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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
380135DF2C6C-CB15-44D1-A5F0-6813CC23B981SS368Introduction and TarantelleBaritone B.c.
380235DFA649-A533-4275-B804-0AC9206BFBEEST539Four DancesThough not a well-known composer, Melchior Franck (ca 1579 -1639) wrote wonderful music very much rooted in the Renaissance style of his day, while it looked ahead to the melodic and contrapuntal sophistication of the Baroque era yet to come.Horn Quartet
380335E4EE77-E41D-4306-B8C3-959BE12150F3S462CBTwo Chorales(not set)Concert Band
380435F0366E-DED9-4126-8285-ABCC2C0D6AD8RCSS423NocturneFlute, Piano
380535F534E2-6438-4E20-AB52-AE32C68F5E64A643502Christmas Day (Choral Fantasy on Old Carols), H 109Written by Gustav Holst (1874-1934) in 1910 for the music students of Morley College, this work for soloists and SATB chorus may be accompanied by keyboard or orchestra. Subtitled "Choral Fantasy on Old Carols," it includes the following carols: 1. Good Christian Men Rejoice, 2. God Rest You Merry Gentlemen, 3. Come Ye Lofty, Come Ye Lowly, and 4. The First Nowell. Instrumentation: 2+Picc(opt).2.2.2: 2.2.(2).0: Timp.Perc(1): Pno/Org Str (9-8-7-6-5 in set): Solo SATBB, Chorus (choral score available separately).2+Picc(opt).2.2.2: 2.2.(2).0: Timp.Perc(1): Pno/Org Str (9-8-7-6-5 in set): Solo SATBB, Chorus (choral score available separately)
380635F604C3-9AB6-42FF-B3C0-47C428FB59FA52702613Twinkle Time Machine for String TrioThis arrangement transforms Twinkle as if written in the Renaissance, Baroque, Classical, Romantic, 20th-century and Jazz Eras. It is perfect for demonstrations of string instruments or recruiting concerts. Performers may choose to add narration between the variations, to explain the history behind the music. Entertaining as well as educational, Twinkle Time Machine works as a stand-alone concert piece.String Trio (Violin, Viola, Cello)
380735F678AB-7ED2-4666-A8F4-854094409DE5A157702Concerto for Cello in D, Op. 101, Hob. 7b:2 (original version, ed. Soldan)0, 2, 0, 0 - 2, 0, 0, 0, str, solo cello
380835FB0716-02FF-49B3-9C7A-FB0D3204CA28B337Church Pianist's HymnalPiano
380935FE719C-3DA8-41DE-BF09-433567A3F390MP673301Face of the Night for Oboe/English Horn, String Trio, Harp and Two PercussionInspired by a painting by Robert Motherwell, this work features the oboe/English horn, with violin, viola, cello, harp and 2 percussionists rounding out the ensmble. Recorded by Thomas Stacy and musicians from the New York Philharmonic on Cala Records [CACD0511]Oboe/English Horn, Violin, Viola, Cello, Harp, 2 Percussion
381036041DE7-22EA-43B6-BBC4-FB602646CDC5X711004Dance ConcertoCrockett’s dance concerto for clarinet in A, doubling on bass clarinet, and wind ensemble riffs on the theme of its premiere event at the Smithsonian, 'dancing the night away until dawn.’ This expanded version for thirty-three musicians was actually part of the composer’s original conception of the work, originally scored for nine total players. The work’s form plays out as if the soloist were performing a set as the leader of some sort of dance band on this--or another planet. The chamber nonet version and a piano reduction (titled "Dance Sonata") are also available form the publisher.Solo Cl in A(dBcl): 3(2dAfl, 3dPicc).2+EH.3(3dBcl).2+Cbsn: AATB Saxes: 3.4.3.1+DB: Pno.Perc(4)
38113604B8E3-8FAC-4C35-94C5-811D43FB6EB4X800003Berceuse du ChatVoice, Piano Reduction
38123606C7E2-C6D4-4596-8E3D-F547EF948A78SC221Laughing SongThis piece contains intricately interwoven voice parts meant to express the happy sound of laughter. It is part of the Trinty University Choral Series, edited by Gregory Vancil. The tex by William Blake.Ssa
38133608B5D7-46D4-4B71-A1C6-B48DBD79CD47ST310Ritual and CelebrationThe character of the "Ritual" movement is dramatic and slow, which trasitions without pause to the quick and lively "Celebration". Commissioned by and dedicated to Ken Kistner.Bassoon
38143609F9CD-C073-4579-9475-4C51437D75F220702453Short And SuiteLittle is known about Faber, except that he was a 17th century amateur musician. However, these three dance tunes are delightful pieces to serve as a basis for this short suite. All three call for independent rhythmic playing, and lie extremely well for string instruments. In addition to performance by three violins it is equally good for mixed string trios with optional parts for both viola and cello playing the 3rd part.Violin Trio (Viola/Cello sub parts for Violin 3)
3815360B7C77-52A9-433F-896D-0EE0D95B18B1V82Solomon SongsPiano/vocal
38163613F29E-7402-4B26-9ECA-3C2833974063MP814022Cabaret Songs: The ActorThis orchestration of the 5th of William Bolcom's "Cabaret Songs" was created by the composer on commission from Deutsche Gramophone expressly for soprano Measha Brueggergosman. It may be heard on her 2007 CD, "Surprise!". The full set of ten songs and each individual movement is available for rent.Solo Sop. and Piano
38173616397D-3676-4DC9-AB7B-17144554209AM178891One More Day, My John(not set)Piano Solo
3818361896E0-947B-4444-8560-A522ACC7D1D1R00514Percussion QuintetPercussion Quintet
38193625A70F-CE12-47AE-AB03-7B2A9A1B2834X103010Full Circle for Flute, Clarinet and PianoThree movement piece inspired by the "Humanist Teachings" poetry collection in the Unitarian Hymnal, Commissioned by the Palisades Virtuosi. For flute, clarinet and piano. Movements: I. Setting Forth, II. The Grace of the World, III. Let Tomorrow Come. Duration ca. 11'Flute, Clarinet, Piano
3820362776FA-269C-4064-9D31-FB3C72556E7C52711566Let's Duet: Volume 3 - ViolinThe third volume in this series includes advanced-intermediate level duets compatible for violin, viola and cello, and the arrangements are also appropriate for gigs. This volume is true chamber music playing, as it uses higher positions, treble clef for viola, tenor clef for cello, and double stops in all parts.Violin Duet