Titles
Showing 4,021-4,040 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 4021 | 393A7690-9CEE-47BE-A5A1-E42C8354C584 | A425202 | Coronation Anthem No. 1: Zadok the Priest, HWV 258 | 0, 2, 0, 2 - 0, 3, 0, 0, timp, org, str (2.2.1.1.1), mx chor | ||
| 4022 | 39438AAF-DFF6-49B2-A540-862B2C3A0DF6 | M204891 | The Five Fingers | Woodwind Quintet | ||
| 4023 | 3946BA8C-4FCC-4404-A0F8-73307BD61F2C | M111791 | Two Pieces | (not set) | Viola and Keyboard | |
| 4024 | 394AD2D0-40A3-4641-8023-9DF0363533B7 | R01163 | The Great Wilno | The Great Wilno (1999) for piano and wind ensemble was commissioned by Bob Stata and is dedicated to Robert Blake (pianist), Bob Stata (conductor), and the Allendale Columbia Wind Ensemble. The work is a very brief “romp” for piano and wind ensemble inspired by the poem of the same name by poet Harry Humes—which describes the flight of a human cannonball. The poet has given permission for the poem to be read or reprinted at any performances of this work and it is highly recommended that either be done. | Piano Solo 1.1.1.0: AB Saxophone Ensemble: 1.1.1+Euphonium.1: Timpani. Percussion(3).Piano | |
| 4025 | 39543987-9313-44FF-8103-96D98618D2D5 | B587 | 11 Bassoon Recital Pieces from Tone and Performance Studies | Julius Weissenborn is best remembered today for the teaching material written for use at the Leipzig Conservatorium where he taught bassoon from 1882. His two famous "tutor" books are still the most popular bassoon etudes in use today, well over 120 years after they were written. This anthology represents the first-ever publication that contains all 11 of the extant full recital pieces for bassoon and piano that Weissenborn envisioned as the third part to this tutor in a single volume. Southern Music is proud to present this fine collection of "Tone and Performance Studies" to players of all levels, edited by veteran Principal Bassoonist for the Detroit Symphony, Robert Williams. | Bassoon, Piano | |
| 4026 | 39665BA3-10BC-4B38-B6AC-F731C69251AA | BSMSO105 | Abernathies on Parade | A lighthearted work that is built on an infectious melody that is repeated in various settings throughout. It Is wonderfully fresh and appealing. Grade 2-3. | String Orchestra (8.8.5.5.5) | |
| 4027 | 397251B1-A50B-4FC6-813C-400630AC04DD | A700101 | Symphony No. 3 in A minor, Op. 44 | Despite its unenthusiastic reception, Sergei Rachmaninoff (1873-1943) considered the SYMPHONY NO. 3 IN A MINOR, OP. 44, one of his finest works. Composed in 1935 and 1936, it adopts a leaner, more economical style than that of the previous two symphonies. The first performance took place on November 6, 1936 by the Philadelphia Orchestra under the baton of Leonard Stokowski. The piece is cast in three movements, the central Lento serving a dual purpose as both slow movement and scherzo. Russian dance rhythms make a prominent appearance in the finale. Since the revival of his music in the 1970s, the symphony has steadily improved in popularity and critical assessment. Instrumentation: [2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp: Perc(5-6) Clst.2 Hp: Str]. FULL SCORE ONLY. | [2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp: Perc(5-6) Clst.2 Hp: Str] FULL SCORE ONLY | |
| 4028 | 3976086A-914B-4F33-84E2-16543BD424E0 | ST702 | Bells Of Dunkirk | This lively Scottish folk-tune setting features solo sections for each player. | 5 Mallets: Xylophone, Vibraphone, Three Marimba | |
| 4029 | 397904CF-B247-4D52-B390-28E049D6A7BF | X502016 | Duo for Violin and Cello | The instruments are cast as dialoging characters, sometimes arguing with each other, sometimes ignoring each other, sometimes going off on their own (each has a cadenza), and finally reconciling in the slow coda. | Violin, Cello | |
| 4030 | 397AB3A4-2437-499C-AA0B-78F1DB7A8DF7 | X503008 | Trio | Trio was commissioned by the Nova Trio of Norfolk, Virginia. The ethnic diversity of the group influenced the writing of the composition. The first movement is a lament commemorating the Jewish holocaust. The theme presented in the violin occurs in every movement. The second movement scherzo leads directly into the finale, a lively dance in an irregular (11/8) meter. | Violin, Cello, Piano | |
| 4031 | 397AC124-C448-4E15-9C66-0AFD55CAEA3C | B501102 | Concerto for Trombone and Military Band | Russian Concerto/Instr Solo | 2+1, 2, 12+1+Eb+alto, 2 - 4, 4+2, 3+1, 2, perc, solo trombone in set | |
| 4032 | 397B44D1-8247-400A-9FB6-EE7B253ED8FA | 20548608 | Alexander's Ragtime Band for Tuba/ Euphonium Quartet | Irving Berlin's masterpiece is the ideal fit for tuba-euphonium ensemble. Heavy metal never sounded so good! | Euphonium 1, 2 and Tuba 1, 2 | |
| 4033 | 39847BF3-115C-4C1A-AAA8-C6356E1C50E9 | R00899 | Match Point for Wind Ensemble | A musical dramatization of a tennis point for band and conductor with tennis racquet. First Prize Winner in the Composers Guild National Competition 1985, Instrumental Music Category. | 2+Piccolo.1.3+A Clarinet(optional)+Bass Clarinet(optional).1.AATB(or SATB) Saxophone Ensemble: 4.3 Cornet.3.Euphonium: Timpani.Percussion(4-5): Double Bass | |
| 4034 | 3985089B-67C8-4AFF-B21F-EABB66F2C3DD | X410077 | Shadow Play | Piano Solo | ||
| 4035 | 398934D8-07BA-4BC3-9194-0357352E61AD | 50100336 | Acclamation Overture | Safely scored, this tuneful overture is playable by many less experienced bands. It is a rewarding challenge, well worth the effort and, to add to it all, it is an enjoyable work to play. | Concert Band | |
| 4036 | 398E7A33-CEC3-46BF-A026-8D19EE4FE6F3 | M127991 | Chansons De Matin, de Nuit for Piano Solo | (not set) | Piano Solo | |
| 4037 | 39943091-C4FF-4C0C-A1E6-B5667920C359 | SJ690511 | What's Up Doc? Sc/Pts | |||
| 4038 | 3995D1F4-40A9-4107-B2A7-56CDF375E4E9 | B100502 | National Emblem March | (not set) | Concert Band | |
| 4039 | 3997820D-9CA4-4016-A668-DBDE1070C9D2 | R01621 | Canto for Baritone and Chamber Orchestra | |||
| 4040 | 3998F5E2-35BA-4C18-9A2E-F1FF2729B12B | 50200051 | Voluntary | A new look at a venerated staple of the musical repertoire, Voluntary (often attributed to Henry Purcell) breaks new ground. Parts for younger string players have been included in score and parts so that conductors can introduce those players to the full orchestra setting. These performers are a critical part of the experience as they often are the only ones with the melody. | Full Orchestra |