Titles

Create Title

Showing 3,561-3,580 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
3561324115DD-13DE-4EF2-903D-3831D33423D1SU169LumberjackCello
356232423BB6-A8FE-47AC-AD6C-D6A975C5114AR01103Concierto Caribeno Para Flauta Y Orquesta(not set)Flute Solo: 2+Picc.2+EH.2+BCl.2+Cbsn: 4.3.3.1: Timp.Perc(3).Pno(d Clst).Hp: Str
3563324D2FB6-5B3D-4810-9299-CB26B5DF5F07S111002Six Poemes NoirFormerly published by Frangipani Press, Baker's 6 Poems Noir is a collection of short character pieces. Movement titles: 1. Reve 2. Papillon 3. Omniscient 4. Chanson 5. Image 6. Nocturne. Composed 1981; duration ca. 12'.Flute, Piano
3564324EE79B-60B9-4699-BE1E-EC4D7B515425X221004Netherlands TravelogueNetherlands Travelogue (1999) is a suite for beginning/intermediate trumpeter and piano. The five short movements are named after different elements from a trip that the composer took to the Netherlands in December 1999.Trumpet, Piano
356532511BA3-2CAE-4EFE-B7CD-14A161D82A2ES126MBWilliamson Fanfares, Set B(not set)Marching Band
35663252CE3B-1CF2-4DA8-893B-CE2084E98CBFM315191Trois Romances, Op.7Vieuxtemps' Trois Romances for solo violin and piano accompaniment are amongst his more famous works. They have been recorded by top name violinists such as Janine Jansen and David Oistrakh. Composed in 1841, they are comprised of three short individual movements each one or two pages. Perfect for an advanced player or professional looking to quickly add eight minutes of beauty to their repertoire.Violin and Piano
356732552D80-6C51-4CEF-A145-13EB0FCE24C8SS163THREE ( 3) EASY CANONS
356832564235-9134-4FC4-8C51-DD6571416C3BD3635Music for Band Vol 13Band
3569325C4C81-AA77-44CF-A0B6-6D40A6B89CA110530196Mantis DanceA "heavy" dance that features upbeat 2:4 and lyrical waltz sections. Versions for trombone, baritone, tuba, bassoon, and string bass are available from the publisher.Trombone Solo and Piano
3570325C7DE9-E2FE-4F1D-BDC1-CCB888FB6EFBM358891Five Pieces, Op. 85With the "Tree Suite" (Op. 75) in mind, Sibelius wrote this corresponding "Flower Suite" (Op. 85). It forms a distinctive series of worthwhile pieces. Movements: No. 1. Bellis (Presto; 1917). "The Daisy" is a music-box-like virtuoso "Blumenstück" on the white keys. The style is that of a salon piece.; No. 2. Oeillet (Con moto; 1916). "The Carnation" is a remembrance of a ball. It was described by Erik Tawaststjerna as "the most inspired and brilliant of Sibelius's miniatures in waltz rhythm". The A flat minor variation in the middle section darkens the atmosphere a little.; No. 3. Iris (Allegretto e deciso; 1916). This is a challenging, but rewarding work for the pianist. It is both serious and poetic in its fragility and determination.; No. 4. Aquileja (Allegretto; 1917). This piece ("Aquilegia" or "Columbine") serves its purpose as a Biedermeier-style work in the manner of Edward MacDowell.; No. 5. Campanula (Andantino; 1917). "The Bellflower" rings out with its appoggiaturas and offers a bright, sparkling finale.Solo Piano
3571325FF20E-4364-46F3-A6E2-181A1D634BE4A191002Donna Diana Overture (Original Version)3d1, 2, 2, 2 - 4, 2, 0, 0, timp, perc, hp, str
3572326209D0-EB90-4B4F-AE55-044569E94889A771502Ramuntcho: Overture (from Suite No. 1)Ramuntcho was a 1897 novel by Pierre Loti for which Gabriel Pierné (1863-1937) composed incidental music for a 1908 staged version. Pierné extracted two suites from the Basque-inspired incidental music in 1910, and it is these two suites that see performances still today. The Overture is the first movement from Suite No. 1. Instrumentation: 2(2nd dPicc).2.2.2+Saruss(opt): 4.2.3.0: Timp.Perc(3): Hp(2): Str (9-8-7-6-5 in set).2(2nd dPicc).2.2.2+Saruss(opt): 4.2.3.0: Timp.Perc(3): Hp(2): Str (9-8-7-6-5 in set)
35733267C07D-26C6-4672-8B36-91CF8E8576A7LV732MBRAT PATROL **PRINT O
3574326C796D-CE76-4B0F-80C0-77405D2583ECX146005Therefore Let Us Keep the Feast: a liturgical meditation for contrabassoon and organ(not set)ContraBassoon, Organ
35753274280B-3FBB-430E-9286-0D057747A844SS888Variations on Poor Wayfaring StrangerFlute
35763274A467-BF16-4E21-91D7-909E7953B426M323391Five Songs(not set)Two Trumpets, Horn, Trombone, Bass Trombone or Tuba
357732793707-2513-44CA-872B-C431558EE0A4A222402Concerto for Violin No. 4 in D minor, Op. 31Compared to Niccolò Paganini by friend Robert Schumann, Henri Vieuxtemps (1820-1881) was a well-known virtuoso violinist of the Franco-Belgian violin school in the mid-19th century. Aspiring towards becoming a composer also, most of his output was for the violin, and his seven violin concerti remain the reason he is generally known to audiences and musicians around the world still today. Though a virtuoso himself, his violin writing never indulged in sheer virtuosity for its own sake, and he quoted as having said, “Not runs for the sake of runs - sing, sing!” His Concerto No. 4 in D minor, written around 1850 while serving in St. Petersburg for a period of five years as Czar Nicholas I’s solo violinist, was Vieutemps favorite of the seven concerti. A grandly imposing work in four movements, it shows the composer’s ability to not only write exciting string music but also to invent melodies of sensuous warmth. Considered one of the great "masterpieces" of the literature, it remains a favorite among violinists and is often performed. Instrumentation: Solo Violin: 2.2.2.2: 4.2.3.0: Timp: Hp: Str (9-8-7-6-5 in set).Solo Violin: 2.2.2.2: 4.2.3.0: Timp: Hp: Str (9-8-7-6-5 in set)
3578328123E8-E16E-48CC-A95C-EDC4A3A20333X430003ResurrectionOrgan Solo
35793287AB3A-4FBE-43B3-BD7F-79622A93018ER00343My Lord What a Mourning: Elegies on the Death of Martin Luther King, Jr.Elegies on the Death of Martin Luther King, Jr.2.2.2.2: 2.2.0.0: Timpani.Percussion(1).Piano(d Celesta): Strings
3580328824C8-FB56-4F13-A5FF-5C1E439EB8C5A909790March of the Two Left FeetLeroy Anderson first mentioned THE MARCH OF THE TWO LEFT FEET in a letter he wrote in 1947. However, he didn’t finish the work for orchestra until 1969. This wacky, fast polka was premiered in 1970 and is based on Anderson’s reading of the P.G. Wodehouse book, THE MAN WITH TWO LEFT FEET. This version is scored for full orchestra. Anderson never completed a band arrangement of the work, even though he usually did band arrangements of his own orchestral compositions. Dr. John Boyd made a band arrangement after careful study and comparison with Anderson’s own band works, also available from the publisher. Instrumentation: 2+Picc.2.2.2: 4.3.3.1: Timp: Perc(4-5): Str (9.8.7.6.5 in set).2+Picc.2.2.2: 4.3.3.1: Timp: Perc(4-5): Str (9.8.7.6.5 in set)