Titles
Showing 3,741-3,760 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 3741 | 34F5BD70-B8E5-4324-8E93-7F75ABF47F0C | 52711028 | 15 Violin Duets | Includes works by Bach, Handel, Telemann. Intermediate level to 3rd position, good reading. Compatible with 52701111 (Violin/Cello Duets) and 52701127 (Violin/Viola Duets). | Violin Duet | |
| 3742 | 34F805B3-9EEC-4C39-B676-7F96239E774C | 52706009 | St. Paul's Suite: Jig for Cello Quartet with Double Bass | Cello 1 and 2 get into treble and tenor clefs, but everyone gets something fun. Should be accessible for accomplished high school ensemble. | Cello Quartet with Double Bass | |
| 3743 | 34F85A96-F8C9-4D0D-90DA-14D1F12D00D3 | M212191 | Symphony No. 6, Op. 59 | (not set) | Organ | |
| 3744 | 34FAA168-AA9A-4700-8C23-B5936E01E6CE | M182991 | Violin Sonata No. 2 | (not set) | Violin and Piano | |
| 3745 | 350654FD-08CB-46A9-8DD8-FAA5A723FB7A | A687202 | My Heart at Thy Sweet Voice (Mon Coeur s'Ouvre ta Voix): Cantabile from Samson and Delilah [trasncription for solo instrument and orchestra] | Camille Saint-Saëns' (1835-1921) opera SAMSON AND DELILAH tells the biblical story of Delilah's betrayal of Samson. "Mon cœur s'ouvre à ta voix" ("My Heart at Thy Sweet Voice," or "Softly awakes my heart," or "My heart opens itself to your voice") is a popular aria sung by the soprano Delilah in Act II, Scene 3 as she attempts to seduce Samson into revealing the secret of his strength. Theodore Moses Tobani (1855-1933), a musical child prodigy and composer of so much popular music that his publisher insisted on his use of many pseudonyms given how prolific he was, transcribed the cantabile for solo instrument and orchestra in 1908. Instrumentation: 1.2.2.2: 2.2.1.0: Timp.Perc(1): Str (9-8-7-6-5 in set): Solo Instrument (Cornet, Clarinet, Trombone/Baritone/ or Bb Saxophone) not included. | 1.2.2.2: 2.2.1.0: Timp.Perc(1): Str (9-8-7-6-5 in set): Solo Instrument (Cornet, Clarinet, Trombone/Baritone/ or Bb Saxophone) not included | |
| 3746 | 350673C3-9665-4EF5-AE8F-40E28DB1F811 | R00608 | The Tumbler's Prayer, Op. 48 | The plot of this ballet in two acts is based on the 12th century French legend of "Our Lady's Tumbler". | 3.2.2.2: 2.2.1.0: Timp.Perc(3).Clst.Hp: Str | |
| 3747 | 3508B1AB-084A-44CF-96FB-B8EE3C74A3BD | A460602 | Italian in Algiers (L'Italiana in Algeri, complete) | 2, 2, 2, 2 - 2, 2, 1, 0, timp, perc, str (2.2.1.1.1) vocal soli (7 roles, SAATBBB), chorus | ||
| 3748 | 350C21F0-3BB0-4067-8E4C-1613FCE27AD4 | MP505001 | Piano Quintet | Premiere: Isaac Stern, violin, Philip Setzer, violin, Lawrence Dutton, viola, David Finckel, cello, Jonathan Biss, piano, Washington, DC, March 10, 2001. Recorded by Brave New Works. Movements: 1. Sonata Movement, 2. Larghetto, 3. Lamentation, 4. Rondo furioso | 2 Violins, Viola, Cello, Piano | |
| 3749 | 35112C99-E368-456F-887C-02053D6D3D28 | A537702 | La Vie Parisienne | 2, 2, 2, 1 - 2, 2, 1, 0, perc, str (2.2.1.1.1) [vocal soli (23 roles, S-10, A-4, T-3, B-6), chorus] SCORE NOT AVAILABLE | ||
| 3750 | 351AE43B-550C-4231-B304-32CB41B15B01 | SS865 | Quartet No. 2 | Sax Quartet | ||
| 3751 | 352B6592-7E4F-426B-9024-C2D769401615 | M904902 | Arrival Platform Humlet | Originally part of the 1916 orchestral suite IN A NUTSHELL, Grainger described the meaning of the work's title as, "Awaiting the arrival of a belated train bringing one's sweetheart from foreign parts: great fun! The sort of thing one hums to oneself as an accompaniment to one's tramping feet as one happily, excitedly, paces up and down the arrival platform." Written for a either solo viola or double reeds or a group of violas or group of double reeds, this arrangement for band was masterfully completed by Carl Simpson. | Concert Band | |
| 3752 | 3537855A-694D-445A-BED3-BA4E918EDE69 | 52702031 | Meryton Townhall for String Trio | String Trio | ||
| 3753 | 353E351E-19A3-4E70-BE72-9950FC83AFBD | P28 | Festival Concerto | 2 Pianos, 4 Hands | ||
| 3754 | 3540E01D-D69B-459D-B243-0ED18B7ED2C4 | S89 | Tympolero (timpani with band) | Timpani Solo, Concert Band | ||
| 3755 | 3542106F-697E-4F9B-AA93-FA170F2B2B5C | EBM0610199 | Concerto for Left Hand and Orchestra | Commissioned by the Gilmore Piano Festival. Premiered by Leon Fleisher, piano, and the Kalamazoo Symphony Orchestra, Yoshimi Takeda, conductor. Also performed by the American Composers Orchestra at Carnegie Hall, Dennis Russell Davies, cond., with Fleisher at the piano (4/30/95) | 2Pi2EH2BsCl2Cbn 4331 Timp 3Pc Hp Str | |
| 3756 | 35422DB3-C333-4667-A9E4-DC7118CB645A | 18200019 | Suite No. 2 | SUITE No. 2 is part of Vaclav Nelhybel's ABC Series, a series conceived with the technical limitations of young performing groups in mind, carefully planning every structural composition device and use of instruments in order to make all parts equally important, boosting the feeling of importance of every player and furthering the development of the whole performing group. | 1.0.2.0: 0.2.1(dTuba).0: Perc(4): Str | |
| 3757 | 35442F89-9431-4A56-B82B-A0B18E93E369 | S151002 | Rapsodie | Rousseau brings to the Rapsodie an artistic sensibility--a fitting addition to the concert recital stage. | Alto Saxophone and Piano | |
| 3758 | 3544416F-ED3D-4B18-8CB5-9EF9D7F8397B | SC591 | For the Beauty of the Earth | Texas University Interscholastic League Sight Reading for 2B, 3C & 2C Varsity mixed (SATB) Choirs & 2A & 1A Non-Varsity mixed (SATB) Choirs. A version for SAB choir is also available from the publisher. | Satb | |
| 3759 | 35471DCD-8EFF-4ED5-9D3B-3483656A087C | M338591 | Two Songs, Op. 73 | These two songs by the great American composer, Amy Beach (1867-1944), are based on text by Louis Zacharias. Songs include: 1. Grossmütterchen / With Granny and 2. Der Totenkranz / The Children's Thanks. | Voice and Piano | |
| 3760 | 354836EF-25BF-4392-82DF-01EBE2D26F79 | A183602 | Serenade No. 10 in B-flat, K. 361/370a (Gran Partita) | Wolfgang Amadeus Mozart (1756-1791) composed the seven-movement SERENADE in B-flat, K. 361/370a (also titled SERENADE No. 10, subtitled GRAN PARTITA) between 1781 and 1782. Serenades at the time were written as "dinner music," so the music is generally light-hearted. The subtitle "Gran Partita" was added by an unknown party after Mozart's death. Instrumentation: 0.2.2+2Bssthns.2: 4.0.0.0: Cbass (or CtrBsn). | 0.2.2+2Bssthns.2: 4.0.0.0: Cbass (or CtrBsn) |