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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
41013A808CC2-36BF-437A-900D-E49FAE3EDD08X066017Damaged Goods for Flute, Clarinet, Marimba and Piano TrioCommissioned and recorded (excerpts) by Eighth Blackbird.Flute, Clarinet, Piano, Violin, Cello, Marimba
41023A82911F-6671-41B3-94F4-946F7C58BDC7MR00446Evocations for Double Chorus and Band: Promise of Spring (excerpt)The second movement of Norman Dello Joio's larger choral work, Evocations, "Promise of Spring" can be performed with orchestral or piano accompaniment. In addition to the main chorus (SSAATTBB), an optional Young People's Chorus, conceived for high school voices, is also available, though the parts are included in the adult mixed choral score should circumstances not permit the Young People's Chorus. The Young People's Choral score is available separately from the publisher.
41033A8487A5-1422-4AA4-82C8-68110145274CR00453Seven Nursery RhymesMovements may be performed separately.audience sings 2(d Piccolos).2.2(1d Bass Clarinet).2: 2.1.1.0: Timpani.Percussion(2, 1d Celesta).Harp: Strings
41043A89B8B7-66CB-4274-B991-9ECEC8920AADA257602German Requiem, A, Op. 45 (Ein Deutsches Requiem)Written between 1865-1868, EIN DEUTSCHES REQUIEM (A GERMAN REQUIEM), Op. 45, was Johannes Brahms' (1833-1897) longest work. The seven movement mass sets Martin Luther's translation of Biblical text to music, with the libretto having been completed by the composer. The work premiered on February 18, 1869, at the Gewandhaus in Leipzig, Carl Reinecke conducting the Gewandhaus chorus and orchestra, with the solos sung by Emilie Bellingrath-Wagner (soprano) and Dr. Kückl (baritone). The work remains a regular part of the repertoire. Movements: 1. Selig sind, die da Leid tragen. (Matthew 5:4, Psalm CXXVI, verses 5–6); 2. Denn alles Fleisch es ist wie Gras. (1 Peter 1:24; James 5:7; 1 Peter 1:25; Isaiah 35:10); 3. Herr, lehre doch mich. (Psalm XXXIX, verses 5–8 [English verses 4–7]; Wisdom of Solomon 3:1); 4. Wie lieblich sind deine Wohnungen. (Psalm LXXXIV, verses 2,3,5 [English verses 1,2,4]); 5. Ihr habt nun Traurigkeit. (John 16:22; Ecclesiasticus 51:35 [English verse 27]; Isaiah 66:13); 6. Denn wir haben hie keine bleibende Statt. (Hebrews 13:14; 1 Corinthians 15:51–52,54–55; Revelation 4:11); 7. Selig sind die Toten. (Revelation 14:13). Instrumentation: 2+Picc.2.2.2+CBsn(opt): 4.2.3.1: Timp: Hp(opt).Org(opt): Str (4-4-3-3-3 in set): Soli S.Bar: Mix Chor.2+Picc.2.2.2+CBsn(opt): 4.2.3.1: Timp: Hp(opt).Org(opt): Str (4-4-3-3-3 in set): Soli S.Bar: Mix Chor
41053A8B4385-9D19-4389-893D-9B232DE2313EX410110Seven Thoughts Considered as MusicBruce Adolphe’s solo piano work depicts seven provocative and profound statements. The composer has carefully selected thoughts that are intellectually stimulating and emotionally charged, and —of particular importance— that use imagery suggesting musical parallels. Inspiration is drawn from quotes by Heraclitus, Rilke, Kafka, Emerson, Novalis, Chief Seattle, and Shankara. The piece is dedicated to Helen Heslop and Carlo Grante and was recorded by Carlo Grante on Naxos American Classics (8.559805).Solo piano
41063A8D9E4B-4C6B-4BA1-B353-B6ADAF35E0E8S511033The Czech Book: Two Pieces for Violin and Piano by Dvorak and SmetanaThis edition contains brilliant examples of blending elements of folklore with classical composition technique by two Czech masters. The volume includes Bedrich Smetana's From My Homeland and Mazurek by Antonin Dvorak. Interestingly, both of these works were composed in the same year (1879). This publication for violin and piano has been meticulously edited by celebrated violinist, Endre Granat, one of Jascha Heifetz' star pupils.Violin, Piano
41073A921334-3C1F-4E67-B86E-91C570C67286A461402Nabucco (Complete Opera)NABUCCO, a retelling of the biblical story of Jewish exile under the Babylonian King Nebuchadnezzar, was Giuseppe Verdi’s (1813-1901) first major operatic success, and was written reluctantly, following a difficult period in the composer’s life. Having lost his young wife, Margherita, in the summer of 1840, and seeing his second opera, UN GIORNO DI REGNO, fail disastrously, closing after only a single performance in September 1840, Verdi was left understandably depressed and prepared to give up on music altogether. However, Bartolomeo Merelli, who ran the famed Milan opera house, La Scala, urged Verdi to write another opera. Verdi wrote Nabucco in 1841, and it was an instant commercial and critical success upon its premiere in 1842. Instrumentation: 2(2nd dPicc).2(1st d.EH).2.2: 4.2.3.1: Timp: Perc(2-3): Hp(2): Str(4-4-3-3-3 in set): Banda(0.0.3.0: 3.3.3.2: 2Basses: Perc[3]): Vocal Soli (8 roles, SSATTBBB): Mixed Chorus.2(2nd dPicc).2(1st d.EH).2.2: 4.2.3.1: Timp: Perc(2-3): Hp(2): Str(4-4-3-3-3 in set): Banda(0.0.3.0: 3.3.3.2: 2Basses: Perc[3]): Vocal Soli (8 roles, SSATTBBB): Mixed Chorus
41083A92B085-B25F-4F54-9ADB-97798633EA1CSS803SonatinaHorn
41093A931EB9-20B5-4902-8D3C-5BB2F80309F0A875790China DollThe year 1951 was very productive for Leroy Anderson. For a recording project with Decca records in June of that year he composed a number of his most popular pieces, many of which were played for the first time in these sessions, including CHINA DOLL. The term “china doll” does not refer to the current nation of China nor make any historical reference to the country, but rather the term refers to a children’s doll made out of glazed porcelain. China dolls were hugely popular between 1850 and 1890, and many examples may be seen in museums worldwide. Instrumentation:2+Picc.2.2.2: (3SAX-AAT): 4.3.3.1: Perc(3-4): Str (9.8.7.6.5 in set): Pno Cond Sc in set.2+Picc.2.2.2: (3SAX-AAT): 4.3.3.1: Perc(3-4): Str (9.8.7.6.5 in set): Pno Cond Sc in set
41103A948BA7-BFDD-4F7D-A097-624479E789ED50703011String Quartet No. 1(not set)String Quartet
41113A9B088F-40A6-42A1-BF26-2FE0FCDCEFA2R00335Symphony No. 1Recorded by the Russian Philharmonic Orchestra, Thomas Sanderling, Chandos CD 9831.2(1d Piccolo).2.2(1d E-flat Clarinet).2: 4.2.3.1: Timpani.Harp: Strings
41123A9B2583-BFEF-4CF1-9DC6-3DCD5E8A9D70A890302Ballade in A minor, Op. 33The BALLADE in A minor, Op. 33 is an early composition by Samuel Coleridge-Taylor (1875-1912). Written only a year after completing his education at the Royal College of Music, this one-movement work full of ravishing melodies and lush string moments owes its existence to Coleridge-Taylor's mentor, Sir Edward Elgar. When Elgar was offered a commission by the 1898 Three Choirs Festival in Gloucester, Elgar responded, "I have received a request from the secretary to write a short orchestra thing for the evening concert. I am sorry I am too busy to do so. I wish, wish, wish you would ask Coleridge-Taylor to do it. He still wants recognition, and he is far and away the cleverest fellow going amongst the young men. Please don't let your committee throw away the chance of doing a good act." Upon being offered the commission at Elgar's suggestion, Coleridge-Taylor wrote a work that develops his own voice while still retaining elements of his musical heroes such as Brahms, Tchaikovsky, and Dvo?ák. Instrumenation in set: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(1): Str (9-8-7-6-5). This edition has been edited by Nancy Bradburd.2+Picc.2.2.2: 4.2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set)
41133A9CAA46-74E7-41CB-860F-E91F0C860DF350540001Canto XXII for Trombone or EuphoniumFor solo bass celf euphonium, unaccompanied. From its majestic opening to its furious conclusion, Canto XXII shows the entire range and powerful agility of this great instrument.Trombone/ Euphonium unaccompanied
41143A9D5E63-0A39-4BCD-9A4C-13A1931C68FEST617FantasyClarinet
41153A9EAF53-E2F2-4DA5-8F97-2D746C05CFB8A639302Mother Goose (Ma Mere l'Oye): Prelude et Danse du RouetMaurice Ravel’s (1875-1937) Ma mère l’Oye (“Mother Goose”) draws its inspiration from the fairy tales of Charles Perrault, Madame d’Aulnoy, and Jeanne-Marie Leprince de Beaumont. Ravel composed the first movement “Pavane de la Belle au Bois Dormant” in September of 1908, and after some encouragement from his publisher Jacques Durand, the remaining four movements were added between 1908 and 1910. The piece sought to both be performable by children and also to reflect the world of childhood. Dedicated to the two children of his friends the Godebskis, Ravel intended for them to premier the piece. However, when the piece proved too difficult for the pair, it was instead premiered at a concert in the Salle Gaveau in 1910 by 11-year old pianist Jeanne Leleu and 14-year old Geneviève Durony. In 1911, Ravel wrote an orchestral version of the suite, which became the basis of the ballet which was performed in January 1912. The Prélude et Danse du rouet et scène are te first two movements of the ballet. Instrumentation: 2(2nd dPicc).2(2nd dEH).2.2: 2.0.0.0: Timp.Perc(6): Hp.Clst: Str (9-8-7-6-5 in set).2(2nd dPicc).2(2nd dEH).2.2: 2.0.0.0: Timp.Perc(6): Hp.Clst: Str (9-8-7-6-5 in set)
41163AA20B76-7348-4957-B191-A0F73BBF9E83S366TROMBONE HUSTLER (OUT-
41173AA2C085-1259-43EC-955C-22CF91CE2351SS296CONCERTO NO. 1 (OUT-OF
41183AA462F4-197E-49F6-9BF3-B5849C46A410ST641Jive Five"Jive Five" is an original solo in up-tempo jazz swing style. Versions for trumpet and baritone are available from the publisher.Trumpet and Piano
41193AABF875-FC5F-4F16-B462-9AE4FD0F30DFR00067Prelude in c minor2.2.2+Bass Clarinet.2: 4.3.3.1: Timpani: Strings
41203AB2BEC1-30C3-4872-9CD6-35A3413695B1M140091Cantabile, Op. 17/MS 109This gorgeous, off the beaten path piece by Niccolo Paganini is sure to captivate the audience and showcase a talented violinist. A duet for violin and guitar, or violin and piano. It has a Spanish waltz feel with runnning triplets in the accompanist part, overlayed with soaring, expressive, ad libitum melody.Violin and Guitar (or Piano)