Titles
Showing 4,081-4,100 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 4081 | 3A3026DF-871B-4D44-BA70-AC73D4F40891 | X150009 | Restless Wind | An original work by Pittsburgh New Music Ensemble founder David Stock. | Saxophone Solo | |
| 4082 | 3A372E47-F37E-4013-93F4-2675C9588C03 | R01639 | Nightingales for two violins and orchestra | Nightingales explores the intoxicatingly mysterious world of birds with materials. transcribed from birds in my garden. During the Covid’s darkest days, I was fascinated with their sound-world. No matter the insanity of humanity, nature finds a way to endure and the virtuosic solos find ease near the end. “Concrète”, bird-calls, winds, glissed strings, harp, create the mysterious mood. | ||
| 4083 | 3A44213B-D080-433B-832F-E0A0E9445AED | 10620186 | The Carnival of Venice for Mallet Percussion and Piano | A widely arranged melody scored here for mallet percussion with piano accompaniment, this version is actually a piano reduction of an arrangement for mallet percussion and band, also available form the publisher. | Mallet Instrument Solo and Piano | |
| 4084 | 3A4924C4-8590-4CC2-86D0-E76C7C3413F4 | X682801 | Sorna: Folk Songs Set No 17 for Solo Saxophone and 7 Players | This four movement work features the saxophone, soprano and alto, weaving melodies constructed in both Western equal temperenment and Persian modal systems. Most of the ensemble doubles on one or more instruments, including the pianist and strings playing the chimes in various passages. Premiered (clarinet version) on January 16, 2016 at the Segah Festival of Persian and Turkish Music. Versions for solo clarinet, solo saxophones, and solo Persian Wind instruments are available from the publisher. | Solo Soprano/Alto Sax, Flute(dPicc, Afl), Clarinet(dEb Clar, Bcl), 2 Percussion, Piano(dChimes), Violin(dChimes), Cello(dChimes) | |
| 4085 | 3A4D9684-821F-4AF1-9CFB-03510F5356BA | EBM0610184 | Inventing Flight: A Suite of Thumbnail Portraits | Subtitled "A Suite for Orchestra of Thumbnail Portraits," this work depicts in three movements stories of first flights, both in myth and history. Movements: I. Daedalus and Icarus II. Leonardo III. Wilbur and Orville. Premiered by North Carolina Symphony, William Henry Curry conducting, Chapel Hill, NC, April 10, 2003. Versions for orchestra (original) and band (transcription) are available from the publisher. | 3(2Pi)3(EH)3(A/BsCl)3(Cbn) 43(Pi)31 Timp 3Pc Pno Str | |
| 4086 | 3A4F80EB-4007-4C1C-A5C7-296FB6FF44D5 | MR00473 | Concerto Grosso for Dance Band and Orchestra | (not set) | 3.2.2.2: 4.3.3.1: Timp.Perc: Str, Dance Band (2ASax BSax 4Tpt 4Tbn Pno Bs Dr) | |
| 4087 | 3A55E4E3-1B36-447E-8989-F232593EA9BC | SC790 | Hold Fast to Your Dreams | (not set) | SAB | |
| 4088 | 3A5A232F-24FF-4FAC-B7F6-C0A979891F1F | SS505 | First Concertino | (not set) | Oboe and piano | |
| 4089 | 3A62030D-F9D0-46F4-9F2F-69B098B8A6D1 | A929390 | Fugal Overture, A, Op. 40, No. 1 | Gustav Holst (1874-1934) began composition of A Fugal Overture in 1922, completing the full score in January 1923. Despite its name, the overture is not strictly fugal. It belongs to the era of neo-classicism, but apparently by coincidence, for Holst had not yet heard some of the Stravinsky and Hindemith works which set this fashion. The “fugal” subject is full of spiky cross-rhythms. Holst grouped the eighth notes of his 4/4 into a pattern of 3 + 3 + 2, thus giving a bar of three unequal beats, creating an intense and exciting work. This piece premiered on May 14th, 1923 in London by the British National Opera Company, Eugene Goossens conducting. 2+1.2+1.2+Bcl.2+1: 4.3.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set). This work may also be performed with Piccolo, 1 Flute, 1 Oboe, English Horn, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 2 Trombones ( I and III), and strings. | 2+1.2+1.2+Bcl.2+1: 4.3.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set) (alt. 1+1.1+1.2.2: 2.2.2.0: Str) | |
| 4090 | 3A6246DD-AB97-4755-9DA9-E49E3E00991C | A790002 | La Vie Parisienne: Overture on Themes by Offenbach | Compiled and arranged by Hungarian-born conductor and composer Antal Dorati (1906-1988), LA VIE PARISIENNE: OVERTURE ON THEMES BY OFFENBACH is among the most delightfully charming light works in the orchestra literature. Instrumentation: 2(2dPicc).2.2.2: 3Sax(AAT.opt.): 4.2.2.0: Timp.Perc(3): Str (5AdvVn1/4Vn1-8-7-6-5 in set). | 2(2dPicc).2.2.2: 3Sax(AAT.opt.): 4.2.2.0: Timp.Perc(3): Str (5AdvVn1/4Vn1-8-7-6-5 in set) | |
| 4091 | 3A644D32-7442-41D9-8894-BC94E926E2E3 | A915102 | Summer Nights, Op. 7 (Les nuits d'ete): 4. Absence (transposed in E) | The song cycle LES NUITS D’ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its facets, progressing from youthful innocence to loss and renewal. Originally composed in 1841 for solo vocalist and piano, Berlioz completed orchestration of each of the six songs in 1856. While regrettably neglected for many years, this song cycle was rediscovered in the 20th century and has become one of the composer's most popular works. The songs in the original keys (1. A; 2. B; 3. F minor; 4. F-sharp; 5. D; 6. F) are available from the publisher both as a complete set (A2573) and individually. Robert Sutherland has edited five of the songs in the cycle and has transposed each in multiple keys to expand the work to more vocalists. Songs completed by Robert Sutherland: 1. Villanelle (E, F, and G), 4. Absence (Db, D, Eb, and E), 5. Au Cimetie?re, Clair de lune (Bb, B, and C), and 6. L'lle inconnue (D, Eb, and E). A transposition of 2. Le Spectre de la rose to D and a transposition of 3. Sur les Lagunes to g minor is also available from the publisher. In Absence, the lover pleads for the beloved to return. Instrumentation: 2.1.2.0: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (medium voice). Newly engraved edition. | 2.1.2.0: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (medium voice) | |
| 4092 | 3A66867F-9626-4DE4-9EC6-279118564C32 | X521012 | Lament | A previously unpublished gem from Perkinson's early works, this is an expressive and lyrical showcase for viola and piano. | Viola, Piano | |
| 4093 | 3A68264C-B6E7-434F-B13C-3C82AFFCB8EA | 10620215 | Bagatelle | (not set) | Mallet Instrument Solo and Piano | |
| 4094 | 3A68D8F1-00E1-4B41-A2BC-5FE82521D007 | BSMIS104 | Mosey | The Bruce Broughton Solo Series features solos by one of the country's most outstanding composers of concert and film music. This new series by seven-time Emmy award winning composer features music that is notable for its wonderfully rich harmonies, flowing melodies and rhythmic vitality. These pieces are ideal for recitals and contests and are great teaching pieces that are appealing to performers and audiences alike. As the title MOSEY would suggest, this work for tuba and piano plays with much of the style and sound associated with music of the film western. | Tuba, Piano | |
| 4095 | 3A6A6B8B-AB76-4583-BB70-EEE9B18338F2 | 10350101 | Duet Time, 12 original Duets (Treble Clef) | The contents of this Duet Book in easy and medium grades have been written for any two like pitched instruments in the treble clef. Included: 1. Dialogue, 2. Rondolette, 3. Jumpin' Bean, 4. Andantino, 5. Fiesta, 6. Drawing Room, 7. Here and There, 8. Swans, 9. Spring Dance, 10. Bambolina, 11. Follow Me, 12. Fughetta. | Flexible instrumentation (Treble Clef) | |
| 4096 | 3A733DEC-E9B9-4A9B-9E08-648E7D607028 | A228802 | Norma (complete) | NORMA is a two-act lyric tragedy by Vincenzo Bellini (1801-1835). A leading example of the bel canto genre, the opera premiered at La Scala in Milan on December 26th, 1831. The story tells of a love triangle between Norma, the High priestess of the druids, her Roman lover, and a younger priestess for whom the Roman has fallen. | 2(2nd dPicc).2.2.2: 4.2.3.1: Timp.Perc(1): Hp: Str (4-4-3-3-3 in set): Vocal Soli (6 roles: SSSTTB): Chorus: Banda (Picc.Fl.3Cl.2Hn.3Tpt.4Tbn.2Perc) | |
| 4097 | 3A74E3D5-6709-47B7-8714-E01A4BFBF6B1 | SU401 | Long, Long Ago Op. 12 | "Long, Long Ago: Fantasie" (Lang, lang, ist's her") is a wonderful selection for the advancing player looking for a contest or recital piece that offers four progressive variations with distinctly contrasting styles. Versions for the standard Bb clarinet, Eb clarinet, Eb alto/contra alto clarinet, and Bb Bass/ Contrabass clarinet are available from the publisher. | Eb Alto Clarinet or Eb Contra Alto Clarinet and Piano | |
| 4098 | 3A7DC459-8D2F-44E9-A021-3836C5A680ED | ST37 | If With All Your Hearts (out-of-print) | Trumpet | ||
| 4099 | 3A7E80CA-4487-4DCA-95A3-F09412C6B7FA | TC744 | Firdausi for Clarinet, Percussion and Harp | Clarinet, Percussion and Harp | ||
| 4100 | 3A7E858C-3941-485F-A719-BBDAFAB7F55C | LV204CB | Dixieland Debut | (not set) | Concert Band |