Titles
Showing 3,801-3,820 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 3801 | 35DF2C6C-CB15-44D1-A5F0-6813CC23B981 | SS368 | Introduction and Tarantelle | Baritone B.c. | ||
| 3802 | 35DFA649-A533-4275-B804-0AC9206BFBEE | ST539 | Four Dances | Though not a well-known composer, Melchior Franck (ca 1579 -1639) wrote wonderful music very much rooted in the Renaissance style of his day, while it looked ahead to the melodic and contrapuntal sophistication of the Baroque era yet to come. | Horn Quartet | |
| 3803 | 35E4EE77-E41D-4306-B8C3-959BE12150F3 | S462CB | Two Chorales | (not set) | Concert Band | |
| 3804 | 35F0366E-DED9-4126-8285-ABCC2C0D6AD8 | RCSS423 | Nocturne | Flute, Piano | ||
| 3805 | 35F534E2-6438-4E20-AB52-AE32C68F5E64 | A643502 | Christmas Day (Choral Fantasy on Old Carols), H 109 | Written by Gustav Holst (1874-1934) in 1910 for the music students of Morley College, this work for soloists and SATB chorus may be accompanied by keyboard or orchestra. Subtitled "Choral Fantasy on Old Carols," it includes the following carols: 1. Good Christian Men Rejoice, 2. God Rest You Merry Gentlemen, 3. Come Ye Lofty, Come Ye Lowly, and 4. The First Nowell. Instrumentation: 2+Picc(opt).2.2.2: 2.2.(2).0: Timp.Perc(1): Pno/Org Str (9-8-7-6-5 in set): Solo SATBB, Chorus (choral score available separately). | 2+Picc(opt).2.2.2: 2.2.(2).0: Timp.Perc(1): Pno/Org Str (9-8-7-6-5 in set): Solo SATBB, Chorus (choral score available separately) | |
| 3806 | 35F604C3-9AB6-42FF-B3C0-47C428FB59FA | 52702613 | Twinkle Time Machine for String Trio | This arrangement transforms Twinkle as if written in the Renaissance, Baroque, Classical, Romantic, 20th-century and Jazz Eras. It is perfect for demonstrations of string instruments or recruiting concerts. Performers may choose to add narration between the variations, to explain the history behind the music. Entertaining as well as educational, Twinkle Time Machine works as a stand-alone concert piece. | String Trio (Violin, Viola, Cello) | |
| 3807 | 35F678AB-7ED2-4666-A8F4-854094409DE5 | A157702 | Concerto for Cello in D, Op. 101, Hob. 7b:2 (original version, ed. Soldan) | 0, 2, 0, 0 - 2, 0, 0, 0, str, solo cello | ||
| 3808 | 35FB0716-02FF-49B3-9C7A-FB0D3204CA28 | B337 | Church Pianist's Hymnal | Piano | ||
| 3809 | 35FE719C-3DA8-41DE-BF09-433567A3F390 | MP673301 | Face of the Night for Oboe/English Horn, String Trio, Harp and Two Percussion | Inspired by a painting by Robert Motherwell, this work features the oboe/English horn, with violin, viola, cello, harp and 2 percussionists rounding out the ensmble. Recorded by Thomas Stacy and musicians from the New York Philharmonic on Cala Records [CACD0511] | Oboe/English Horn, Violin, Viola, Cello, Harp, 2 Percussion | |
| 3810 | 36041DE7-22EA-43B6-BBC4-FB602646CDC5 | X711004 | Dance Concerto | Crockett’s dance concerto for clarinet in A, doubling on bass clarinet, and wind ensemble riffs on the theme of its premiere event at the Smithsonian, 'dancing the night away until dawn.’ This expanded version for thirty-three musicians was actually part of the composer’s original conception of the work, originally scored for nine total players. The work’s form plays out as if the soloist were performing a set as the leader of some sort of dance band on this--or another planet. The chamber nonet version and a piano reduction (titled "Dance Sonata") are also available form the publisher. | Solo Cl in A(dBcl): 3(2dAfl, 3dPicc).2+EH.3(3dBcl).2+Cbsn: AATB Saxes: 3.4.3.1+DB: Pno.Perc(4) | |
| 3811 | 3604B8E3-8FAC-4C35-94C5-811D43FB6EB4 | X800003 | Berceuse du Chat | Voice, Piano Reduction | ||
| 3812 | 3606C7E2-C6D4-4596-8E3D-F547EF948A78 | SC221 | Laughing Song | This piece contains intricately interwoven voice parts meant to express the happy sound of laughter. It is part of the Trinty University Choral Series, edited by Gregory Vancil. The tex by William Blake. | Ssa | |
| 3813 | 3608B5D7-46D4-4B71-A1C6-B48DBD79CD47 | ST310 | Ritual and Celebration | The character of the "Ritual" movement is dramatic and slow, which trasitions without pause to the quick and lively "Celebration". Commissioned by and dedicated to Ken Kistner. | Bassoon | |
| 3814 | 3609F9CD-C073-4579-9475-4C51437D75F2 | 20702453 | Short And Suite | Little is known about Faber, except that he was a 17th century amateur musician. However, these three dance tunes are delightful pieces to serve as a basis for this short suite. All three call for independent rhythmic playing, and lie extremely well for string instruments. In addition to performance by three violins it is equally good for mixed string trios with optional parts for both viola and cello playing the 3rd part. | Violin Trio (Viola/Cello sub parts for Violin 3) | |
| 3815 | 360B7C77-52A9-433F-896D-0EE0D95B18B1 | V82 | Solomon Songs | Piano/vocal | ||
| 3816 | 3613F29E-7402-4B26-9ECA-3C2833974063 | MP814022 | Cabaret Songs: The Actor | This orchestration of the 5th of William Bolcom's "Cabaret Songs" was created by the composer on commission from Deutsche Gramophone expressly for soprano Measha Brueggergosman. It may be heard on her 2007 CD, "Surprise!". The full set of ten songs and each individual movement is available for rent. | Solo Sop. and Piano | |
| 3817 | 3616397D-3676-4DC9-AB7B-17144554209A | M178891 | One More Day, My John | (not set) | Piano Solo | |
| 3818 | 361896E0-947B-4444-8560-A522ACC7D1D1 | R00514 | Percussion Quintet | Percussion Quintet | ||
| 3819 | 3625A70F-CE12-47AE-AB03-7B2A9A1B2834 | X103010 | Full Circle for Flute, Clarinet and Piano | Three movement piece inspired by the "Humanist Teachings" poetry collection in the Unitarian Hymnal, Commissioned by the Palisades Virtuosi. For flute, clarinet and piano. Movements: I. Setting Forth, II. The Grace of the World, III. Let Tomorrow Come. Duration ca. 11' | Flute, Clarinet, Piano | |
| 3820 | 362776FA-269C-4064-9D31-FB3C72556E7C | 52711566 | Let's Duet: Volume 3 - Violin | The third volume in this series includes advanced-intermediate level duets compatible for violin, viola and cello, and the arrangements are also appropriate for gigs. This volume is true chamber music playing, as it uses higher positions, treble clef for viola, tenor clef for cello, and double stops in all parts. | Violin Duet |