Titles
Showing 4,061-4,080 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 4061 | 39D9E833-708A-4F83-BA68-75F1EC5AEEE9 | 52703290 | Christmas Pops | Here are some swinging holiday arrangements for the medium-easy level and up. Easy to read and quick to learn, this collection will be used again and again. Includes Winter Wonderland; Jingle Bell Rock; Santa Claus Is Coming to Town; Frosty the Snowman and Let It Snow! | Violin 1, Violin 2, Viola, Cello | |
| 4062 | 39E22181-7A99-4F2D-ACD8-B53AB24B52D5 | SS259 | Legende Pastorale from "Scotch Scenes", Op. 138 | This solo for flute and piano reduction is the 1st movement of a larger three movement work entitled "Scenes Ecossaises (Scotch Scenes)", Op. 138, originally written by Benjamin Godard (1849-1895) for solo oboe and orchestra. This version can be played on flute or oboe. All three movements for flute/oboe and piano reduction are available from the publisher: I. Legende Pastorale, II. Serenade a Mabel, III. Highlander's March. | Flute and Piano | |
| 4063 | 39EBE0C6-98A5-4DE1-AC82-D6CBDEA763C2 | R01615 | Diesen Kuß der ganzen Welt! (This Kiss to the Whole World!) | Diesen Kuss der ganzen Welt! is a famous line from the Ode to Joy by Friedrich Schiller, the text set by Beethoven in his Ninth Symphony. As this work was commissioned by the Dallas Symphony Orchestra to be on the same program with the Ninth, this quote was chosen to be both the title and the message: that all humankind is together in this world, we are all related, and we should celebrate our humanity with love and joy. In addition to the title, there are several musical connections to Beethoven's Ninth in this work: the opening tremolo in the violins; the use of recitative-like phrases in the cellos; the shapes of some melodic fragments; the presence of timpani solos. | 2.2.2.2: 4.2.3(BsTbn).0: Perc(3): Str | |
| 4064 | 39ED72F4-2BC6-41B0-9739-D9F013EBEE25 | SC175 | Ah, Fading Shadow | (not set) | Satb | |
| 4065 | 39F01AA2-0BC3-4349-B61B-21A98C6545D6 | M195391 | Gregorian Album, Vol. 1 | This noted collection across two volumes by French organist and composer Eugène Gigout (1844-1925) includes 230 organ pieces built on the eight church modes. Volume 1 contains 115 pieces composed exclusively in the first through the fourth church modes. Reprint edition. | Organ | |
| 4066 | 39F31366-6F39-4B58-B961-FF1B31086059 | SC631 | To Thee, O Lord, Our Hearts We Raise | Text is from Psalm 65 and was adapted into lyrics by William Dix (1837 - 1898). | Ttb | |
| 4067 | 39F56446-A713-4DED-AFEF-8835FD25D516 | M161191 | 3 Humoresques | |||
| 4068 | 39F6094A-72A9-4B87-9208-E3F62AE4AD64 | SS759 | FLUTE SONG (OUT-OF-PRI | |||
| 4069 | 39FE0C21-08F7-4545-A3B1-CF4BC66D04DA | SS358 | Siegfried's Funeral March | Dedicated to Max Pottag and the Northwestern University Horn Ensemble. | Horn Quartet | |
| 4070 | 39FF8095-1124-44A8-95C5-A4F00BE3EC43 | X094002 | The Morning Trumpet | SATB Chorus | ||
| 4071 | 3A02EDC7-F96A-465C-9DBF-6A35D6945640 | 50250089 | Un Dedito for String Orchestra and Latin Percussion | This delightful Latin-flavored work has percussion parts that are easily played by anyone in the orchestra. The strings use only open strings and one finger, while everyone gets a chance at the melody. | String Orchestra: Perc(2) | |
| 4072 | 3A056BAC-3C7F-4306-A441-676A93D19284 | 50310003 | Sacred Trios B Flat | A collection of 12 well-known hymn tunes, this compilation of like trios can also be played in any combination of three instruments as long as the players have the correct book. Simply assign or select a part then make beautiful music! The first part, when played on violin, will have some range concerns that make the part slightly more difficult than the grade 2 rating. Titles included: A Mighty Fortress; Come Thou Almighty King; Faith of Our Fathers; Praise God from Whom/ All Blessings Flow (Old Hundredth); Praise to the Lord the Almighty; My Faith Looks Up to Thee; Abide With Me; We Gather Together; Amazing Grace; For the Beauty of the Earth; This Is My Father’s World; Come, Thou Fount. | Any combo of C, Bb, Eb or F instruments | |
| 4073 | 3A06A439-1C3A-4CC4-86FF-F32D4FCDD482 | 18100031 | Holiday In Germany | (not set) | Concert Band | |
| 4074 | 3A070416-D88A-4F9F-ABFB-E7A1EB0E7C36 | 10432248 | Divertimento No. 70 | A three movement Haydn chamber work for your trio! Also known as "Barytontrio No. 70" in some editions, this work originally written for baryton, viola and violoncello is one of about 175 compositions written for the baryton (a stringed instrument similar to the viola da gamba) by Haydn between 1762 and 1775. Given that the blend of the three similar instruments makes it difficult to distinguish the sound of the individual instruments, arrangements for euphonium, trombone, bassoon, and cello trios, all available from the publisher, presents no major alteration to the original version. | Bassoon | |
| 4075 | 3A07EF14-2407-4CF7-BC21-7FB69767B298 | EBM0650020 | Two Love Songs of John Donne for Soprano, Woodwind Quintet and String Quartet | Song titles: 1. Confined love; 2. The Computation. Text: John Donne. Dedication: Adele Addison. Première: 1958; New York; Donnell Library Composer’ Forum; Bethany Berdslay, soprano; Arthus Winograd, conductor. Versions with small chamber accompaniment (rental) and piano accompaniment (retail) are available from the publisher. Duration ca 7'30" | Soprano, String Quartet, 1.1(dEH).1.1: 1.0.0.0. | |
| 4076 | 3A0E0D9D-A4B3-44DA-AA7F-5C6DB13D0480 | ST686 | Six Quartets | This collection of six quartets by Schubert has been arranged for four horns by Verne Reynolds. The homophonic, vertical writing offers advancing hornists the opportunity to focus on ensemble intonation. | Horn Quartet | |
| 4077 | 3A0E9E9E-7166-4F2E-9436-392A316A3DB0 | X410092 | Piano Fantasy: Homage to Copland from Piano Sonata | First movement of Gerber's piano sonata. | Piano solo | |
| 4078 | 3A1229C5-CBC6-415B-A5E0-47DAC70FF8EE | A932190 | Violin Concerto No. 1 | Karol Szymanowski’s Violin Concerto No. 1, Op. 35, is considered one of the first modern violin concertos. It rejects traditional tonality and romantic aesthetics. It was written in 1916 while the composer was in Zarudzie, Ukraine. Paul Kochanski advised Szymanowski on the fine point of violin technique during the composition of the concerto, and he later wrote the cadenza. The work is dedicated to Kochanski. The likely inspiration for the concerto was Noc Majowa, a poem by the Polish poet Tadeusz Micinski. The concerto doesn't follow or duplicate the poem, yet Szymanowski's ecstatic, sumptuous music is an ideal companion to Micinski's language. The concerto was premiered 1 November 1922 in Warsaw with Jozef Oziminski as the soloist. | 3(3dPicc).3(3dEH).3+1.2+1: 4.3.3.1: Timp.Perc(6).Pno.Clst.2 Hp: Str(12.12.8.8.6) | |
| 4079 | 3A14F2CF-868A-420D-A64A-502D2896C2F6 | 52721010 | Advanced Viola Duets | Telemann and CPE Bach arranged by Lynne Lathan. To 3rd position. | Viola Duet | |
| 4080 | 3A23ADA8-7B86-4581-B8A6-B70A477937EE | X511035 | Sonata for Violin and Organ | Commissioned by Rupert and Rachel Gough, Sonata for Violin and Organ was inspired by the duo’s brilliant playing. The work is in three movements: Telescope, Ballade for Max, and Keep on Shining. | Violin, Organ |