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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
66016097E13B-DD8E-4103-9263-A02F25C8A3B5P001891For The Gipsy in My SoulThis exhilarating work, originally for four harps, was commissioned by renowned harpist Emily Mitchell for the New York University Harp Ensemble. Ms. Mitchell later commissioned the composer for a two-harp version to make it accessible to audiences in smaller venues. Requires just a few easy extended techniques. This is a great work to begin or end a concert, or just to liven things up!2 Harps
660260986009-EA10-464F-94C0-459A0D640E4ES632CBSaga of the CloudsThis work was commissioned by the USAF Band and was premiered under the baton of Captain Steven Grimo at the Midwest Music Clinic, 1990. Each of the three movements of the work portrays a specific type of cloud formation: I. Stratus, II. Cirrus, III. Cumulo-Nimbus.Concert Band
6603609BBFEC-804F-4F01-B1D6-C63B347FFD39X116001A Piccolo Celebration(not set)Piccolo Solo
6604609E2618-FFFC-4EEF-8667-A2E53E950A0D52701015Six Canonic Sonatas: Sonatas No. 1 & 2 for String DuoThese CANONIC SONATAS have been edited to reflect the recent, more authentic return to Baroque performance style. Now playable as a mixed duet, with viola or cello. Violin and Viola parts are Grade 3, Cello part, Grade 4.Violin Duet
6605609FC482-2A46-4227-A710-ACBCD5190EFDR01168Concerto GrossoCommissioned for the Hochstein Youth Symphony Orchestra, Nancy Strelau, director and a group of faculty soloists for the 2000-01 concert season. The principal motive is derived, in notecodes, from the name “Hochstein” (A-A-C-A-E-F-E-B-G). This theme is presented in numerous guises throughout the work: transformed into plainchant-like motive and spun-out structures in the first movement, and into melodic and propellant motives in the second movement.Flute, B-flat Clarinet, Horn, Violin, Cello Soli 2.2.2.2: 4.3.3.1: Timpani.Percussion(1): Strings
660660A60EA7-24D6-4535-A065-9C40AEF78300X772010Nativitas!: Fantasy on Perotin's 12th-Century AlleluiaA fantasy on the 3-voice organum "Alleluia: Nativitas" composed by the 12th century master, Perotin. The work uses great blocks of Perotin's polyphony, juxtaposed and superimposed at multiple tempos and embroidered with some new materials echoing the Gothic style. The work was originally written for the North Hills High School Band.2+Picc.2.3+Eb Clar+BCl+ContraBCl.2.AATB Saxes: 4.4.4.2 Euph.3: Perc(6).Organ/Synth.Pno
660760AA74F0-3918-4D89-8E03-067334F8F3CCB192STEP BY STEP ACCORDION
660860AAE48C-F692-4525-A07B-535DE6B1AF4AV12ITALIAN DREAM WALTZ (O
660960AB1D9A-C12C-4A41-A56A-67A4CB0CFA9CA185602Gopak(not set)2+1, 2, 2, 2 - 4, 2, 3, 1, timp, perc, str
661060AB9325-9FFB-4650-AB66-434C39A5C7D052730108Come Thou Fount: Eight Pieces for Cello and PianoEight beautiful arrangements of well-known American hymns and spirituals. Hymns included: 1. How Firm a Foundation 2. Come Thou Fount of Every Blessing 3. Spiritual 4. Simple Gifts 5. There is a Fountain 6. Be Thou My Vision 7. Holy Manna 8. Shall We Gather at the River?Cello and Piano
661160B19DBE-C9C4-44B3-8372-F9C3F131151AS410007Resonances 2000Commissioned by pianist Paulina Drake, Resonances is a 24-minute work in three movements: Etude, Nocturne, and Frere Jacques Variations. The piece was revised for publication in 1999 and was originally composed in 1987.Solo Piano
661260B1CF70-C9A2-4FC3-AE1A-0A9FD3482350A566702Songs to Poems by Rueckert; No. 5: Liebst du um Schoenheit?, low voice (B-flat, transposed)Gustav Mahler (1860-1911) composed Songs to Poems by Rueckert (Songs after Rückert; Rückert-Lieder) between 1901 and 1902. They were not conceived of as a cycle, with each song only connected by the poet Friedrich Rückert and the themes. But they were published together, first as Sieben Lieder aus letzter Zeit (Seven Songs of Latter Days) with two additional Mahler songs, then with only the five songs. They have simply come to be known as Rückert-Lieder and are now most frequently performed together, although Mahler did set other Rückert poems aside from these five. Mahler orchestrated the first four songs himself, while the fifth song, Liebst du um Schönheit, was orchestrated after Mahler's death by Max Puttmann. The fifth song, Liebst du um Schönheit (If you love for beauty), was written in the summer of 1902, and it is different from the first four Rückert-Lieder in that it was written specifically for his wife, Alma, as a gift. The intimate and beautiful love song is simple, yet expressive. Max Puttmann's orchestration maintains the subtlety of the piano accompaniment. Version in the original key of C and a transposition to B-flat are available from the publisher. Instrumentation: 0.2+EH.2.2: 4.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Low Voice.0.2+EH.2.2: 4.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Low Voice.
661360B3BB48-83C4-4B7B-8102-1636322E33DD10410339Gavotte for Flute (or Piccolo) and PianoThis solo for beginners is perfect for contest or recital and is available for several instruments, including flute or piccolo, clarinet, alto saxophone, baritone saxophone, and cornet/trumpet. Versions for instrument duet and piano are also available from the publisher.Flute or Piccolo and Piano
661460BCDD56-9DC9-4C92-A4AE-7B689BBCAAC0M17069124 Pieces in Free Style, Op. 31, Vol. 2A collection of pieces for organ (or harmonium) written to be played during the offertory of a Christian church service. All pieces can be played using hands only, but the pedals are encouraged when available. Reprint edition.Organ
661560bf133c-9e3c-11f0-a418-0022482c9682X658502Bandari (Reality Music No. 4) for Singing Percussionist and Singing String QuartetCommissioned by the Apollo Chamber Players. The percussionist and the string players all sing in this work, and each of the string players also play a percussion instrument. Movements: I. Sharveh; II. BandariSinging Percussionist (Singing Bowl, Damam, Darabuka, Daf, other drums) and Singing String Quartet (all strings also play percussion: Bongos, Darabuka, Shakers, Congas)
661660C2D7C5-C17B-45FD-A0E2-923E81D39EFBR01491Zhonghua Chronicles: Third Piano Concerto (reduced score)A vast cycle of musical poetries comprises Peng-Peng Gong's third piano concerto, grand both in its historical content and musical scope. Titled "Zhonghua Chronicles," it is a narrative on the history of the Chinese ethnic group, depicted in pure instrumental terms split into three movements: Prologue, Reminiscer, and Testimony. Premiered February 13, 2012 China National Symphony. En Shao, Conductor; Peng-Peng Gong, SoloistSolo Piano: 2+Picc.2.2.2: 4.3.3.1: Timp.Perc(4): Str(16.14.12.10.8)
661760C361C0-DBDB-437E-A9CE-67C1CD198D25X531002Entendre EtenduCello, Piano
661860C8838F-3058-4CDB-8975-7F7549409396A196702Havanaise, Op. 832, 2, 2, 2 - 2, 2, 0, 0, timp, str, solo violin
661960C9D6B1-45EA-4BF1-A554-A62CC891E58BST221Le Pionnier (The Pioneer)This piece, written for contrabass Clarinet, can also be played on bass clarinet.Bb Contrabass Clarinet (or Bb Bass Clarinet) and Piano
662060CC32A6-1BD8-4A97-9C00-A3AC658B256FX106001Shaker Tunes: Free Variations for Woodwind SextetWoodwind Sextet