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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
374134F5BD70-B8E5-4324-8E93-7F75ABF47F0C5271102815 Violin DuetsIncludes works by Bach, Handel, Telemann. Intermediate level to 3rd position, good reading. Compatible with 52701111 (Violin/Cello Duets) and 52701127 (Violin/Viola Duets).Violin Duet
374234F805B3-9EEC-4C39-B676-7F96239E774C52706009St. Paul's Suite: Jig for Cello Quartet with Double BassCello 1 and 2 get into treble and tenor clefs, but everyone gets something fun. Should be accessible for accomplished high school ensemble.Cello Quartet with Double Bass
374334F85A96-F8C9-4D0D-90DA-14D1F12D00D3M212191Symphony No. 6, Op. 59(not set)Organ
374434FAA168-AA9A-4700-8C23-B5936E01E6CEM182991Violin Sonata No. 2(not set)Violin and Piano
3745350654FD-08CB-46A9-8DD8-FAA5A723FB7AA687202My Heart at Thy Sweet Voice (Mon Coeur s'Ouvre ta Voix): Cantabile from Samson and Delilah [trasncription for solo instrument and orchestra]Camille Saint-Saëns' (1835-1921) opera SAMSON AND DELILAH tells the biblical story of Delilah's betrayal of Samson. "Mon cœur s'ouvre à ta voix" ("My Heart at Thy Sweet Voice," or "Softly awakes my heart," or "My heart opens itself to your voice") is a popular aria sung by the soprano Delilah in Act II, Scene 3 as she attempts to seduce Samson into revealing the secret of his strength. Theodore Moses Tobani (1855-1933), a musical child prodigy and composer of so much popular music that his publisher insisted on his use of many pseudonyms given how prolific he was, transcribed the cantabile for solo instrument and orchestra in 1908. Instrumentation: 1.2.2.2: 2.2.1.0: Timp.Perc(1): Str (9-8-7-6-5 in set): Solo Instrument (Cornet, Clarinet, Trombone/Baritone/ or Bb Saxophone) not included.1.2.2.2: 2.2.1.0: Timp.Perc(1): Str (9-8-7-6-5 in set): Solo Instrument (Cornet, Clarinet, Trombone/Baritone/ or Bb Saxophone) not included
3746350673C3-9665-4EF5-AE8F-40E28DB1F811R00608The Tumbler's Prayer, Op. 48The plot of this ballet in two acts is based on the 12th century French legend of "Our Lady's Tumbler".3.2.2.2: 2.2.1.0: Timp.Perc(3).Clst.Hp: Str
37473508B1AB-084A-44CF-96FB-B8EE3C74A3BDA460602Italian in Algiers (L'Italiana in Algeri, complete)2, 2, 2, 2 - 2, 2, 1, 0, timp, perc, str (2.2.1.1.1)
vocal soli (7 roles, SAATBBB), chorus
3748350C21F0-3BB0-4067-8E4C-1613FCE27AD4MP505001Piano QuintetPremiere: Isaac Stern, violin, Philip Setzer, violin, Lawrence Dutton, viola, David Finckel, cello, Jonathan Biss, piano, Washington, DC, March 10, 2001. Recorded by Brave New Works. Movements: 1. Sonata Movement, 2. Larghetto, 3. Lamentation, 4. Rondo furioso2 Violins, Viola, Cello, Piano
374935112C99-E368-456F-887C-02053D6D3D28A537702La Vie Parisienne2, 2, 2, 1 - 2, 2, 1, 0, perc, str (2.2.1.1.1)
[vocal soli (23 roles, S-10, A-4, T-3, B-6), chorus]
SCORE NOT AVAILABLE
3750351AE43B-550C-4231-B304-32CB41B15B01SS865Quartet No. 2Sax Quartet
3751352B6592-7E4F-426B-9024-C2D769401615M904902Arrival Platform HumletOriginally part of the 1916 orchestral suite IN A NUTSHELL, Grainger described the meaning of the work's title as, "Awaiting the arrival of a belated train bringing one's sweetheart from foreign parts: great fun! The sort of thing one hums to oneself as an accompaniment to one's tramping feet as one happily, excitedly, paces up and down the arrival platform." Written for a either solo viola or double reeds or a group of violas or group of double reeds, this arrangement for band was masterfully completed by Carl Simpson.Concert Band
37523537855A-694D-445A-BED3-BA4E918EDE6952702031Meryton Townhall for String TrioString Trio
3753353E351E-19A3-4E70-BE72-9950FC83AFBDP28Festival Concerto2 Pianos, 4 Hands
37543540E01D-D69B-459D-B243-0ED18B7ED2C4S89Tympolero (timpani with band)Timpani Solo, Concert Band
37553542106F-697E-4F9B-AA93-FA170F2B2B5CEBM0610199Concerto for Left Hand and OrchestraCommissioned by the Gilmore Piano Festival. Premiered by Leon Fleisher, piano, and the Kalamazoo Symphony Orchestra, Yoshimi Takeda, conductor. Also performed by the American Composers Orchestra at Carnegie Hall, Dennis Russell Davies, cond., with Fleisher at the piano (4/30/95)2Pi2EH2BsCl2Cbn 4331 Timp 3Pc Hp Str
375635422DB3-C333-4667-A9E4-DC7118CB645A18200019Suite No. 2SUITE No. 2 is part of Vaclav Nelhybel's ABC Series, a series conceived with the technical limitations of young performing groups in mind, carefully planning every structural composition device and use of instruments in order to make all parts equally important, boosting the feeling of importance of every player and furthering the development of the whole performing group.1.0.2.0: 0.2.1(dTuba).0: Perc(4): Str
375735442F89-9431-4A56-B82B-A0B18E93E369S151002RapsodieRousseau brings to the Rapsodie an artistic sensibility--a fitting addition to the concert recital stage.Alto Saxophone and Piano
37583544416F-ED3D-4B18-8CB5-9EF9D7F8397BSC591For the Beauty of the EarthTexas University Interscholastic League Sight Reading for 2B, 3C & 2C Varsity mixed (SATB) Choirs & 2A & 1A Non-Varsity mixed (SATB) Choirs. A version for SAB choir is also available from the publisher.Satb
375935471DCD-8EFF-4ED5-9D3B-3483656A087CM338591Two Songs, Op. 73These two songs by the great American composer, Amy Beach (1867-1944), are based on text by Louis Zacharias. Songs include: 1. Grossmütterchen / With Granny and 2. Der Totenkranz / The Children's Thanks.Voice and Piano
3760354836EF-25BF-4392-82DF-01EBE2D26F79A183602Serenade No. 10 in B-flat, K. 361/370a (Gran Partita)Wolfgang Amadeus Mozart (1756-1791) composed the seven-movement SERENADE in B-flat, K. 361/370a (also titled SERENADE No. 10, subtitled GRAN PARTITA) between 1781 and 1782. Serenades at the time were written as "dinner music," so the music is generally light-hearted. The subtitle "Gran Partita" was added by an unknown party after Mozart's death. Instrumentation: 0.2.2+2Bssthns.2: 4.0.0.0: Cbass (or CtrBsn).0.2.2+2Bssthns.2: 4.0.0.0: Cbass (or CtrBsn)