Titles
Showing 3,781-3,800 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 3781 | 35936640-985D-4AAA-AE73-BA1EB7FC1DFD | 50720001 | Sonata | The first publication of this three-movement work in Tull’s signature style, lyric atonality. The viola part is quite reasonable technically and range-wise. The piano part is definitely not an accompaniment, but equal with the viola in difficulty and impo | Viola and Piano | |
| 3782 | 35958cce-9e3b-11f0-a418-0022482c9682 | MR00515 | Fives: Double Concerto for Solo Violin, Solo Piano, and Three String Orchestras | FIVES is a double concerto for violin and piano with three string orchestras, commissioned by the La Jolla Summer String Festival, and dedicated to Bolcom's teacher, Darius Milhuad. The composer offers a placement chart for the players in the score. | Solo Violin, Solo Piano, Three String Orchestras | |
| 3783 | 3596C47D-4E0D-4A12-B424-B121EC09B9A2 | 10100316 | Snakes! | This is an incredibly imaginative piece that utilizes many unconventional techniques; in fact it's an excellent way to teach these techniques. A programmatic description of snakes, it's a fascinating work that was designed for younger groups, yet works as | Concert Band | |
| 3784 | 35978696-0563-481F-B5DD-53A1E37B8A36 | SC316 | Children Of the King | Unison | ||
| 3785 | 35983B82-E387-4320-A78E-F4A0F947FD3E | SC86 | Come List and Hark! | Sab | ||
| 3786 | 359A000D-C826-4AF0-AD5F-9E39991944B7 | O44 | Ten Short Jazz Chorales | Each of these 10 short jazz chorales for warm-up/tune-up focuses on a specific jazz style or musicianship skill. Chorales titles: 1. Fourths, 2. Pitch-Matching, 3. Modal Waltz, 4. Full Circle with Sax Unison, 5. Bone-Modale, 6. Cool Bossa, 7. Lip-Slur Chromatic, 8. It's the Bb Gospel, 9. Sambanice, 10. Trumpet-Tune | Jazz Band Method | |
| 3787 | 35AFE5CD-4C1C-4244-823C-A1DE11CF551E | M254291 | Piece in C (Ut) for Contrabass (or Violoncello or Bassoon) and Piano, Op. 45 | Being a contemporary of Debussy, Henri Büsser's (1872-1973) works also explore many impressionistic techniques such as using altered chords with changing meters and the use of extreme dynamics. This work written for contrabass may also be played by violoncello or bassoon. Reprint edition. | Contrabass (or Violoncello or Bassoon) and Piano | |
| 3788 | 35B69507-68FF-4CAE-BD51-E42DED019AAF | M312691 | Easter Morn: Reverie for Cello and Piano | George Whitefield Chadwick (1854-1931) was an American composer. Along with John Knowles Paine, Horatio Parker, Amy Beach, Arthur Foote, and Edward MacDowell, he was among those composers in what is called the Second New England School of American composers of the late 19th century. Chadwick's works are influenced by the Realist movement in the arts, characterized by a down-to-earth depiction of people's lives. His works included several operas, three symphonies, five string quartets, tone poems, incidental music, songs and choral anthems. Along with a group of other composers collectively known as the Boston Six, Chadwick was one of those responsible for the first significant body of concert music by composers from the United States. Easter Morn: Reverie was written around 1914 for either solo violin or cello and piano. A version with orchestra accompaniment is also available in the Edwin F. Kalmus catalog. | Violoncello and Piano | |
| 3789 | 35B8681D-76C5-4FC7-889D-A31AC0DCD782 | SS905 | LITTLE SUITE (OUT-OF-P | |||
| 3790 | 35BD36F9-6310-444C-837E-DEC81FFEF4C9 | SS476 | Largo from Xerxes | This publication was arranged for horn quartet by Clifton Williams as part of his Master Composer Series. | Horn Quartet | |
| 3791 | 35C188A8-09AB-4531-93E1-A4BAB7CD7A5F | SC635 | Spring Has Come | Versions for SAB and SATB are available from the publisher. | Satb | |
| 3792 | 35C262FA-7FD0-4FD7-82FB-13D73009EADB | A635490 | Sophisticated Lady | hp, cel, 7 str | ||
| 3793 | 35C335CC-27CC-457E-A6E5-149F8898C536 | 10410183 | Two Buckaroos | Flute, Piano | ||
| 3794 | 35C89E7E-9836-4688-9C88-A7F6E5821D90 | 10440340 | Meditation | (not set) | Clarinet and Piano | |
| 3795 | 35CBD951-2251-49A6-9CB9-9B003CAF97AC | S112001 | Dreamtigers | Flute and Guitar | ||
| 3796 | 35CDCB52-A341-4852-9283-E5C97C47B5F6 | SO183C | Amapola | Amapola is a Spanish love song composed in 1920 by Spanish American composer Jose Maria Lacalle Garcia (1859-1937). The title translates into English as the flower "poppy." Garcia, known in America as Joseph M. Lacalle, was a professional clarinetist who played in a number of the popular bands of his era including the John Philip Sousa Band. Amapola was recorded by numerous artists from operatic tenors to popular crooners. In 1941 it reached #1 on the Billboard charts. It was also featured in a number of movie soundtracks. Its lyrics have been translated into multiple languages. | String Orchestra | |
| 3797 | 35CEBA57-CB49-4E4B-9270-0DC69199E9E8 | B455 | Church Instrumentalist, Bk. 1f | (not set) | Trumpet solo/ duo with Piano | |
| 3798 | 35CFFC9D-1417-4139-A9AC-F7F3AE9C47B5 | M378291 | Etude Pathetique in B minor, Op. 124 | A reprint edition of this important piano work by the turn-of-the-century French composer, Cécile Chaminade (1857-1944). Affiliating herself with nationalist composers such as Saint-Saëns and Gounod, her style was very much rooted in both Romantic and French tradition, her tuneful and highly accessible works were also tremendous favorites in the United States. This Étude pathétique is in B minor and was published around 1906. | Solo Piano | |
| 3799 | 35DB11C2-F932-4142-BE77-0742CC9C6013 | EBM0610142 | Symphony | Joseph H. Bearns Prize, Columbia University; BMI Prize, SCA competition. Premiere Dec. 4, 1962, San Diego Symphony Orchestra; Paul V. Anderson, conductor. | 32(EH)22 4331 Timp 3Pc Hp Pno/Cel Str | |
| 3800 | 35DB691A-7D28-43B4-AE72-B7EE9A788F0F | B533TG | Music Reading Unlimited, Level 1, Teacher | This book presents a comprehensive choral method for developing advanced music reading skills. Level I contains eleven units of carefully-graded sequential musical studies. Each unit in the Instructor's Edition features: 1. an introduction with teaching tips, 2. a clearly stated purpose for each exercise in the unit, 3. a brief description of the content of each exercise. Most units contain a combination of unison, two-part, and four-part exercises. The unison drills introduce concepts which are then practiced in two-part studies. Concepts covered: Rhythmic: dotted quarter notes, eighth notes and rests, triplets, the half note as the beat unit, compound time, and the eighth note as the beat unit. Tonal: all major keys, diatonic interval studies, supertonic, mediant, and submediant triads, natural and harmonic minor keys, modulation to and from major and minor tonality, the altered tone. | Vocal |