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3441309D5F1F-81E3-40BD-9995-99BA87E83D46S511037Famous Solos and Encores for Violin and PianoThough Tchaikovsky’s major works for violin and orchestra remain well-established in the repertory, some of the most stunning displays of the composer’s gift for brilliant violin writing can be found in solo passages contained in larger works. This publication contains six of the finest transcriptions ever made for violin and piano, with works by Leopold Auer, Ferdinand Laub and Tivadar Nachèz. Meticulous care and attention to every detail has been taken in the notation, bowing and fingering of these works by editor and Jascha Heifetz protégé, Endre Granat.

Contents: Andante Cantabile, Aurora Variations and Entr'acte from Sleeping Beauty, Chant Sans Paroles, Mozartiana, Sentimental Waltz, and Valse from Serenade for Strings.		Violin, Piano
344230A055A8-0670-4C36-8145-A70A6A2C9992R00079Alto Saxophone Concerto "Lee Konitz"Commissioned by jazz saxophone legend Lee Konitz, Baker's concerto fuses jazz and classical idioms convincingly in his signature style which has been dubbed "third stream". Three movements; total length ca. 21'.Alto Saxophone Solo: 2(+Picc).2(+EH).2(+BCl).2(+CBsn): 4.3.3(+BTbn).1: Timp.Perc(2): Str
344330A0BA76-81EC-4999-9549-4A16D0B92A2BSO95CEarly English SuiteConsider this a collection of madrigals to perform separately, or as a complete eight movement suite. This versatile collection of late Renaissance and early Baroque music is rich in counterpoint, promoting independence within the sections of the orchestra. Featuring the works of Thomas Morley, William Byrd, Orlando Gibbons, John Farmer, and William Boyce, it is ideal for both teaching and performing.String Orchestra
344430A13626-E5C3-47AA-96D1-23F7F18CD646A299202Boheme, La: Act I, Aria: Che gelida manina (tenor, Db)LA BOHÈME (THE BOHEMIAN), one of the most beloved and commercially-successful operas, is based on the 1851 novel Scenes of Bohemian Life by Henri Murger. With a libretto by Luigi Illica and Giuseppe Giacosa, Giacomo Puccini (1858-1924) worked on it from 1893 to 1895. It first appeared at the Teatro Regio in Turin on February 1, 1896, conducted by 28-year-old Arturo Toscanini. Weighed negatively against Turin's recent Italian premiere of the Wagner opera GOTTERDAMMERUNG, it received a lukewarm response from audience and critics. A few months later, concertgoers filled opera houses on both sides of the Atlantic to hear it. In Act I, Rodolfo the painter has just met Mimi in the darkness of his garret while trying to look for a key she has lost. Their hands meet in the gloom; singing CHE GELIDA MANINA, he introduces himself as a poet, poor in circumstance, but whose dreams of love make him a millionaire at heart. Instrumentation: 2+Picc.2+EH.2+BCl.2: 4.0.3.0: Timp: Perc(1) Hp: Str (4.4.3.3.3 in set): Solo Tenor. Versions in both the original key of D-flat Major and transposed to C Major are available from the publisher.2+Picc.2+EH.2+BCl.2: 4.0.3.0: Timp: Perc(1) Hp: Str (4.4.3.3.3 in set): Solo Tenor
344530A4E33B-4705-44FE-9467-EE63AD702CBE20712102Largo and Rigadoon(not set)Violin 1, 2 and 3
344630A665AF-D838-4FF4-91E1-C00A60E05E07X814023Ecstatic Songs, Part 3Part of a song cycle on Walt Whitman's text "Song of Myself," Part 3 takes it's subtitle from the opening line: "I hear bravuras of birds."High Voice, Piano
344730A94B89-2173-44E7-B193-C820E60EC16BS231001Concerto for Trombone (piano reduction)This essential 20th-Century American work for Trombone has been recorded by acclaimed trombonist Christian Lindbergh. Walker received the first annual Classic Roots award for the Detroit Symphony's 2000 performance of the concerto.Trombone and Piano reduction, from 2+Picc.2.2.2+Cbsn: 4.2.2.1: Timp.Perc(3).Clst.Hp: Str
344830AAB3F4-AB6B-4DDB-AFF6-1C80DAA42DF6SS80First FantaisieThis edition compiled by Daniel Bonade was originally composed for the Paris National Conservatory Contest in 1897.Clarinet
344930AC3B5B-19D4-4A89-A7B0-E2F4CB3F886BEBM159744HousemusicPremiered at the 2015 National Flute Association Convention with flautist Penny Fischer and pianist Martha Fischer. Movements: 1. Hustle and Bustle, 2. Like an Old Song, 3. RigaudonFlute, Piano
345030B12ADB-E612-400C-A722-9066BD27D775B275Graphic Guitar, Vol. 2Guitar
345130B19BA8-6B9F-4B1F-8E55-DA85E7EB413A53260001Vivaldi RocksThere is no doubt that "Vivaldi Rocks" for solo violin and orchestra demonstrates Mark Wood's love for both classical traditions and the best of rock and roll. He captures the essence of Antonio Vivaldi's style, using quotes "Winter" in the original key of F-minor. The included CD features a demonstration recording as well as a solo accompaniment track. A version for just solo with accompaniment CD is also available (#53710001).String Orchestra with Optional Rock Rhythm Section
345230B28497-014F-4FEC-AB61-901522BDDEA7M912302Captain and the Kings, The (symphonic band)(not set)Concert Band
345330B3947E-2F19-490C-909F-00447709FC78EBM0610261Cecilia Valdes: Salida de Cecilia (Key of D excerpt)This selection from the Cuban Zarzuela "Cecilia Valdes" was arranged in its original key of D by Evan Hause. Duration ca. 5'. Optional scoring exists for brass section of two horns only.Soprano, SATB Chorus, 2222 4321[opt 2000] Timp 3Pc Str
345430B4F9FE-4EB1-4DD1-8EF3-3D3D7A513AB2X652715Portraits for Flute, Clarinet, Violin, Violoncello, and PianoBruce Adolphe wrote of this piece, "Scored for the Da Capo Chamber Players (flute, clarinet, violin, cello, piano), PORTRAITS is a series of tributes to the memories of musicians who were close to me, as well as to the players of Da Capo. The portraits are of: Nicholas Maw; Milton Babbitt; David Golub; George Perle; Laura Flax. For the composers, I incorporated aspects of their musical personalities into their tributes; for the tribute to pianist David Golub, I created a portrait based on a Schubert impromptu that he frequently played as an encore; for the clarinetist Laura Flax, who was a longtime member of Da Capo, I composed a movement in which the clarinet is the soloist, in an intimate meditation that brings the entire work to a close. This is a deeply personal project, but one that I hope will speak to the larger musical community, many of whom who knew and loved these musicians.""Pierrot Ensemble": Flute, Clarinet, Violin, Cello, Piano
345530BF8395-43D6-4ED4-918D-A63FCBD4E2E952260348MozartanteChoose your own soloists! Solos parts are provided for violin, viola and cello, allowing flexibility in this Mozart-inspired work. It's an excellent motivator for your players.Two Soloists (Vn, Va, or Vc) and String Orchestra
345630C663CD-C008-41B7-95AA-A27F19DD4F1DST516Five SongsSongs: I. Standchen, II. O kuhler Wald, III. Minnelied, IV. Sonntag, V. Vergebliches StandchenTuba and Piano
345730C71E9B-08AD-4E6F-BB5A-8E40760503B010100369HymnOriginally composed for solo piano, master orchestrator John Boyd has scored this expressive and richly textured composition for wind band. It maintains the nuances and delicate colors so expertly identified with Ingolf Dahl's work, thus cementing his place in contemporary music.Concert Band
345830C825B9-EE4E-421E-9808-94DAD00BAC52S722Crown of ThornsA tone poem that describes in musical terms Jesus Christ's journey from the Last Supper, through the betrayal of Judas Iscariot, the abjuction by the Roman soldiers, the judgement under Pontious Pilate, the crown of thorns, and the procession to the cross, culminating in the Ascension into heaven. Though modern compositional devises are used, the piece attempts to remain true to the musical sounds that might have been heard in Biblical times. The music is highly programmatic in nature, and many listeners may recognize elements of the story.Concert Band
345930CCDD54-9614-4604-B932-8653916C3845A765202Overture for English Opera(not set)1, 2, 0, 2 - 2, 2, 0, 0, timp, str
346030CD4CB7-B0BC-4D7C-9151-3F73BCB4155EM246991Six Sonatas for Violoncello and ContinuoVivaldi wrote these six sonatas for cello and continuo between 1720 and 1730, when the cello sonata became a popular genre. This publication of the six works for the advancing cellist, edited by Diethard Hellmann, includes a realized continuo part intended for harpsichord, but playable by piano or organ. The work also includes a separate continuo part that may be played by another cellist, which is a wonderful addition for lessons or an alternative in performance.Cello and Keyboard or Cello Continuo