Titles
Showing 3,661-3,680 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 3661 | 33BF1741-481D-4CBF-99EB-B9556EF1A895 | X504045 | Carolina Reveille | Recorded by Lev Polyakin (violin), Robert Vernon (viola), Nathaniel Rosen (cello), Paul Schoenfield (piano), Innova CD 544. | Violin, Viola, Cello, Piano | |
| 3662 | 33CA7E2D-EB0B-4B65-B201-11D8D4551927 | SS184 | Sounds Of The City (out-of-print) | Percussion Ensemble | ||
| 3663 | 33CE8F2C-E521-4419-9BFD-EA3525A3E8B8 | R00611 | Violin Concerto, Op. 86 | (not set) | Violin, Piano Reduction from 2+Piccolo.2+English Horn.2+Bass Clarinet.2: 4.2.3.1: Timpani.Percussion(3).Celesta.Harp: Strings | |
| 3664 | 33CF2427-EB88-4914-A530-4B24D86B95C5 | SU152 | Shades Of Tuba | Tuba | ||
| 3665 | 33D0C5E3-4E6D-461B-8D63-16BC58EDEEBF | S510015 | Violin Concerto in D Major, Op. 35 (North American Edition) | This new edition of the violin solo part to the Korngold Violin Concerto in D Major is the first-ever to include Jascha Heifetz' performance notations, edited by Endre Granat, one of his star proteges. Born in Austria, Korngold was forced into US exile by the annexation of Austria by the Nazis. He had vowed to give up composing anything other than film music until Hitler had been defeated. With the end of World War II, he retired from films to concentrate on music for the concert hall. The Violin Concerto was the first such work that Korngold wrote, following some initial persuasion from violinist and fellow émigré Bronis?aw Huberman. Korngold had been hurt by the assumption that a successful film composer was one that had sold his integrity to Hollywood. He was thus determined to prove himself with a work that combined vitality and superb craftsmanship. Korngold composed his Violin Concerto in D major, Op. 35, in 1945, dedicating it to Alma Mahler, the widow of his childhood mentor, Gustav Mahler. The work was premiered on February, 15 1947 by Jascha Heifetz and the St. Louis Symphony under conductor Vladimir Golschmann. It received the most enthusiastic ovation in St. Louis concert history at the time. On 30 March 1947, Heifetz played the concerto in Carnegie Hall with the New York Philharmonic conducted by Efrem Kurtz; the broadcast performance was recorded on transcription discs. Heifetz's performance launched the work into the standard repertoire, and it quickly became Korngold's most popular piece. Concerning Heifetz's performance of the work, the composer wrote, "In spite of the demand for virtuosity in the finale, the work with its many melodic and lyric episodes was contemplated more for a Caruso than for a Paganini. It is needless to say how delighted I am to have my concerto performed by Caruso and Paganini in one person: Jascha Heifetz." | Violin (solo part only) | |
| 3666 | 33D2B73B-B0D0-4EBD-AA8F-18F680F8C884 | R01285 | Ethan Frome Suite | 2.2.2.2: 4.2.3.1: Timpani.Percussion(2).Harp: Strings | ||
| 3667 | 33DDC79D-59E2-43DD-815C-2030E00A5ABB | EBM0630070 | Rituals: for Dancers and Musicians | RITUALS was created originally for an experimental television special produced by WTVT, Tampa, Florida, featuring the modern dance group from the University of south Florida, a small chamber ensemble, and oher works of the composer. The production was conceived as an interaction between dancers and musicians, with the latter - a small ensemble doubling many instruments - "on stage" and part of the action as well as the décor. The instruments employed (mostly from the household collection of the composer) are intentionally "exotic" or "primitive," and though modern substitutes are possible, an important visual and sonic aspect of the piece is lost unless these are kept to an absolute minimum. The music is not intended for concert performance without dance. The set is printed for a quartet. If additional players are preferred, please purchase a copy of the score item for each extra musician. | Fl (Indian bamboo fl, sop rec, tamb, fing cym, maraca), perc (2), prepared piano (bamboo fl, rec, koto [or cheng, zither, or autoharp], mbira [or afroharp]) | |
| 3668 | 33DFF8FB-9B32-4C4A-A43E-78966CD6FC5D | X906301 | Music for Children's Chorus | (not set) | Children's Chorus and Piano. Optional parts for Flute, 2 Clarinets, and Percussion. | |
| 3669 | 33E37839-3E79-4C91-A9E7-77AD40D00DAC | A928290 | Bluebeard's Castle (Herzog Blaubarts Burg) | Béla Bartók’s (1881-1945) only opera, BLUEBEARD'S CASTLE, follows Bluebeard and his new wife Judith as Bluebeard shows Judith his castle. Judith is intrigued by seven locked doors, which Bluebeard reluctantly lets her open. Judith grows more worried after opening each door and discovers Bluebeard’s three other wives behind the seventh. Bartók intended the opera as a wedding present for his wife, Márta Ziegler. BLUEBEARD'S CASTLE premiered on May 24, 1918 in Budapest. The opera is often performed in concert but is staged less frequently due to the difficulty of Béla Balász’ Hungarian libretto. German translation by Wilhelm Ziegler included in this vocal score. | Vocal soli (SBs): Keyboard or Orchestra accompaniment | |
| 3670 | 33E3E710-51F5-4FD0-9E16-F78E15FE38BC | A248802 | Magnificat in D, BWV 243 | Johann Sebastian Bach (1685-1750) first set the text of the Magnificat, BWV 243, in 1723 after taking up his post as Thomaskantor in Leipzig, but in the key of E-flat. This original version (cataloged as 243.1) was first performed on Christmas Day at the Leipzig Thomaskirche in 1723 and included four Christmas hymns beyond the Magnificat's twelve movements. Bach revised the work in 1733, changing the key to D for the sake of the natural trumpets and expanding the instrumentation slightly with transverse flutes and oboes d'amore. This second version (243.2) was likely performed on July 2nd of that year for the feast of Visitation, a holiday associated with the Magnificat text, which also resulted in the removal of the four Christmas hymns. The second version in D is the one most frequently performed today. This edition is by Karl Straube (1873-1950), German choral conductor and organist. | Soli SATB: SSATB Chorus and Keyboard Accompaniment | |
| 3671 | 33E76CE7-9083-4785-8FB9-95F60FCC7AA1 | R00583 | Concerto a Tre, Op. 52 | Commissioned by the Koussevitsky Foundation. | Violin, Cello, Piano Soli 2.2.2.2: 4.2.2.0: Timpani.Percussion(3): Strings | |
| 3672 | 33E9A40C-C352-40A0-9748-2AF5D86C6581 | M346291 | Intro Passacaglia and Fugue for Organ | (not set) | Organ | |
| 3673 | 33EA7A23-B9DE-442C-82C9-AD2882A50E92 | R01494 | Muse of the Missouri | Muse of the Missouri takes its title from a magnificent fountain located at 8th and Main in Kansas City, but as the composer writes, “the piece is really more about the city and its surroundings. It begins gently with an evocation of the Missouri River and then unfolds as something of a journey through a landscape.” Written for Michael Stern and the KC Symphony, the work employs full orchestra with banjo. | 3(3dPicc).3.3(3dBCl).3(3dCbsn): 4.3.3.1: Timp(2).Perc(2).Pno.Banjo.Hp: Str | |
| 3674 | 33EBF4A5-A7F4-44A7-8A55-AC3AE19AE333 | 50100335 | Tractor Pull | If you’re commissioned to write a work for the Lorain County (OH) 4H Band, of course you’re going to use tractor parts as part of the sound picture. Surely one of your students will have access to just the right "instrument!" | Concert Band | |
| 3675 | 33EC4E69-D4BE-4336-A30E-DF2969C61E36 | S873CB | Star Gazer | (not set) | Concert Band | |
| 3676 | 33EF05E0-8314-4BAE-9235-CBF5A42AF1C3 | 50703005 | Jewish Wedding Music | Enhance your next performance or wedding gig, Jewish or not, with this collection that takes you from the altar to the last dance. Contents include: Bobover Wedding March (Traditional); Freylekhs fun der Khupe (Dances from the Wedding Canopy) ("Kandel's O | Violin 1, 2, Viola and Violoncelllo | |
| 3677 | 33F1007F-8B9F-48B7-A704-0C6C9622B22A | SC824 | For the Beauty of the Earth | 2009 TEXAS UNIVERSITY INTERSCHOLASTIC LEAUGUE SIGHTREADING FOR 1B AND 1C VARSITY TREBLE (SSA) CHOIRS AND 3B, 2B, 1B, 3C, 2C, AND 1C NON-VARSITY TREBLE (SSA) CHOIRS. | SSA | |
| 3678 | 33F1B63F-5DDF-469B-9C31-E4F2CA621F2D | M254091 | Sonata in E-flat, Op. 18 | One of the great hits of virtuosic violin repertoire, Strauss' VIOLIN SONATA is a lush and impressive piece. Composed when Strauss was only 23, it demonstrates the brilliance and mastery of the composer. Challenging yet highly rewarding for both violinist and piano accompanist, this beautiful work is sure to inspire the audience. | Violin and Piano | |
| 3679 | 33F7808F-2DD8-4D53-88FA-C356A4795CD7 | EBM0610110 | Symphony No. 8 | Movements: 1. Adagio e mesto, 2. Allegro con brio. Premiered May 2, 1968 by the New York Philharmonic conducted by William Steinberg. | 3(Alto)34(Eb)4(Cbn) 4341 Timp 2Pc Pno Hp Str | |
| 3680 | 33FE74F4-1EBD-45FF-878A-B2AAAB202395 | ST404CO | Prelude and Canzona | (not set) | Trombone Choir |