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3961387A2448-1275-4F5C-B1D6-5EBC0A4638AFSO116CAdorationThis cantabile piece works great as a short lyrical interlude in a program. Written for the advancing intermediate ensemble, the score features expanded use of rhythms, ranges and keys, but technical demands are still carefully considered. Viola T.C. parts are included.String Orchestra with rehearsal Piano
3962387C9A00-24E6-4CA7-9E41-74AAC934158B10300119Easy Solos in the First Position for VioloncelloA first book of solos progressively arranged to accompany and supplement Volume 1 of "Fundamentals of Violoncello Technique."Violoncello
3963387E774B-46CD-4FB8-BFB9-550F9EDA7699A571602Der Fliegende Hollaender (The Flying Dutchman): Overture (original version)DER FLIEGENDE HOLLÄNDER (THE FLYING DUTCHMAN), WWV 63, had two sources of inspiration for Richard Wagner (1813-1883). The first was a short story by Heinrich Heine, based on the folk legend of a sea-captain doomed to roam the seas for eternity. The second was an 1839 voyage that Wagner took on board the Thetis, a Norwegian ship, from Riga to London. The first performance took place at the Königliches Hoftheater in Dresden on January 2, 1843, under the baton of the composer. Expecting more of the pageantry and conflagration of RIENZI, the first Dresden audience reacted with indifference. The production lasted only four performances. In the 1870s, as listeners grew used to the innovations of his mature works, it finally grew in popularity and has become one of his most-performed operas today. The overture, often heard in concert hall programs, captures the terrible potency of the ship and the tenderness of Senta toward its cursed captain. Instrumentation: 2+Picc.2+EH.2.2: 4.2.3.1: Timp: Hp: Str (9.8.7.6.5 in set).2+Picc.2+EH.2.2: 4.2.3.1: Timp: Hp: Str (9.8.7.6.5 in set)
39643880DCDA-CC07-4289-AF0E-2A96428A6BC1SU233Lament in Memoriam: Philip FarkasThis composition for advanced players is written in memory of Philip Farkas (1914-1992), principal horn player in the Chicago Symphony Orchestra, teacher at Indiana University Bloomington, and author of many pedagogical works that deal with horn playing and brass playing in general. "Lament" is written for horn quintet or horn quartet with tuba.5 Horns or 4 Horns and Tuba
39653886F0B4-5E79-4396-BFE4-109468E3F6E8V32Our MajorettePiano/vocal
396638873FBC-2A74-4A66-B324-3D2DBE2EC9D9ST721PromenadeBrass Quartet
3967388A186F-B9EC-49A8-99D4-C5A6B00674CCSC160Hear the Glad TidingsSatb
3968388A1976-46B1-4298-895B-D746D979B7EBS701CBLittle Suite for Band No. 2This flex-band composition was written to be equally effective for groups with full instrumentation or groups with limited instrumentation such as woodwind or brass classes. This flexibilty of instrumentation makes it very useful for elementary school bands and the lower level groups in middle schools and junior high schools. Movements: I. Marionette, II. Swirls, III. Mini-Minuet, IV. Calliope. Duration: 8"Flex-Band
3969388EA0ED-1E14-4D5A-9C88-242A28980C74M354291Violin Sonata in D, Op. 12Édouard Lalo (1823-1892) composed his VIOLIN SONATA in D, Op. 12 (originally titled GRAND DUO CONCERTANT) in 1853. In three movements: 1. Allegro moderato; 2. Variations. Andantino con moto; 3. Rondo. Vivace. Reprint edition.Violin and Piano
397038927816-9e3b-11f0-a418-0022482c9682MP772006BalladThis short and relaxed Ballad, full of interesting harmonic progressions, is by Maurice Whitney (1909-1984) and is a wonderful selection for a developing band to work on their intonation and harmonic balance.Concert Band
39713892E036-19B1-498A-9F73-262BBDD61AC3E10Omea 1995 State Sight ReadingChoral
397238961A02-F3AF-44BB-B9FD-B186F9F48B39R00024Voices of Moonlight(not set)Oboe Solo: 2.0.2.2: 2.2.2.0: Perc(1).Hp: Str
397338977666-CAE3-4E5A-B056-B4B67CFE17B5R00563Toccata and Ritornello from Orfeo4(2d Picc).0.0.0: 0.4.3.0: Timpani.Harpsichord.2 Hp: Str
3974389b2d5d-9e3b-11f0-a418-0022482c9682MR00512Four Churches, The (Festa das Igrejas): Symphonic PoemFrancisco Paulo Mignone was one of the most significant figures in Brazilian classical music, and one of the most significant Brazilian composers after Heitor Villa-Lobos. In 1968 he was chosen as Brazilian composer of the year. The Four Churches (Festa das Igrejas) is a symphonic poem written in 1940. From the program notes: "In this symphonic poem, the author, without any descriptive tendencies, expresses through music the ideas and emotions which the festivities of the Catholic Church in Brazil evoke. In these fiestas, there is always a mixture of the religious and the profane, the sacred with the exterior enthusiasms. The graceful and sentimental song of the countryman mixing with the superstitious song of the Candomblé, an (African) fetichist ceremony. For this reason, the piece cannot be considered religious music, although the source of its inspiration is in the Church Festivals." Movements: I. Saint Francis of Bahia; II. The Rosario of Ouro Preto; III. The Gloria Church of Rio de Janeiro; IV. Apparecida. Our Lady of Brazil.2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc: Hp(2).Clst.Pno.Org: Str
3975389BA356-9619-45FD-AEAB-F564AA96EEB4BSMCHM115Banjo and FiddleOriginally written for violin and piano by American violinist and composer William Kroll (1901-1980), this arrangement for violin duo and piano has been completed by Amy Barlowe and edited by Alan Bodman. "Spectacular show piece for both violinists, and a very effective concert ender - a wonderful addition to the repertoire for this combination of instruments." - Patricia McCartyViolin Duo, Piano
397638A0202A-9E9B-481F-A1F6-51A338E92905A151902Concerto for Piano in A minor, Op. 16Written by Norwegian composer Edvard Grieg (1843-1907) in 1868, the Piano Concerto in A minor, Op. 16 is the only concerto completed by Grieg. It remains one of his most popular works and is among the most popular concerti for piano in the repertoire. Similar to, and perhaps influenced by, Robert Schumann's Piano Concerto, the work also provides some evidence of Grieg's interest in Norwegian folk music, with the cascading motif of a falling minor second followed by a falling major third in the opening flourish typical to the folk music of the composer's native country. Recorded by Wilhelm Backhaus in 1909, this piano concerto is the first to ever be recorded, albeit heavily abridged to only six minutes due to technological limitations. Instrumentation: 2(2dPicc).2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Piano. Study score.2(2dPicc).2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Piano
397738a4aea6-9e3b-11f0-a418-0022482c9682MR00516three satirical sarcasms, Op. 29aOriginally written for piano as Op. 29. Movements: I. ironical march; II. is it a waltz?; III. eccentric dance.2+Picc.2+EH.2+BCl.2+CBsn: 3.3.3.1: Timp.Perc(3): Pno: Str
397838AE2C60-56A2-4F40-8E82-3B8CC95AA03150361002The Artisan's ShowcaseSix graded solos for snare drum that demonstrate the artistic genius of Emil Sholle, former member of the Cleveland Orchestra. A fantastic collection!Snare Drum
397938B20BFA-DBAA-45F7-98B9-A01556431123M280791Etude Symphonique, Op. 28(not set)Solo Piano
398038B6BCEA-1EEC-41CC-BC9D-FF56F0E11A0E5271202910 Violin Trios1st violin to 3rd position. Now includes optional viola and cello parts for 3rd violin. Included: 1. Rigaudon from Dance Suite 3 (Telemann), 2. Minuet from Dance Suite 4 (Telemann), 3. Loure from Dance Suite 4 (Telemann), 4. Gavotte from French Suite 5 (Bach), 5. Gigue from Suite 8 (Handel), 6. Gavotte from French Suite 6 (Bach), 7. Sarabande from English Suite 5 (Bach), 8. Minuet from French Suite 1 (Bach), 9. Minuet from French Suite 1 (Bach), and 10. Gavotte from Dance Suite 4 (Telemann).Violin Trio with optional Viola and Cello