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346130CEF260-045F-42FF-8D92-6B34FF56884D50607002Seconds in TimeThe perfect tool for teaching percussionists balance and blend, SECONDS IN TIME is melodic, not "drummy" and bombastic. The work is not overly reliant upon technique, focusing instead on acquiring musical skills. Eight players are needed for this work.Percussion Octet: Orch Bells, Chimes, Xylo/SD, Vibrphn/SD, Mba/Tamb, Tri/Sus Cym/BD, SD/Sus Cym/2 Toms, Timp
346230CF15FA-96E7-4B32-A93E-E6ADFE8D0FA6S756CBTwo Studies for Band
346330D4AC41-50D4-4DC3-A433-62B7F697AF27X504036LagniappePremiered by the Dallas String Quartet, May 1999.String Quartet
346430DE0EF1-6718-4934-BE2D-92DDB592B65D50250106Marble Falls RondoTwo-note slurs and dotted quarter note rhythms are introduced to your first year orchestra in this delightful rondo. Basses will use half position while the notes of the D major scale are reinforced. Useful for the end of the year concert to show off all that your students have learned.String Orchestra
346530E001C2-22B9-4A44-AD2B-31B07DD18017S1018CBBelle of the Ball for Band - Second EditionLike most of Leroy Anderson’s efforts, Belle of the Ball is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitalization -- of the Viennese waltz tradition. Having said that, the main theme sounds rather unlike a Strauss waltz, but the voice of Tchaikovsky is evident in its playful, fantasy-like character. The melody is rhythmic and comes in short groups of notes, beginning with two notes, then three, then expanding further; the music skates along elegantly. The middle section features a delightful variation on the theme, in which Anderson’s gentle belled sonorities impart a playful innocence. This exclusive Southern band edition by Mark Rogers reintroduces Anderson’s enchanting work to new generations of audiences.Concert Band
346630E37DB2-0298-45B0-A607-5344DCDDF639SO32CCotton Eyed Joe
346730E76570-A7D4-4C96-9172-9209ADE80C3F10100483Danish BouquetThis musical tribute to Frederick Fennell is based on a selection of Danish folk melodies that were part of an unpublished collection of Percy Grainger's. Written as a companion piece to Lincolnshire Posey, it makes an impressive suite and a fitting memorial.Concert Band
346830E8BC26-88F7-4464-801B-165C2CB721CE50250112Smooth SailingIt is rare to find such a mix of style and emotion as can be found in this work. Lush and romantic in sound, it has passages of pizzicato and harmonics (first violin only). The emphasis is on shifting expressively with just enough other challenges to make this a concert highlight.String Orchestra
346930EB393D-B10F-4017-B8CA-1631C97CCF0DRCSS221Famous Largo from XerxesFlute/ OB.
347030EE3890-8B6F-484F-ACC2-A1F3D9D91FE8X541001Omaggi e FantasieComprises three central movements, each paying homage to a well-known 20th century composer. Recorded by Michael Cameron (double bass) and David Liptak (piano), Songs and Night Scenes, Gasparo CD GSCD-28.Double Bass, Piano
347130F4F990-51E7-4AE5-A66E-92D81498C7C5F703Musidex File Set Solos and Ensembles, 300-numbersForms
347230F71717-BE83-4E18-8C20-770E2E5D15A8M193391Three Novelletten, H. 44(not set)Two Violins, Viola and Violoncello
347330F739E1-9467-469E-B6D6-02DD1F9CDA7CA848402Songs to Poems by Rueckert; No. 3: Ich bin der Welt abhanden gekommen, low voice (D-flat, transposed)Gustav Mahler (1860-1911) composed SONGS TO POEMS BY RUECKERT (SONGS AFTER RÜCKERT; RÜCKERT-LIEDER) between 1901 and 1902. They were not conceived of as a cycle, with each song only connected by the poet Friedrich Rückert and the themes. But they were published together, first as SIEBEN LIEDER AUS LETZTER ZEIT (SEVEN SONGS OF LATTER DAYS) with two additional Mahler songs, then with only the five songs. They have simply come to be known as Rückert-Lieder and are now most frequently performed together, although Mahler did set other Rückert poems aside from these five. The third song, ICH BIN DER WELT ABHANDEN GEKOMMEN (I AM LOST TO THE WORLD), transposed to the key of F in this version for high voice, distills the lonely plight of the artist forgotten by the world but finding solace in art and introspection. Upon reflection, Mahler once declared, “It is truly me.” Instrumentation: 0.1+EH.2.2: 2.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Low Voice. Reprint edition.0.1+EH.2.2: 2.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Low Voice
347430FA0629-CC71-4E09-A2F5-BBA00468EC1ASS254Petite Suite PittoresqueMovement titles: I. Idyl, II. Legende, III. Bouree, IV. The Shepard (Les Berger), V. The Curfew (Couvre-Feu), VI. ScherzoOboe or Flute and Piano
347530FEC19E-EEDA-42C5-B266-DB0DDA16EBAB50361001Rudimental Rock-Jazz EtudesRudimental Rock-Jazz Etudes for the Snare Drum are just that: a modern treatment of the standard rudiments with a rock and jazz 'flavor.' The tempo markings are a guide, and as such can be varied to suit your taste and feeling. Much fun and success with Rudimental Rock-Jazz Etudes for Snare Drum!Snare Drum
34763100945A-9352-4898-BD06-B7E961C5BDFBA508302I Vespri Siciliani: Act V, No. 14; Chorus and Siciliana: Merce, dilette amiche (soprano)The first performance of I Vespri Siciliani (The Sicilian Vespers), a five-act opera by Guiseppe Verdi (1813-1901), took place at the Paris Opera on June 13, 1855, under the direction of Narcisse Girard. Verdi set to music an adaptation of a libretto originally intended for Donizetti, called "The Duke of Alba", based on the 16th-century Spanish tyrant but replacing the earliest Dutch setting with a Sicilian one. When it was first performed in Italy, the text was changed under the title "Giovanna de Guzman" to satisfy the Italian censors. In 1860, it returned to its original title with a new translation. Although not as frequently performed today, it achieved great success with both audiences and critics. Elena (Hélène) sings the Siciliana "Mercè, dilette amiche" ("Thank you, beloved friends") before her marriage to Henri, transforming wedding flowers into a metaphor for the joyful sensations of her Sicilian motherland. This is preceded by the chorus "Si celebri alfine tra canti" ("It is celebrated at the end among the songs"). Instrumentation: 1+Picc.2.2.2: 4.2+2.3.1: Timp.Perc(2): Harp: Str (4-4-3-3-3 in set): Solo Soprano. Reprint edition.1+Picc.2.2.2: 4.2+2.3.1: Timp.Perc(2): Harp: Str (4-4-3-3-3 in set): Solo Soprano
34773106FA14-C02B-41B4-A75D-88CB2F178329SC335EveningSab
3478310ABD9B-17E9-4F5A-AD56-604EB5CF2FC7ST403Two ChoralesThis short marimba solo gives students in the early part of the their education to work on four-mallet technique.Marimba Unaccompanied
3479310BE93A-AAB5-4032-9C8A-8B6AA6385B74X430008A Carson Cooman Organ AlbumThe works for organ in this collection were written between 1999-2000 for a variety of different occasions. All are short and accessible and are suitable for either recital or service settings.Organ Solo
34803118676C-613B-4202-87F0-2E067CFFBD15B368302Nun Komm De Heiden HeilanConcert Band