
Showing 6,001-6,020 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 6001 | 5778D7C4-4345-4698-870F-6E28091F9DCE | M402291 | Adagio from Symphony No. 3, Op. 78 (Organ Symphony) | Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. The orchestral SYMPHONY No. 3 in C minor, popularly known as the "Organ Symphony", was completed in 1886 at what could be considered the artistic peak of Saint-Saëns’ (1835-1921) career. The composer said of the work, "I gave everything to it I was able to give. What I have here accomplished, I will never achieve again." Seeming to recognize that it would be his last attempt at the symphonic form, the composer filled the work with virtuoso piano passages, brilliant Romantic-era orchestral writing, and the sound of a cathedral-sized pipe organ. The ADAGIO movement is here transcribed for organ alone by Emile Bernard. | Solo Organ | |
| 6002 | 577EFD34-A1BC-49D7-B35C-78D0E7C55FBD | S482CB | Triolog | (not set) | Concert Band | |
| 6003 | 57801FF4-8CC7-452B-BFFE-9EE1A8F4497F | ST10 | Harobed | A piece for unaccompanied clarinet in seven movements, with a variety of styles for an early intermediate student's first solos collection. Movements: I. Slowly and quietly moving, II. Gracefully, III. Gently flowing, IV. Happily, V. Sowly and very relaxed, VI. Like a march, VII. Slowly | Flute Unaccompanied | |
| 6004 | 578127C3-0270-47EB-B82A-25B01F749A19 | ST800 | Concerto | Clarinet | ||
| 6005 | 5782B38E-1CF1-4E5F-BB8A-4AE80CA65653 | MP410030 | Scherzo Piquant, Op. 8 | Written for piano by British composer John Bass. The work was also arranged for orchestra by Felix Guenther. | Solo Piano | |
| 6006 | 5784E531-20EC-44E9-88EC-CDAC8E9FC92B | A918290 | Mexican Hat Dance | Full Orchestra | ||
| 6007 | 57852C31-1385-462C-81FB-0CFA158822CF | 50100317 | Dance When There Are Songs | Inspired by Romani proverbs, this wonderful work for young bands evokes the flavor of the nomadic peoples of Europe. It affords several cross-cultural performance options while remaining a solid piece of educational music in its own right. | Concert Band | |
| 6008 | 578FF56F-BDEE-4EF4-BCF0-4C498EE746B5 | EBM0610063 | Song of Solomon, The | Commissioned by the Canada Council for the 1986 S.C. Eckhardt-Gramatte National Competition. Premiere: April 24-27, 1986, Brandon, Manitoba, Manitoba Chamber Orchestra, Simon Streatfeild, conductor. Movements: 1. Quil m'embrasse à pleine bouche! 2. Behold, you are beautiful my love 3. J'entends mon chéri! 4. Arise, my love, my fair one 5. Mon chéri est à moi, et je suis à lui 6. O my dove 7. Nous avons une soeur 8. My beloved is radiant and ruddy | High or Medium Voice: 2222 3200 2Pc Pno Hp Str | |
| 6009 | 57940601-6814-470B-86BA-CF0A7710C55D | R01259 | Joseph Had a Little Overcoat for Narrator and Chamber Ensemble | For narrator and 11 players, Joseph Had a Little Overcoat is based on the story by Simms Taback and was commissioned by the Chicago Humanities Project. Length approx. 15 minutes. | Narrator: Flute(d Picc), Clarinet, Bassoon, Trumpet, Trombone, Piano, Accordian, Drset, Violin, Cello, Double Bass | |
| 6010 | 5799F284-2B19-43E7-8717-A6D2B7D8D650 | X509002 | Suite for Strings | Suite for Strings is a set of short pieces commissioned by the Harllee Middle School String Orchestra. "First Run" is an energetic movement filled with 16th notes and rapid bowing. "Bradenton Waltz" demonstrates a more leisurely approach to string writing. "Portable Rhythms" involves snaps, taps, and vocal effects recurring through the music. This piece is perfect for middle school orchestras. | String Orchestra (8.8.5.5.5) | |
| 6011 | 579A0A2A-3FC5-4275-8287-86F787E542F9 | 50345008 | Easy Original Alto Saxophone Duets and Trios | Beautifully written and arranged with the young player in mind, these 33 duets and trios make wonderful concert and festival repertoire for early performance. Several of the titles coordinate with other books in the Easy Original Duets and Trios series and may be played in mixed combinations of instruments. There is even a very nice easier selection that can be performed with snare drum. Teachers looking for new and interesting material will be pleased to find several enjoyable selections in a variety of styles, suitable for players whose performance abilities range from beginner to intermediate levels. We enthusiastically recommend the easier duets and trios as first concert material. The note ranges in these selections are very limited and the writing style encourages independent thought. | Alto Saxophone | |
| 6012 | 579B393D-1324-4F77-A300-C6C893138F07 | S287MB | Americal Division | (not set) | Marching Band | |
| 6013 | 57A14FDF-F350-4234-8FF4-9A03CA684835 | R00733 | Out of Time: A Short Symphony | 3(2d Piccolo; 1d Piccolo, Alto Flute).3(1d English Horn).3(1d Alto Saxophone; 1d E-flat Clarinet, Bass Clarinet).3(1d ContraBassoon): 4.3.3.1: Timpani.Percussion(4).2 Harp: Strings | ||
| 6014 | 57A3A926-4EF0-4937-A135-A954AC565ABA | S859CB | Trinity Passage | (not set) | Concert Band | |
| 6015 | 57A9321F-294C-409C-866C-8B2869CC257F | M289191 | Choral Preludes for Ascension and Pentecost | (not set) | Organ | |
| 6016 | 57B11880-D9C2-4890-BCA4-05A9BBB6F13C | A191702 | Russian Easter Festival: Overture on Liturgical Themes, Op. 36 | Nicolai Rimsky-Korsakov's (1844-1908) overture Russian Easter Festival was written in 1888, at the same time as the composer's well-known suite for orchestra, Scheherazade. Both works include short violin cadenzas to separate some of the sections. For the context of the Russian Easter Festival overture, Rimsky-Korsakov was inspired by two Biblical passages that preface the score: Psalm 68 and a passage from the Gospel of St. Mark. The music was based on an eighteenth-century collection of Orthodox church canticles, including a chant for Russian Easter known as Obikhod (Christ is arisen). The work premiered in St. Petersburg on December 15, 1888 at a Russian symphony concert. Study score. | 3(1dPicc).2.2.2: 4.2.3.1: Timp.Perc(4-5): Hp: Str(9-8-7-6-5 in set) | |
| 6017 | 57B34F88-6EEC-4AD9-B33F-ED6E8AC33B40 | R00686 | We Have a Dream | Based on poems written by grade school students. May be performed with slides. | Children's Chorus 1+Piccolo.2.2.2: 4.2.3.1: Percussion(3): Strings | |
| 6018 | 57B3C1E9-43EC-4EC0-A658-656C1823D803 | LV442MB | Salute to Hawaii | |||
| 6019 | 57B661B1-7F4B-4801-B6EF-8B5C1444478F | SS845CO | Centone No. 2 | (not set) | Brass Quintet | |
| 6020 | 57B67AC2-18B0-49D7-8787-D7B41D8F641C | SC757 | Golden Slumbers | (not set) | SA |