Titles
Showing 6,621-6,640 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 6621 | 60D2B50A-B711-4F2E-A0F2-9038BA5C0C1E | M900102 | El Capitan Waltzes | Concert Band | ||
| 6622 | 60DB36E8-EE4E-437F-9992-A8F946DE2339 | M182891 | For Children, Sz. 42: Ten Pieces | (not set) | Violin and Piano | |
| 6623 | 60E45498-7475-4532-A066-9D12F160E0E5 | EBM0610090 | Symphony No. 1 | Premiere: Aspen Festival Orchestra, Carl Eberl conducting, Aspen, CO, July 1957. Movements: 1. Allegro molto, 2. Adagio, 3. Tempo di Menuetto, 4. Allegro | 2(Pi)111 4210 Timp Pc Pno Str | |
| 6624 | 60E73453-01D7-4342-9506-5E7E6B7AE447 | R01071 | Zetabet | An opera in one act for young audiences. | Soprano, Baritone Soli Piano or Piano, Percussion or Piano, Percussion, Synthesizer | |
| 6625 | 60E7A7F7-754E-4A7E-AF71-E0740713F77B | B341 | This Is a New Day | Organ | ||
| 6626 | 60E9ABAA-B9B8-4C60-B050-2082400A00AA | MP940010 | And He Never Said a Mumblin' Word | This a cappella SATB choral setting of the spiritual "He Never Said a Mumblin' Word," which narrates the crucifixion of Jesus Christ and his dignified silence despite the incredible pain, was completed by German-American composer Jan Meyerowitz (1913-1998). A rehearsal piano part is included in the choral score. | SATB a cappella Chorus | |
| 6627 | 60EF3FFF-8BC4-4FE1-A3A7-C155F2B137EA | X064006 | Quartet for Horn, Violin, Cello and Piano | Heiden's Quartet for Horn and Piano Trio consists of 3 movements: Allegro, Andante and Vivo. Commissioned by the Heritage Chamber Players. | Horn, Violin, Cello, Piano | |
| 6628 | 60F185A5-FCDF-4272-BB75-26D145264D7E | M199291 | Wedding Album for String Quartet, Book 1 | A wonderful and practical collection of wedding music arranged for string quartet. Contains the standard wedding favorites such as Wagner's "Bridal Chorus" and Purcell's "Trumpet Tune." Titles included: 1. Bridal Chorus (Wagner) 2. Trumpet Tune (Purcell) 3. Allelujah (Mozart) 4. Where'er You Walk (Handel) 5. Adagio (Mendelssohn) 6. Meditation (Massenet) 7. The Ring on my Finger (Schumann) 8. Ave Maria (Bach/Gounod). | String Quartet | |
| 6629 | 60F23E92-72FB-4F4E-9C8F-16FE50CCB20D | EBM0650002 | Dark Music for Timpani and Cello | In this mostly pianissimo work both instruments employ microtones, and the cello’s glissando harmonics, toneless pizzicati (effects like "dead strokes" on the timpani), and liberal use of long silences intensify the pitch-black strangeness of Dark Music‘s mood. | Timpani and Cello | |
| 6630 | 60F9D26B-BF41-4F90-89DC-4D15E81167A7 | M112691 | Sonata for Violin and Piano | (not set) | Violin and Keyboard | |
| 6631 | 6103BBA9-FA12-47AB-8881-800687B60EFA | X816301 | Cançöes Modernistas for Soprano/Tenor, Clarinet, Bass Clarinet and Viola | Soprano, guitar, and cello as well as vocal/piano versions also available for sale. | Soprano or Tenor Solo: B-flat Clarinet, Bass Clarinet, Viola | |
| 6632 | 61075439-66A6-45C1-BB9F-A9FF7C9BB2BA | M210091 | Eight Pieces, Op. 83, Vol.2 | Max Bruch was 72 in 1910 when he composed Acht Stücke (Eight Pieces), Op. 83 for his son, Max Felix, already a professional clarinetist. The Eight Pieces shine with Bruch’s lyricism and each has its particular charm. Written in a late but conservative Romantic style, they are deep, intense, passionate, and intimate. | Clarinet, Viola, and Piano OR Violin, Cello, and Piano | |
| 6633 | 610B70D8-C201-4E00-A3B3-520CD0CB443A | SS213 | Gentle Saviour, Hold My Hand | (not set) | Satb | |
| 6634 | 610E937D-A428-408A-A245-31C2D7E4180B | MR00488 | Symphony No. 6: Adagio lirico (excerpt; formerly Molto adagio) | Commissioned by the Lancaster Symphony Orchestra for its 50th anniversary and dedicated to the Orchestra, its patrons, and the music Director, Stephen C. Gunzenhauser. This MOLTO ADAGIO was later included as the third movement (Adagio lirico) of the composer's SIXTH SYMPHONY, with some orchestration changes. Those orchestration changes are present in this edition of MOLTO ADAGIO. | 3(3rd dPicc).2+1(EH).3.2+1(Cbsn): 4.3.3.1: Timp.Perc(1): Hp Str | |
| 6635 | 611107FD-9C7F-4224-8C30-7A3720D6EC89 | 20100761 | Voices of Thunder | |||
| 6636 | 61121003-934C-45CE-8AC1-F38B0BB6B0AD | ST897 | Sonata | Viola | ||
| 6637 | 611486A1-8684-45F8-A6D1-8A6DA862947D | M339891 | Concerto No. 2, Op.30 | A virtuosic masterpiece for cello! Herbert premiered his 2ND CONCERTO FOR VIOLONCELLO in March 1894, and not only was it well received, but it has since become his most popular work for cello. Present at the premiere was Antonin Dvorak, who was so impressed by Herbert's virtuosic playing and composition that he was inspired to write his own famous B minor Cello Concerto. | Violoncello and Piano | |
| 6638 | 61180A8D-955C-4EB0-9F07-033E38B374DD | A234102 | Traviata, La (complete) | LA TRAVIATA (The Fallen Woman) is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled VIOLETTA, after the main character. Librettist Maria Piave and composer Giuseppe Verdi (1813-1901) wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, ca. 1700. It was not until the 1880’s that the composer’s and librettist’s original wishes were carried out and “realistic” productions were staged. LA TRAVIATA has become immensely popular and is among the most frequently performed of all operas. Instrumentation: 2(both dPicc).2.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str (4.4.3.3.3 in set): Banda (Picc, 2 PiccCl, 2 Cl, 2 Hn, 3 Tpt, Flic, 2 Tbn, Tuba, Tamb): Vocal Soli (12 roles, SSATTTBBBBBB): Chorus. Reprint edition. | 2(both dPicc).2.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str (4.4.3.3.3 in set): Banda (Picc, 2 PiccCl, 2 Cl, 2 Hn, 3 Tpt, Flic, 2 Tbn, Tuba, Tamb): Vocal Soli (12 roles, SSATTTBBBBBB): Chorus | |
| 6639 | 61234df2-9e39-11f0-a418-0022482c9682 | 50711007 | Six Violin Duets, v. 3, Nos. 5-6 | A student of Gaetano Pugnani, Giovanni Battista Viotti (1755-1824) made his sensational debut in Paris in 1782. He performed his own works as it was common in the era . Both his violin playing and his compositions were equally praised by audiences and critics alike. Compositions for two violins are a very important part of Viotti's creations. Viotti included chamber music in his studio, with students performing alongside with the Master. These Six Duets, Op. 19 are published in three volumes. Not only are they pedagogically important, but also terrific concert repertory material. Meticulous care and attention to every detail has been taken in the notation, bowing and fingering of these works by editor and Jascha Heifetz protégé, Endre Granat. | Violin Duo | |
| 6640 | 61282826-35A3-4E80-BAA1-5B7842CD7DB1 | 52701014 | Seasonal Favorites for Violin and Cello | (not set) | Violin and Cello |