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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
38813702960D-0797-4B5B-829C-CF27BC489D99B251Duet Classics Bk. 1Clarinet Duet
3882370AAEF5-FBEF-4671-902B-E8848C014F35R00301Adagio for Orchestra(not set)2(d Piccolos).2.2.2: 4.0.0.0: Timpani: Strings   or    2(d Piccolos).2.2.2: 2.1.1.0: Timpani: Strings
3883370CB4DD-D3FA-4E04-A3A3-0E92AA55257DX530021Plainsong VariationsThis work is a single movement fantasy for unaccompanied cello which is a set of variations on a plainsong idea. It has two unusual features: First, the "plainsong" idea is not an ancient Medieval plainsong, but written by the composer in the traditional plainsong style with text in Latin based on Isaiah 40:11. Second, it is not a set of variations in the traditional sense where each variation is presented in turn but rather the entire work consists of many variations and ideas based on the plainsong material, presented in a "fantasy" form. Recorded by Craig Hultgren, "Threads," Zimbel Records CD ZR102.Cello
3884370F70A0-A398-44AC-9EAA-9C0C0C448480F36Quickstep-size Cardboard FoliosFolder
38853713823E-CF31-4F06-B9D4-9B946C38C9CCS630CBSymphonic SuiteCommissioned by the North Jersey School Music Association to commemorate the 50th anniversary of the New Jersey All State Band. Movements: I. Intrada, II. Canto, III. Danza, IV. Fugue and FinaleConcert Band
3886371F13C8-BAB3-406F-806C-BE5D65AD9408M310691Biblical Sonata No. 1: The Battle between David and GoliathThis exciting work for brass choir (German title: DER STREIT ZWISCHEN DAVID UN GOLIATH) tells the Biblical tale of David and Goliath in eight compositions. Approx. performance time 14 minutes.Brass Choir: 4 Tpt, 2 Hn, 4 Tbn, 2 Tuba, 1 Perc
3887372A29B0-6A3B-4570-A919-2F7C6A28E001A545802Kolokola, Op. 35 (The Bells)In the summer of 1912, Mariya Danilova, a cello student at the Moscow Conservatory, stumbled across Konstantin Balmont’s idiosyncratic, Russian translation of the poem THE BELLS by Edgar Allan Poe. Feeling that it ought to be set to music, she wrote an anonymous letter to Sergei Rachmaninoff (1873-1943) imploring him to undertake the task. Completed in 1913, KOLOKOLA, Op. 35 (The Bells) premiered on November 30, 1913 at the Mariisnky Theatre in St. Petersburg, the composer at the baton. It was dedicated to Willem Mengelberg and the Royal Concertgebouw Orchestra. Later in life, Rachmaninoff declared that the choral symphony was his favorite of his own works. Instrumentation: 3+Picc.3+EH.3+BCl.3+CBsn: 6.3.3.1: Timp.Perc(5-6): Hp.Clst,Org(opt).Pno: Str(9-8-7-6-5 in set): Soli Sop.Ten.Bar: Mixed Chorus.3+Picc.3+EH.3+BCl.3+CBsn: 6.3.3.1: Timp.Perc(5-6): Hp.Clst,Org(opt).Pno: Str(9-8-7-6-5 in set): Soli Sop.Ten.Bar: Mixed Chorus
3888372C7900-27B5-4FDB-8DA8-8A81D37391FFS962CBTo Those We RememberConcert Band
3889372E8F28-B122-4ED7-A916-9CDDEF020FF9W103591Summer Moods, Op. 22b(not set)Piano Solo
389037311A9E-E798-45B8-83C7-67C54448D68CM806390Two Chorale PreludesThese preludes exhibit the unique combination of melody and harmony that could only be by Brahms. Sensuous and ethereal, these are sublime additions to the repertoire.String Orchestra
389137348B4B-8514-45DA-BEA7-C60321D77206A885202Ouvre Ton Coeur (A Minor; original key)Ouvre ton cœur (Open your heart) dates from 1859, as George Bizet (1838-1875) was still attending the Paris Conservatory. Its Spanish flair anticipates the musical style he would later put to use in the opera Carmen. A bolero rhythm drives the passionate energy of the poem by Louis Delâtre, in which the singer implores their beloved to return their love "as a flower turns to the sun". The song demonstrates Bizet's early mastery of the harmonic color, delicate phrasing, and melodic invention for which he is so greatly admired today. Versions in the original key of A minor, and also transposed to G minor and B minor are also available from the publisher. Instrumentation: 2.2.2.2: 4.2.3.0: Perc(1): Str (9-8-7-6-5 in Set): Solo Soprano. Piano-conductor/condensed score.2.2.2.2: 4.2.3.0: Perc(1): Str (9-8-7-6-5 in Set): Solo Soprano
3892373D5E90-3859-43A2-A281-E2184742A1B9SO50CPlayful Rondo
389337438769-A746-431D-A624-3A9DDEC406BAR00907A Vermont Bicentennial SuiteSuited especially for performance by High School and Community Bands2+Piccolo.1.3+A Clarinet(optional)+Bass Clarinet(optional).1.AATB(or SATB) Saxophone Ensemble: 4.3 Cornet.3.Euphonium: Timpani.Percussion(4-5): Double Bass,
38943745665B-B9A2-4D62-87AF-8589CDE2B4F4A131902Carmen: Act I (No. 1): PreludeWhile it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) CARMEN became, a mere decade later, one of the most popular and frequently performed operas in the repertoire. It remains popular today, with songs such as the "Habanera" and "Toreador Song" among the best known of all opera arias. The rousing and popular Prelude to Act I often appears at the beginning of concert programs. Instrumentation: 2(2nd d. Picc).2.2.2: 4.2.3.0: Timp: Perc(2-3): Str (9.8.7.6.5 in set).2(2nd d. Picc).2.2.2: 4.2.3.0: Timp: Perc(2-3): Str (9.8.7.6.5 in set)
3895374A1583-3FC1-4FFA-B1AD-79DB36A1E3E7A9Chanson Triste for Horn and Orchestra(not set)Horn Solo, Orchestra
3896374BBD4D-84B2-4F8E-8317-EADA39F8026EMP530004still: A Love Song for Solo CelloComposed for and Premiered by Steven Doane, who also assisted the composer with the editing.
389737526CFB-8A9C-461F-A54C-054FC301FE0CMR00506150th Psalm for Mixed Chorus, Organ, Brass, and Percussion(not set)0.0.0.0: 0.3.3.0: Timp.Perc(3): Org.Pno: Mix Chor
389837576821-565F-4BB7-BE33-97D8B6E53EBBS980CBGolden Knights, TheWritten as a tribute to the Army Paratrooper team, this tuneful, mid-tempo march contains interesting parts for each section, with a short drum break before the trio that makes the piece a good choice for a little feature for the percussion section as well.Concert Band
3899375B0F56-E441-43E3-A241-5EF6B8EFEA0BSC807Too Many Years(not set)TB
3900375E2948-8895-4DB7-A119-DA29E1395DAFSS333Concertino (out-of-print)Horn