Titles
Showing 3,841-3,860 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 3841 | 3663B036-8556-490A-B7DD-81DD9A31E06F | SU280 | Sonata for Horn and Piano | (not set) | Horn | |
| 3842 | 366474D8-DF8C-4AD6-8487-B67D559B2B76 | EBM0650000 | Cantata No. 118: Oh Jesus Lord | Cantata No. 118 is a sacred motet composed by Johann Sebastian Bach. It is known to have been performed at a funeral, and was possibly a generic work intended for funerals. When the work was first published in the nineteenth century it was called a cantata, perhaps because it has an instrumental accompaniment. While it is not an a cappella work, modern scholarship accepts it is a motet. | SATB: 0.0.2.0: 0.3.2.0 | |
| 3843 | 366517C3-A2E8-4CB2-A6C7-32DF34BDF949 | S94 | Pennsylvania Sketches (on-rental-only) | Concert Band | ||
| 3844 | 366679FA-B0A9-4A6C-AED8-5D2CB81D426D | R00504 | L'Histoire Tropical for Narrator and Seven Players | This theatre-musical piece in two acts is based on the story "El Pobre Cucarachero" from the collection "Tio Tigre y Tio Conejo" by the Venezuelan writer Antonio Arraiz with the libretto adapted by Ricardo Lorenz. It was commissioned by the Teatro Teresa Carreno. | Narrator B-flat Clarinet, Bassoon, Trumpet, Trombone, Percussion, Violin, Double Bass dancer (optional, add 15Ð20 minutes) | |
| 3845 | 366C4F58-70F5-4F49-8792-7A7964393904 | 10411164 | Two Larks | (not set) | Flute Duo and Piano | |
| 3846 | 366C686F-5472-444B-9101-CBBEA62E8F7E | M982490 | Nutcracker Three Dances Suite 1 | Full Orchestra | ||
| 3847 | 366F33C0-C201-4DD6-810A-20675ABB75D8 | R01527 | I Will Not Remain Silent (solo violin part) | Adolphe's concerto for violin and orchestra is inspired by the life of Joachim Prinz, a rabbi in Berlin under the Hitler regime who bravely warned Jews of the Holocaust and saved many lives. Later, in the United States, Prinz became a friend of Martin Luther King, Jr., and an outspoken leader of the Civil Rights Movement. His remarkable voice is represented by the solo violin throughout the work. Two versions are available from the publisher--one for orchestra and another for chamber ensemble of 10 players. Movements: I. Berlin During the Nazi Era, II. Civil Rights Movement, America. | Violin Solo: 1+Picc.1+EH.2.2: 2.2.1.0: Timp.Perc(1).Hp: Str or Violin Solo, Oboe, Clarinet, Horn, Trumpet in Bb, Percussion, Piano, Violin, Viola, Cello | |
| 3848 | 36708D32-C611-4D13-A776-D864CC87A567 | A917190 | Mira Il Tuo Popolo | (not set) | Chorus, Orchestra | |
| 3849 | 36780272-E655-4218-B4C1-EC270805335F | 10100391 | Gnomon | |||
| 3850 | 367C0B5C-ECFF-4772-879C-E30749A56491 | X540001 | PLC - Abstract | Derived from Stalvey/Points, Lines Circles | Double Bass Solo | |
| 3851 | 36825945-3696-48DF-97DF-14142BA50093 | 20250482 | Prelude And Rondeau | (not set) | String Orchestra | |
| 3852 | 368E3D39-3EF3-4851-9E9A-F19CE8ACEC22 | ST35 | Set Of Three | Tuba | ||
| 3853 | 36988840-B0A7-4EBF-8A64-DC5BC7B737D8 | B589 | Complete Flute Method, Revised | Flute | ||
| 3854 | 36989FEE-9A53-40E2-895E-881D31B0B784 | A842190 | Petite Suite de Concert, Op. 77 | Composed in 1911, PETITE SUITE is among Samuel Coleridge-Taylor's lighter works. With four contrasting movements, the suite is an appealing showcase of the composer's memorable melodic writing. Movements: I. Le caprice de Nannette (C major), II. Demande et réponse (G major), III. Un sonnet d'amour (A major), IV. La tarantelle frétillante (C major). Instrumentation details: 2+Picc.2.2.2: Asax.Tsax: 4.2.3.0: Timp.Perc: Str(9-8-7-6-5 in set). | 2+Picc.2.2.2: Asax(opt).Tsax(opt): 4.2.3.0: Timp.Perc: Str (9-8-7-6-5 in set) | |
| 3855 | 369AB924-1FCF-447D-9110-A0291F835B5C | A278202 | La Perle du Bresil; No. 13: Act III, Scene 2: Charmant Oiseau [orchestrations in F, G] | LA PERLE DU BRÉSIL (1851) is a lyric drama by Félicien David, set to a libretto by J. Gabriel and Sylvain Saint-Étienne. It premiered on November 22, 1851 by the Opéra-National at the Théâtre Historique under the baton of Edmond Seveste. It tells the story of a young lieutenant Lorenz, who falls in love with Zora, a Brazilian native. Admiral Salvador, the man who brought her to Portugal for her education, decides to take her back to Brazil. Disguised as a sailor, Lorenz is discovered on board the ship, but when a storm forces them into a harbor, they are surrounded by a group of hostile natives. Recognizing Zora, they withdraw their weapons and Salvador decides to give his consent so that the two lovers can marry. In Act 3, Zora praises the cheerful song of a bird and its devotion to a mate in CHARMANT OISEAU (THOU BRILLIANT BIRD). Instrumentation: 1.2.2.2: 4:0:0:0: Timp: Perc(1) Str(4.4.3.3.3 in set) [Solo Coloratura voice]: SCORE NOT AVAILABLE. | 1.2.2.2: 4:0:0:0: Timp: Perc(1) Str(4.4.3.3.3 in set) [Solo Coloratura voice]: SCORE NOT AVAILABLE | |
| 3856 | 36A1BBA3-1E88-49A0-B667-60F47DFE6B22 | SU483 | Duo from Cantata No. 78 | Cantata No. 78, Jesu, der du meine Seele, was first performed on September IO, I724, for the I4th Sunday after Trinity. It is one of Bach's best known cantatas, having especially rich musical painting of the text. The duo, Wir eilen mit schwachen doch emsigen Schritten ("We hasten with weak, yet eager steps"), was originally for soprano and alto and depicts the faltering yet persistent walk of the faithful who call upon Chdst to help them. The piano part (originally for continuo - organ and cello) shows this in nearly every bar with persistent eighth notes in a rising and falling pattern. | Trombone Duet with Piano Accompaniment | |
| 3857 | 36A222F0-58DC-4A99-B1C6-F2CE3F9FFF01 | SS484 | Concertino | This trio for Flute, Clarinet, and Piano by Alexander Von Kreisler contrasts a slower lyrical style with a fast upbeat theme. This piece is great for a recital of advanced players. | Flute, Clarinet, Piano | |
| 3858 | 36A55709-EE8B-43A7-8384-0E155E4F961E | SS638 | Roll Your Troubles Away | 2 Snare Drums | ||
| 3859 | 36A9C936-659F-4D2E-8404-2002B815FB8D | 20100378 | Wolfy's Rockin' | Concert Band | ||
| 3860 | 36AF1D46-373B-4C65-99A3-7EC95570B88B | 10550259 | Sarabande from Oboe Concerto, HWV 287 | The SARABANDE is the third movement of George Frideric Handel's (1685-1759) OBOE CONCERTO in G minor, HWV 287, composed around 1704-1705. Robert M. Barr has transposed this movement to the key of F minor. Versions for bassoon, clarinet, alto clarinet, alto saxophone, tenor saxophone, baritone saxophone, cornet/trumpet, trombone, baritone (B.C./T.C.), tuba, and double string bass, all with piano accompaniment, are available from the publisher. | Tuba Solo and Piano |